Loading AI tools
From Wikipedia, the free encyclopedia
On Trinity Sunday 27 May 1725 Johann Sebastian Bach had presented the last cantata of his second cantata cycle, the cycle which coincided with his second year in Leipzig. As director musices of the principal churches in Leipzig he presented a variety of cantatas over the next three years. New cantatas for occasions of the liturgical year composed in this period, except for a few in the chorale cantata format, are known as Bach's third cantata cycle. His next cycle of church cantatas, the Picander cycle, did not start before St. John's Day 24 June 1728.
Sacred music of this period by Bach that does not belong to a cantata cycle includes council election cantatas, Passion music for Good Friday, and music for weddings and funerals.
After Trinity of 1725 Johann Sebastian Bach began a third annual cycle, but with less consistency than the previous two.[1] The oldest extant cantata of the third cycle was composed for the ninth Sunday after Trinity 1725. The third cycle cantata for the first Sunday after Trinity was only composed in 1726. The cycle extends over several years.[2] The cantatas from 1727 have however also been termed as "between the third and the fourth cycles".[3]
There are 35 extant cantatas of the third cantata cycle, for a period with around 170 occasions. For about half of the other occasions a few new chorale cantatas by Bach (retrospectively added to the chorale cantata cycle), restagings of older compositions or presentations of works by other composers are known. Bach had acquired a cycle of cantatas by his second cousin Johann Ludwig Bach of Meiningen.[4] Together with his assistants he provided performance material for at least 18 of these cantatas, for which the Leipzig premieres are known, from Purification (2 February) to Trinity XIII (15 September) 1726.
Johann Sebastian Bach's compositions have a number according to the BWV catalogue, while Johann Ludwig Bach's have a JLB number. Through an erroneous attribution to the former the cantata Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21, is also known by a BWV number. The version of the St Mark Passion attributed to Keiser which Bach presented on Good Friday 1726, including the chorale harmonisations BWV 500a and 1084, is indicated by a Bach Compendium (BC) number. Known works staged under Bach's directorate can in most cases also be indicated by a Bach Digital Work (BDW) number provided by the Bach-digital website.
Historians of music studying the cycle have noted a greater use of solo organ parts, speculated to have been played by Bach or his son [WHICH ONE?], a wide range of texts and movements apparently borrowed from previous instrumental works.[2][4][5]
Very little is known about the cantatas for recurring occasions in the year preceding the fourth cantata cycle, at least there is no new composition extant that with certainty can be attributed to the period from Trinity I 1727 to the start of that next cycle.
| Occasion | 1725–26 | 1726–27 | 1727–28 | J. S. Bach's third cycle |
|---|---|---|---|---|
| Trinity I | 3 June | 23 June: BWV 39 | 15 June | Brich dem Hungrigen dein Brot |
| Trinity II | 10 June: BWV 76I?[lower-alpha 1] | 30 June | 22 June | |
| Trinity III | 17 June: BDW 01669[lower-alpha 2] | 7 July | 29 June | (BDW 1669: early version of BWV 177?)[lower-alpha 3] |
| St. John's Day | 24 June: BDW 01673[lower-alpha 2] | 24 June: JLB 17 | 24 June | |
| Trinity IV | (24 June=St. John's D.) | 14 July | 6 July | |
| Trinity V | 1 July: BDW 11069[lower-alpha 2] | 21 July: BWV 88 | 13 July | Siehe, ich will viel Fischer aussenden |
| Visitation | 2 July: BDW 01672[lower-alpha 2] | 2 July: JLB 13 | 2 July | |
| Trinity VI | 8 July: BDW 01670[lower-alpha 2] | 28 July: BWV 170, JLB 7 | 20 July | Vergnügte Ruh, beliebte Seelenlust |
| Trinity VII | 15 Jul.: BWV Anh. 1/209?[lower-alpha 4] | 4 August: BWV 187 | 27 July | Es wartet alles auf dich |
| Trinity VIII | 22 July | 11 August: BWV 45 | 3 August | Es ist dir gesagt, Mensch, was gut ist |
| Trinity IX | 29 July: BWV 168 | 18 August | 10 August | Tue Rechnung! Donnerwort |
| Trinity X | 5 August | 25 August: BWV 102 | 17 August | Herr, deine Augen sehen nach dem Glauben |
| Trinity XI | 12 August | 1 September: JLB 15 | 24 August | |
| Trinity XII | 19 August: BWV 137[lower-alpha 3] | 8 September: BWV 35 | 31 August: BWV 69a[lower-alpha 1] | Geist und Seele wird verwirret |
| Trinity XIII | 26 August: BWV 164 | 15 September: JLB 16 | 7 September | Ihr, die ihr euch von Christo nennet |
| New Council | 27 August: BWV Anh. 4 | 26 August | 25 August: BWV 193? | (Ratswechsel cantata not part of the cycle) |
