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Tiny Toon Adventures
American animated television series From Wikipedia, the free encyclopedia
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Tiny Toon Adventures is an American animated television series created by Tom Ruegger and produced by Warner Bros. Animation. It originally aired from September 14, 1990 to December 6, 1992, airing in syndication before eventually settling at Fox's Fox Kids block. It was the first animated series by Warner Bros. Animation to be produced in association with Steven Spielberg's Amblin Entertainment.[1] The show follows the adventures of a group of young cartoon characters who attend Acme Looniversity to become the next generation of characters from the Looney Tunes series.[2]
The pilot episode, "The Looney Beginning", aired as a prime-time special on CBS on September 14, 1990,[3] while the series itself was featured in first-run syndication for the first two seasons. The final season aired on Fox under the Fox Kids programming block. The series ended production in 1992 in favor of Animaniacs, which premiered a year later; however, two specials were produced in 1994.[4]
Tiny Toon Adventures won seven Daytime Emmy Awards, a Young Artist Award, and an Environmental Media Award, with nominations for one other Daytime Emmy Award, two Annie Awards, one Primetime Emmy Award, and one other Young Artist Award. Spin-off media include magazines, toys, video games, and home media releases. The Plucky Duck Show, a spin-off television series, was created for Fox Kids and ran for one season. A second spin-off series, Pinky, Elmyra & the Brain ran on Kids' WB for one season. A reboot/revival series, Tiny Toons Looniversity, was released on September 8, 2023, on Max and then premiered the next day, on September 9, on Cartoon Network.
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Premise
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Setting
Tiny Toon Adventures is a cartoon set in the fictional town of "Acme Acres", where most of the Tiny Toons and Looney Tunes characters live. The characters attend "Acme Looniversity", a school whose faculty primarily consists of the mainstays of the classic Warner Bros. cartoons, such as Bugs Bunny, Daffy Duck, Porky Pig, Sylvester the Cat, Wile E. Coyote and Elmer Fudd. In the series, the university is founded to teach cartoon characters how to become funny. The school is not featured in every episode, as not all of its storylines revolve around the school.
Like Looney Tunes, the series makes use of cartoon violence (e.g. anvils falling on someone, liberal use of explosives) and slapstick. The series parodies and references the current events of the early 1990s and Hollywood culture. Occasionally, episodes delve into veiled ethical and morality stories of ecology, self-esteem, and crime.
Characters
The series centers on a group of young cartoon characters who attend a school called Acme Looniversity to be the next generation of Looney Tunes characters. Most of the Tiny Toons were designed to resemble younger versions of Warner's Looney Tunes characters by exhibiting similar traits and looks. The main characters are Buster and Babs Bunny, two young rabbits with "no relation", their friends, Plucky Duck and Hamton J. Pig, and antagonists Elmyra Duff and Montana Max. They are accompanied by a wide variety of supporting and recurring characters, such as Dizzy Devil, Furrball, Gogo Dodo, Calamity Coyote, Little Beeper, Sweetie Bird, Fifi La Fume, Shirley the Loon, Li'l Sneezer, Byron Basset, Concord Condor, Fowlmouth, Arnold the Pit Bull, Mary Melody, and Bookworm, among others.
Feeding off the characters are the more traditional Looney Tunes including (but not limited to) Bugs Bunny, Daffy Duck, and Porky Pig. Most of the adults teach classes at Acme Looniversity and serve as mentors to the Tiny Toons while others fill secondary positions as needed.
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Production
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Development
According to writer Paul Dini, Tiny Toons (originally title Tiny Tunes) originated as an idea by Terry Semel, the then-president of Warner Bros., who wanted to "inject new life into the Warner Bros. Animation department", and at the same time create a series with junior versions of Looney Tunes characters. Semel proposed that the new series would be a show based on Looney Tunes where the characters were either young versions of the original Looney Tunes and Merrie Melodies characters or new characters as the offspring of the original characters.[5] The idea of a series with the basis of younger and junior versions of cartoon characters was common at the time; the era in which Tiny Toons was produced for had such cartoons as Muppet Babies, A Pup Named Scooby-Doo (which Ruegger worked on), Tom & Jerry Kids and The Flintstone Kids.
