Don't Promise Me Anything

Don't Promise Me Anything (German: Versprich mir nichts!) is a 1937 German comedy film directed by Wolfgang Liebeneiner and starring Luise Ullrich, Viktor de Kowa and Heinrich George.^[1] It was partly shot at the Grunewald Studios in Berlin.^[2] The film's sets were designed by the art directors Karl Weber and Erich Zander. The Berlin premiere took place at the Gloria-Palast. In 1950 Liebeneiner remade the film as When a Woman Loves with Hilde Krahl and Johannes Heesters in the lead roles.

Don't Promise Me Anything
Directed by	Wolfgang Liebeneiner
Written by	Bernd Hofmann Thea von Harbou
Based on	Don't Promise Me Anything by Charlotte Rissmann
Produced by	Herbert Engelsing Heinrich Jonen
Starring	Luise Ullrich Viktor de Kowa Heinrich George Hubert von Meyerinck
Cinematography	Friedl Behn-Grund Georg Bruckbauer
Edited by	Walter von Bonhorst
Music by	Georg Haentzschel
Production company	Terra Film
Distributed by	Terra Film
Release date	20 August 1937 (1937-08-20)
Running time	104 minutes
Country	Nazi Germany
Language	German

Synopsis

A perfectionist but talented artist is reluctant to sell his paintings, but because they need the money his wife sells them without his knowledge and claims to be the artist herself. However, when she is commissioned to paint a mural she turns to her husband for help.

Cast

• Luise Ullrich as Monika
• Viktor de Kowa as Maler Martin Pratt
• Heinrich George as Kunsthändler Felder
• Hubert von Meyerinck as Dr. Elk
• Will Dohm as Konsul Brenkow
• Charlott Daudert as Vera Brenkow
• Hans Hermann Schaufuß as Hausbesitzer Herr Lemke
• Wilhelm P. Krüger as Der Gasmann
• Maria Wanck as Fräulein Klette, Felders Sekräterin
• Leopold von Ledebur as Präsident der Akademie
• Erich Dunskus as Gläubiger #1
• Margot Erbst as Maria, Mädchen bei Pratt
• Maria Loja as Frau Lemke
• Hans Meyer-Hanno as Gläubiger
• Karl-Heinz Reppert as Gläubiger
• Walter Vollmann as Diener bei Felder

Reception

Writing for Night and Day in 1937, Graham Greene gave the film a negative review, describing the film as "unconvincing", and with "the added disadvantage of being [] unfit[] for irrational behaviour". The only point of interest for Greene was the costume and acting of Will Dohm which worryingly evoked German militarism.^[3]