The Morning of the Magicians
1960 book by Louis Pauwels and Jacques Bergier / From Wikipedia, the free encyclopedia
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The Morning of the Magicians: Introduction to Fantastic Realism (French: Le Matin des magiciens) is a 1960 book by the journalists Louis Pauwels and Jacques Bergier. As the authors disclaim in their preface, the book is intended to challenge readers' viewpoints on historic events, whether they believe the explanations or not, but with the goal to give readers the opportunity to test their level of cognitive dissonance and critical thinking skills. Although the book presents a collection of "raw material for speculation of the most outlandish order," the same reviewer also noted "it is the instigation of original thought that matters."[1] It covers topics like cryptohistory, ufology, occultism in Nazism, alchemy, spiritual philosophy and Die Glocke, thus it is often referenced by conspiracy-theory enthusiasts.
Authors | Louis Pauwels Jacques Bergier |
---|---|
Original title | Le Matin des magiciens |
Translator | Rollo Myers |
Country | France |
Language | French |
Subject | The occult |
Publisher | Éditions Gallimard |
Publication date | 1960 |
Published in English | 1963 (Stein and Day) |
Media type |
Written in French, Le Matin des magiciens was translated into English by Rollo Myers in 1963 under the title The Dawn of Magic, and in 1964 released in the United States as The Morning of the Magicians (Stein and Day; paperback in 1968 by Avon Books). A German edition was published 1962 with the title Aufbruch ins dritte Jahrtausend (Departure into the Third Millennium).
The Morning of the Magicians became a cult classic within the youth culture in France in the 1960s and the 1970s. Cautioned by the hostile reception from skeptic reviewers (notable among whom were the secular humanists Yves Galifret, Évry Schatzman and Jean-Claude Pecker from the Rationalist Union, who debunked the book in Le Crépuscule des magiciens (1965); "The Twilight of the Magicians"[2]), Pauwels and Bergier went on to pursue their interest in the paranormal in the magazine Planète, dedicated to what they termed réalisme fantastique (fantastic realism). Both The Morning of the Magicians and the Planète magazine had considerable influence on the esotericism of the 1960s–1970s counterculture, heralding the popularization of certain New Age ideas.[3]