John Ashbery
American poet / From Wikipedia, the free encyclopedia
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John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) was an American poet and art critic.[2]
John Ashbery | |
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Born | John Lawrence Ashbery (1927-07-28)July 28, 1927 Rochester, New York, U.S. |
Died | September 3, 2017(2017-09-03) (aged 90) Hudson, New York, U.S. |
Occupation | Poet, professor, and art critic |
Education | Harvard University (BA) New York University Columbia University (MA) |
Period | 1949–2017 |
Literary movement | Surrealism, The New York School, Postmodernism |
Notable works | Self-Portrait in a Convex Mirror |
Notable awards | MacArthur Fellowship, Pulitzer Prize for Poetry, National Book Award, National Book Critics Circle Award, Guggenheim Fellowship |
Spouse | David Kermani |
Signature | |
Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age."[3] Langdon Hammer, chair of the English Department at Yale University, wrote in 2008, "No figure looms so large in American poetry over the past 50 years as John Ashbery" and "No American poet has had a larger, more diverse vocabulary, not Whitman, not Pound."[4] Stephanie Burt, a poet and Harvard professor of English, has compared Ashbery to T. S. Eliot, calling Ashbery "the last figure whom half the English-language poets alive thought a great model, and the other half thought incomprehensible".[5]
Ashbery published more than 20 volumes of poetry and won nearly every major American award for poetry, including a Pulitzer Prize in 1976 for his collection Self-Portrait in a Convex Mirror. Renowned for its postmodern complexity and opacity, his work still proves controversial. Ashbery said he wished his work to be accessible to as many people as possible, not a private dialogue with himself.[2][6] At the same time, he once joked that some critics still view him as "a harebrained, homegrown surrealist whose poetry defies even the rules and logic of Surrealism."[7]