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Amadéus Leopold

American classical music artist From Wikipedia, the free encyclopedia

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Amadéus Leopold (born August 3, 1988), formerly known as Hahn-Bin, is a Korean-born American classical music artist.

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Early life and education

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Born Hanbin Yoo in Seoul, Leopold began playing the violin at age five and made his orchestral debut five years later with the Seoul Philharmonic.[1] He immigrated to the U.S. at age 11 and made his international debut the following year in Los Angeles at the 42nd Annual Grammy Awards as the solo performer chosen to honor Isaac Stern. He was subsequently awarded the loan of Giuseppe Guarneri del Gesu from the Stradivari Society of Chicago and made his concerto debut appearances with the Pacific Symphony and the San Diego Symphony in Southern California.[2] He attended middle school at the Crossroads School in Santa Monica while taking violin lessons with Robert Lipsett at The Colburn School.[3]

Leopold began his studies in New York at age 13 with Itzhak Perlman through The Perlman Music Program.[4] At 14, he recorded a recital disc titled Haze for Universal Music Korea, featuring works for violin and piano by Arvo Pärt, Leoš Janáček, and Francis Poulenc.[5] He attended Professional Children's School in Manhattan and continued his studies with Itzhak Perlman at The Juilliard School until 2009.[3] As first-prize winner at the 49th Annual Young Concert Artists International Auditions, he made his New York recital debut at Zankel Hall in October 2009.[6]

In 2012, after becoming eligible for U.S. citizenship,[7] Leopold officially adopted his stage name amidst his Till Dawn Sunday shows—death-and-rebirth-themed performances during which he staged Hahn-Bin’s funeral, with program notes styled as a mock obituary from The New York Times.[8]

During the West Coast premiere of Till Dawn Sunday at UCLA in 2013,[9] Leopold stated:

"The only way I could move on to my future was by murdering my past […] I know some of you loved Hahn-Bin… But I couldn’t. Because sometimes the wounds of our past just won’t heal."[10]

The name is a doubled homage—one that symbolically brings together the estranged W. A. Mozart with his father, Leopold Mozart, and honors Leopold Auer.[1]

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Solo classical performances

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References

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