Victim Five (also known as Code 7, Victim 5! and Code Seven, Victim Five),[1] is a 1964 British crime film directed by Robert Lynn and starring Lex Barker, Ronald Fraser, Ann Smyrner, and Walter Rilla.[2][3] It was produced by Harry Alan Towers and US television producer Arthur "Skip" Steloff[4] and was shot in Cape Town in Technicolor and Techniscope. The cinematographer was Nicolas Roeg.
| Victim Five | |
|---|---|
![Thumb](#/media/File:"Victim_Five"_(1964).jpg) US film poster | |
| Directed by | Robert Lynn |
| Screenplay by | Peter Yeldham |
| Story by | Peter Welbeck |
| Produced by | Arthur "Skip" Steloff |
| Starring | |
| Cinematography | Nicolas Roeg |
| Edited by | John Trumper |
| Music by | Johnny Douglas |
Production company | Towers of London Productions |
| Distributed by | British Lion Films |
Release dates |
|
Running time | 88 minutes |
| Country | United Kingdom |
| Language | English |
Plot
New York City private detective Steve Martin is hired for protection by Wexler, a wealthy German living in Cape Town. After Wexler's butler is murdered and an assassination attempt is made on Martin and Wexler's secretary Helga, Martin discovers a photograph of four people, including Wexler and his butler, that indicates that all those in the picture are marked for death and there will be five victims.
Cast
- Lex Barker as Steve Martin
- Ronald Fraser as Inspector Dickie Lean
- Ann Smyrner as Helga Swenson
- Véronique Vendell as Gina
- Walter Rilla as Wexler
- Dietmar Schönherr as Dr. Paul Bryson
- Percy Sieff as George Anderson
- Gustel Gundelach as Hans Kramer
- Gert Van den Bergh as Vanberger
- Howard Davis as Rawlings
- Sophia Kammara as Leila
Critical reception
The New York Times praised "fine views of Cape Town" but thought the film was not "necessary".[5]
The Monthly Film Bulletin wrote: "The basic narrative is one of the classic old-style murder thrillers of the kind perfected by Edgar Wallace and Philip Macdonald, and is efficiently worked out. Most of the acting is unremarkable, but what undoubtedly heightens the film's interest is the large variety of South African locations, often spectacular, and well integrated into the story."[6]
References
External links
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