| Trinity XIV | 2 September | 22 September: BWV 17 | 14 September | Wer Dank opfert, der preiset mich |
| Trinity XV | 9 Sept.: BWV Anh. 209?[27] | (29 September=Michaelmas) | 21 September | |
| Trinity XVI | 16 Sept.: BWV 161[lower-alpha 1][27] | 6 October: BWV 27 | 28 September | Wer weiß, wie nahe mir mein Ende? |
| Trinity XVII | 23 September | 13 October: BWV 47 | 5 October | Wer sich selbst erhöhet, der soll erniedriget werden |
| Michaelmas | 29 September | 29 September: BWV 19 | 29 September | Es erhub sich ein Streit |
| Trinity XVIII | 30 September | 20 October: BWV 169 | 12 October | Gott soll allein mein Herze haben |
| Trinity XIX | 7 October | 27 October: BWV 56 | 19 October | Ich will den Kreuzstab gerne tragen |
| Trinity XX | 14 October | 3 November: BWV 49 | 26 October | Ich geh und suche mit Verlangen |
| Trinity XXI | 21 October | 10 November: BWV 98 | 2 November | Was Gott tut, das ist wohlgetan |
| Trinity XXII | 28 October | 17 November: BWV 55 | 9 November | Ich armer Mensch, ich Sündenknecht |
| Reformation D. | 31 October: BWV 79 | 31 October | 31 October | Gott der Herr ist Sonn und Schild |
| Trinity XXIII | 4 November | 24 November: BWV 52 | 16 November | Falsche Welt, dir trau ich nicht |
| Trinity XXIV | 11 November | — | 23 November | |
| Trinity XXV | 18 November | — | — | |
| Trinity XXVI | 25 November | — | — | |
| Trinity XXVII | — | — | — | |
| Advent I | 2 December | 1 December BWV 36?[lower-alpha 5] | 30 Nov. BWV 36?[lower-alpha 5] | |
| Christmas | 25 December: BWV 110 | 25 December | 25 December | Unser Mund sei voll Lachens |
| Christmas 2 | 26 December: BWV 57 | 26 December | 26 December | Selig ist der Mann |
| Christmas 3 | 27 December: BWV 151 | 27 December | 27 December | Süßer Trost, mein Jesus kömmt |
| Christmas I | 30 December: BWV 28 | 29 December: BWV 152[lower-alpha 1][27] | 28 December | Gottlob! nun geht das Jahr zu Ende |
| New Year | 1 January: BWV 16 | 1 January | 1 January | Herr Gott, dich loben wir |
| New Year I | — | 5 January: BWV 58 | 4 January | Ach Gott, wie manches Herzeleid |
| Epiphany | 6 January | 6 January | 6 January | |
| Epiphany I | 13 January: BWV 32 | 12 January | 11 January | Liebster Jesu, mein Verlangen |
| Epiphany II | 20 January: BWV 13 | 19 January | 18 January | Meine Seufzer, meine Tränen |
| Epiphany III | 27 January: BWV 72 | 26 January | — | Alles nur nach Gottes Willen |
| Purification | 2 February: JLB 9 | 2 Febr.: BWV 82, BWV 83[lower-alpha 1] | 2 February: BWV 157?[lower-alpha 1] | Ich habe genug |
| Epiphany IV | 3 February: JLB 1 | (2 February=Purification) | — | |
| Epiphany V | 10 February: JLB 2 | — | — | |
| Epiphany VI | — | — | — | |
| Septuagesima | 17 February: JLB 3 | 9 February: BWV 84 | 25 January | Ich bin vergnügt mit meinem Glücke |
| Sexagesima | 24 February: JLB 4 | 16 February | 1 February | |
| Estomihi | 3 March: JLB 5 | 23 February | 8 February: BWV 23[lower-alpha 1] | |
| Annunciation | 25 March | 25 March | (25 March→Palm Sund.) | |
| Palm Sunday | 14 April: — | 6 April: — | 21 March: BWV 182[lower-alpha 6] | |
| Good Friday | 19 April: BC D 5b | 11 April: BWV 244b? | 26 March: BWV 245?[lower-alpha 1] | (Passion presentation not part of the cycle) |
| Easter | 21 April: JLB 21 (=BWV 15) | 13 April | 28 March | |
| Easter 2 | 22 April: JLB 10 | 14 April | 29 March | |
| Easter 3 | 23 April: JLB 11 | 15 April | 30 March | |
| Easter I | 28 April: JLB 6 | 20 April | 4 April | |
| Easter II | 5 May: JLB 12 | 27 April | 11 April | |
| Easter III | 12 May: JLB 8, BWV 146? | 4 May | 18 April: BWV 146? | Wir müssen durch viel Trübsal |
| Easter IV | 19 May: JLB 14 | 11 May | 25 April | |
| Easter V | 26 May | 18 May | 2 May | |
| Ascension | 30 May: BWV 43 | 22 May | 6 May | Gott fähret auf mit Jauchzen |
| Ascension I | 2 June | 25 May | 9 May | |
| Pentecost | 9 June | 1 June: BWV 34 | 16 May | O ewiges Feuer, o Ursprung der Liebe |
| Pentecost 1 | 10 June | 2 June: BWV 173 | 17 May | Erhöhtes Fleisch und Blut |
| Pentecost 2 | 11 June | 3 June: BWV 184[lower-alpha 6] | 18 May | |
| Trinity | 16 June: BWV 194[lower-alpha 6] | 8 June: BWV 129[lower-alpha 3] | 25 May |
Notes
![[icon]](#/media/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (August 2016) |
Apart from secular cantatas Bach composed in his third to fifth year in Leipzig (BWV 205, Anh. 196, 36a, 249b, 207, 204, Anh. 9, 193a, 198 and 216) also a few cantatas for liturgical occasions likely originated in this period:
Also the motet for New Year Singet dem Herrn ein neues Lied, BWV 225, would have been first performed in this period.
