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The Theatre Considered as a Moral Institution

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This article may be expanded with text translated from the corresponding article in German. (September 2010) Click [show] for important translation instructions. View a machine-translated version of the German article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary Content in this edit is translated from the existing German Wikipedia article at [[:de:Die Schaubühne als eine moralische Anstalt betrachtet]]; see its history for attribution. You should also add the template ((Translated|de|Die Schaubühne als eine moralische Anstalt betrachtet)) to the talk page. For more guidance, see Wikipedia:Translation.

The Theatre Considered as a Moral Institution (Die Schaubühne als eine moralische Anstalt betrachtet) was an essay delivered by playwright Friedrich Schiller[1][2][3] on 26 June 1784 to the "Deutschen Gesellschaft" society.[4] The essay was later published.

In the essay, Schiller asked, "What can a good permanent theatre actually achieve?" (Was kann eine gute stehende Schaubühne eigentlich bewirken?).

References

  1. ^ Charles Follen (2007). Between Natives and Foreigners: Selected Writings of Karl/Charles Follen (1796-1840). Peter Lang. p. 229. ISBN 978-0-8204-9732-7.
  2. ^ Michael Patterson (6 April 2016). The First German Theatre (Routledge Revivals): Schiller, Goethe, Kleist and Büchner in Performance. Routledge. p. 23. ISBN 978-1-317-26684-6.
  3. ^ John Russell Brown (2001). The Oxford Illustrated History of Theatre. Oxford University Press. p. 273. ISBN 978-0-19-285442-1.
  4. ^ Walter Horace Bruford (1950). Theatre, Drama, and Audience in Goethe's Germany. Greenwood Press. p. 222. ISBN 978-0-8371-7016-9.


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