On January 20, 1987,[6] the Warner Bros. Animation studio approached Steven Spielberg to collaborate with Semel and Warner Bros. head of licensing Dan Romanelli on Semel's ideas.[5] They eventually decided that the new characters would be similar to the Looney Tunes characters with no direct relation. As series producer/show-runner Tom Ruegger explained: "Well, I think in Warner Bros. case, they had the opportunity to work with [Steven Spielberg] on a project [...] But he didn't want to just work on characters that Chuck Jones, Friz Freleng, Bob McKimson and Bob Clampett made famous and created. He wanted to be involved with the creation of some new characters." The result was a series similar to Looney Tunes without the use of the same characters.[5] However, Tiny Toons did not go into production then, nor was it even planned to be made for television; the series initially was to be a theatrical feature-length film.[5][7]
On December 27, 1988, Tiny Toons was changed from a film to a television series, with Jean MacCurdy overseeing production of the first 65 episodes.[5] MacCurdy said that Tiny Toons was changed to a television series to "reach a broader audience".[7] For the series, MacCurdy hired Tom Ruegger, who previously wrote for Filmation and Hanna-Barbera, to produce.[5] In January 1989, Ruegger and writer Wayne Kaatz began developing the characters and the setting of "Acme Acres" with Spielberg.[5]
On January 9, 1989, Warner Bros. Animation chose its voice actors from over 1,200 auditions and put together its 100-person production staff.[7] On April 13, 1989, full production of series episodes began with five overseas animation houses and a total budget of $25 million.[7][8] The first 65 episodes of the series aired in syndication on 135 stations, beginning in September 1990.[9] During that time, Tiny Toons was a huge success and got higher ratings than its Disney Afternoon competitors in some markets. After a successful run in syndication, Fox attained the rights for season 3. Production of the series halted in late 1992 to make way for Animaniacs to air the following year.
Writers
The series and characters were developed by series producer, head writer and cartoonist Tom Ruegger, division leader Jean MacCurdy, associate producer and artist Alfred Gimeno and story editor/writer Wayne Kaatz. Among the series' first writers were Jim Reardon, Tom Minton and Eddie Fitzgerald. Other writers included Arleen Sorkin. The character and scenery designers included Alfred Gimeno, Ken Boyer, Dan Haskett, Karen Haskett and many other artists and directors.
"Buster and Babs Go Hawaiian" was co-written by three then-teenage fans.[10]
Casting
Voice director Andrea Romano auditioned over 1,200 voices and chose more than a dozen main voice actors.[6][7] The role of Buster Bunny was given to Charlie Adler, who gave the role, as producer Ruegger said, "a great deal of energy".[5] The role of Babs Bunny was given to Tress MacNeille. Dini said that MacNeille was good for the role because she could do both Babs' voice and the voices of her impressions.[5] Voice actors Joe Alaskey and Don Messick were given the roles of Plucky Duck and Hamton J. Pig, respectively. Child actor Danny Cooksey played Montana Max and, according to Dini, was good for the role because he could do a "tremendous mean voice."[5] Cree Summer provides the roles of Elmyra Duff and Mary Melody; former Saturday Night Live cast member Gail Matthius voices Shirley the Loon, and Kath Soucie provides Fifi La Fume and Li'l Sneezer. Other voice actors include Maurice LaMarche as Dizzy Devil; Candi Milo as Sweetie, Frank Welker as Gogo Dodo, Furrball, Byron Basset, Calamity Coyote, Little Beeper, Barky Marky and other voices; and Rob Paulsen as Fowlmouth, Arnold the Pit Bull, Concord Condor and other characters. Legendary original Looney Tunes voice actor, Mel Blanc, was initially set to reprise his roles as the classic characters, but due to his death in July 1989, his characters were recast to Alaskey, Jeff Bergman, Greg Burson, Bob Bergen, and his son Noel Blanc.[5]