| This section needs expansion. You can help by adding to it. (August 2016) |
The librettos of the church cantatas presented for the first time in Leipzig during Bach's third to fifth year in that city have a diverse origin.[4] The most substantial group of librettos with a similar structure derives from a 1704 cycle of cantata texts printed in Meiningen, which was used for most of the cantatas presented in the liturgical year 1725–26.[28] In 1728 many of the librettos of cantatas associated with Bach's third to fifth year in Leipzig were grouped in a single publication by Christoph Birkmann.[27][29]
A booklet printed in 1725, with the cantata texts from Trinity III to Trinity VI, was recovered in 1971.[30] The period covered by the booklet included the feasts of St. John and Visitation:
The musical settings of these librettos as performed in Leipzig on these days have not been recovered. A Trinity VII cantata, only known by its title,[32] is presumed to have been the cantata for the next Sunday,
It is not certain Bach composed any of the cantatas from Trinity III to Trinity VII 1725. Georg Philipp Telemann has been suggested as their possible composer: he had set all cantata librettos of Neumeister's 1711 cycle, and for the Trinity VII cantata there are two known Telemann cantatas that have the same title (TWV 1:617 and 616).[4][25]
The ninth Sunday after Trinity is the first occasion with an extant new cantata by J. S. Bach after Trinity 1725:
The next extant cantata is for the 12th Sunday after Trinity:
The next Sunday Bach sets again a text by Franck:
The sacred cantata for the next occasion, Council Election (Ratswahl), does not belong to any cycle. Its libretto was published in 1725:
In this period Bach relied on Picander for the librettos of several of his secular cantatas, but also for a few more church cantatas:
Other early versions of librettos that were adopted by Picander in his 1728–29 cycle may have been set by Bach in 1727. Recent recovery of a copy of Birkmann's 1728 libretto cycle seems to suggest Welt, behalte du das Deine and Ich kann mich besser nicht versorgen for the first and the second Sunday after Easter respectively.[27]
A cantata with a libretto from a cycle by Georg Christian Lehms, published as Gottgefälliges Kirchen-Opffer in 1711, may have been presented on the 15th Sunday after Trinity 1725:[37]
From Christmas 1725 to the second Sunday after Trinity 1726 Bach drew most of his cantata librettos from Lehms' 1711 libretto cycle:[4]
In the Post Trinitatem season of 1726 there are two further cantatas from Lehms' 1711 cycle:[4]
Trinity XVII may have seen the performance of another cantata on a libretto by Franck:[27]
From Council Election to the Christmas season of 1725 there is only one further cantata extant:
The cantata for the Sunday between Christmas 1725 and New Year 1726 has a libretto drawn from Erdman Neumeister's fourth cycle:[4]
The cantata for the third Sunday after Epiphany 1726 has a libretto from Salomon Franck's Evangelisches Andachts=Opffer:[33][4]
In 1704 a cycle of cantata texts was published anonymously in Meiningen, under the title Sonn- und Fest-Andachten. Its third edition appeared under the title Sonntags- Und Fest-Andachten in 1719. Bach scholars have suggested that Ernst Ludwig I, Duke of Saxe-Meiningen, Johann Ludwig Bach's employer, might have been the author of these librettos. The librettos follow a strict format, in two variants. The short form applies to most of the cantatas:[4][28]
The build is symmetrical around the central New Testament section. The long form has a strophic poem instead of the Aria and Recitative after the New Testament section. When the cantata is split in two parts, as was customary in Leipzig, the split was usually after the third item, so that both parts started with a prose dictum (all other sections being versified). The 18 cantatas by Johann Ludwig Bach that were performed in Leipzig from Purification to Trinity XIII 1726 had a libretto from this cycle, as well as seven of the cantatas composed by Johann Sebastian Bach which were presented for the first time from Ascension to Trinity XIV 1726. Six of the extant cantatas of the latter used the short form, only the first one, for Ascension, has a libretto in the long form.[4]
Further cantatas with a libretto from the Meiningen cycle may have been presented in Leipzig in 1726, for instance on the fourth and the ninth Sundays after Trinity.[27] In chronological order:
For cantatas not belonging to the Meiningen libretto cycle, performed on the sixth and twelfth Sunday after Trinity 1726, see above in the section on Lehms' cycle of 1711. J. S. Bach's cantata for Trinity VI (with Lehms' libretto) was a short solo cantata. J. L. Bach's cantata for the same day, on a Meiningen libretto, required a chorus only for its last movement. Probably this cantata wasn't split: one of the two cantatas for this Sunday in 1726 was sung as part I, and the other as part II.
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
