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Éric Laurrent

French writer From Wikipedia, the free encyclopedia

Éric Laurrent
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Éric Laurrent (born 1966 in Clermont-Ferrand) is a contemporary French writer.

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Éric Laurrent at salon du livre Radio France in 2011

Work

His work, begun in 1995 with Coup de foudre, is distinct[1] from other works of the postmodern generation by a style that could be described as manierist or baroque. Like other postmodern authors, Eric Laurrent practices intertextuality abundantly, using each of his novels not as a rewriting of a classical work, but more as a burlesque tribute to the world's literary heritage. Thus, for example, the spy novel Les atomiques, his second novel (1996), plays on a re-reading of the Divine Comedy by Dante. Intertextuality can, in some cases, come more from intermediality,[2] as in the case of his first novel, built around the presence in the hollow of the painting The Birth of Venus by Botticelli.

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Publications

  • 1995: Coup de foudre, novel (Éditions de Minuit) – Prix Fénéon
  • 1996: Les Atomiques, novel (Minuit)
  • 1997: Liquider, novel (Minuit)
  • 1999: Remue-ménage, novel (Minuit)
  • 2000: Dehors, novel (Minuit)
  • 2002: Ne pas toucher, novel (Minuit)
  • 2004: À la fin, novel (Minuit)
  • 2005: Clara Stern, novel (Minuit)
  • 2008: Renaissance italienne, novel (Minuit)
  • 2011: Les Découvertes, novel (Minuit) – Prix Wepler.[3]
  • 2014: Berceau, narration (Minuit)
  • 2016: Un beau début, novel (Minuit) ISBN 978-2-70-732952-3Prix Alexandre-Vialatte.[4]
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References

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