During production of the third season, Adler left the show due to a feud with the producers. Adler was angry that he had not been offered a role in Animaniacs while his fellow Tiny Toons voice actors with smaller roles, such as Paulsen, LaMarche and Welker, were given starring roles in the new series.[11] John Kassir replaced Adler for the remainder of the show's run (although Adler would eventually return to voice Buster in the cancelled video game, Tiny Toon Adventures: Defenders of the Universe). Alaskey, voice of Plucky Duck, briefly left for financial reasons, but returned when an agreement was reached with the studio.[11]
Animation
In order to complete 65 episodes for the first season, Warner Bros. Animation and Amblin Television contracted several North American and international animation houses, including Tokyo Movie Shinsha, Wang Film Productions, AKOM, Freelance Animators New Zealand, Encore Cartoons, StarToons[12] and Kennedy Cartoons.[13] Tokyo Movie Shinsha also animated the series' opening sequence. Some of the Warner Bros. staff disliked working with Kennedy Cartoons due to the animation studio's inconsistent quality, and episodes that they animated were often subjected to multiple re-takes; in other cases, portions of Kennedy-animated episodes were reanimated by other studios.[11][unreliable source?] Kennedy Cartoons was dropped after the end of the series' first season.
Tiny Toon Adventures was made with a higher production value than standard television animation. It had a cel count that was more than double that of most animated television shows then.[5] The series had about 25,000 cels per episode instead of the standard 10,000, making it unique in that characters moved more fluidly.[5] Animation producer Pierre DeCelles described storyboarding for the series as "fun but a big challenge because I always had a short schedule, and it's not always easy to work full blast nonstop".
Music
During development, Spielberg said that Warner Bros. would use a full orchestra, which some thought too expensive and impossible, but they ended up agreeing. Warner Bros. selected Bruce Broughton to write the theme tune (for which he would win a Daytime Emmy alongside Ruegger and Kaatz) and serve as music supervisor. Screen credits for the composers were given based on the amount of music composed for, or composed and reused in, the episode.
Twenty-six other composers were contracted to create original dramatic underscore for each episode: Julie and Steve Bernstein, Steven Bramson, Don Davis, John Debney, Ron Grant, Les Hooper, Carl Johnson, Elliot Kaplan, Arthur Kempel, Ralph Kessler, Albert Lloyd Olson, Hummie Mann, Dennis McCarthy, Joel McNeely, Peter Myers, Laurence Rosenthal, William Ross, Arthur B. Rubinstein, J. Eric Schmidt, David Slonaker, Fred Steiner, Morton Stevens, Richard Stone, Stephen James Taylor and Mark Watters. The composers conducted their own music. Of these composers, Broughton, Bramson, Davis, Olson, Stone, Taylor and Watters wrote the score to How I Spent My Vacation.
These composers would later write the musical scores for shows including Animaniacs and The Sylvester & Tweety Mysteries.
