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Alfréd Kemény
Hungarian art theorist From Wikipedia, the free encyclopedia
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Alfréd Kemény (1895, Újvidék, Kingdom of Hungary (today Novi Sad, Serbia) – August 1945, Budapest, Hungary) was a Hungarian artist and art critic.[1]
Notable works
- "Notes to the Russian Artists’ Exhibition in Berlin", ( “Jegyzetek az orosz mũvészek berlini kiállitáshoz,”), Egység (February, 1923)[2]
- "Abstract Design from Suprematism to the Present", ("Die abstrakte Gestaltung vom Suprematismus bis heute" in Das Kunstblatt (No. 8, 1924)
References
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