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Episodes
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Films and television specials
A feature-length film was released direct-to-video in 1992, entitled Tiny Toon Adventures: How I Spent My Vacation.[9] This was later re-edited and aired as part of the series. The length of the movie is 79 minutes.[14] Fox aired It's a Wonderful Tiny Toons Christmas Special in prime time on December 6, 1992.[15] This episode is a parody of It's a Wonderful Life. Although the Christmas episode is called a special, it is only called this as it is Christmas-themed and is just a regular episode. The Tiny Toon Spring Break Special[9] was aired on Fox during prime time on March 27, 1994.[4][16] Fox aired Tiny Toons' Night Ghoulery[9] in prime time on May 28, 1995.[17]
Reception
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The show was received with positive reviews; the Philadelphia Daily News remarked "It's the most cinematic first-run animated show on TV, mixing long shots, extra-tight closeups and odd perspectives for comic effect..."[18] Citizens' Voice noted "Combining the animation of Warner Bros. and the creative direction of Spielberg, the collection of 65 half-hour cartoons is sure to make a big impression during the weekday late afternoon viewing period..."[19] However, writer Jon Burlingame observed that "Adults looking for the smart-aleck attitude and wit of the old Warner Bros. classics will be disappointed, however; these are aimed squarely at kids and reflect a '90s sensibility, sneaking pro-social messages into madcap adventure stories."[20]
Awards and nominations
In January 2009, IGN named Tiny Toons as the 41st in their Top 100 Animated TV Shows list.[26]
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Merchandise
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Tiny Toon Adventures Magazine, a quarterly children's magazine based on the series, debuted in October 1990. Issues #1–4 were published by DC Comics, and issues #5–7 were released by Welsh Publishing Group. The final issue was cover-dated Spring 1992.[27] Also, various storybooks were published by the Little Golden Book company, including a few episode adaptations and some original stories (Lost in the Fun House and Happy Birthday, Babs!). Tiny Toon Adventures also had a comic book series made by Warner Bros. and DC. The characters also made occasional cameo appearances in the Animaniacs, Freakazoid! and Pinky and the Brain comic books.[citation needed]
Toys and video games
Since its debut, numerous video games based on Tiny Toons have been released. There have been no less than nine titles based on the series released after its original television run and as recently as 2002. Many companies have held the development and publishing rights for the games, including Konami (during the 1990s), Atari, NewKidCo, Conspiracy Games, Warthog, Terraglyph Interactive Studios, and Treasure. Toys for the series included plush dolls and plastic figures, primarily made by Playskool.
Home media
Tiny Toon Adventures: How I Spent My Vacation was released on DVD on August 21, 2012. There are currently no plans to release the two specials (Spring Break and Night Ghoulery) on DVD. In the early to mid-1990s, Warner Bros. had released several videos, including Tiny Toon Adventures: How I Spent My Vacation (a direct-to-video release which later aired as a four-part TV episode), Best of Buster and Babs, Two-Tone Town, Tiny Toons: Big Adventures, Tiny Toons: Island Adventures, Tiny Toons: Music Television, Tiny Toons: Fiendishly Funny Adventures, Tiny Toons: Night Ghoulery, and It's a Wonderful Tiny Toons Christmas Special.
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Legacy
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Spin-offs
In 1992, The Plucky Duck Show was produced as a spin-off for Fox Kids, based on the character Plucky Duck. Except for the premiere episode, "The Return of Batduck", the show consisted entirely of recycled Plucky-centric episodes from Tiny Toon Adventures.[29][unreliable source?]
In 1998, a second spin-off, entitled Pinky, Elmyra & the Brain, premiered on Kids' WB. This series featured the character Elmyra Duff as well as Pinky and the Brain, two other characters who were originally on Animaniacs before receiving their own spin-off series, also entitled Pinky and the Brain. Pinky, Elmyra & the Brain picks up after Pinky and the Brain leaves off where Pinky and the Brain become Elmyra's pets after Brain accidentally destroys their original home, ACME Labs, during an experiment. Pinky, Elmyra & the Brain lasted for 13 episodes.
Reboot
A reboot, Tiny Toons Looniversity, was announced on October 28, 2020, through the Amblin Entertainment website. It was ordered for two seasons, with each episode running 30 minutes.[30][31] As with the original series, Steven Spielberg will return to his role as executive producer. Sam Register, Darryl Frank, and Justin Falvey will also be serving as executive producers, while Erin Gibson will be the showrunner and co-executive producer. The series premiered on Max on September 8, 2023, and it aired on Cartoon Network on September 9, 2023.[32][33]
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Notes
- The allegedly banned episode "Elephant Issues" is currently co-owned by Amblin Television without any credited under Amblin Entertainment.
References
External links
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