Composer | Work | Conductor and Soloist(s) | Performance | Premiere |
Gregory Spears |
Castor and Patience (opera) |
Kazem Abdullah |
July 17, 2022 |
World |
Gabriela Ortiz |
New Work |
Louis Langrée |
May 14–15, 2022 (scheduled) |
World |
Guillaume Connesson |
Oboe Concerto |
Dwight Parry, oboe |
May 6–7, 2022 (scheduled) |
World |
Julia Adolphe |
Paper Leaves on Fields of Clay |
Louis Langrée |
April 8–9, 2022 (scheduled) |
World |
Kinds of Kings |
New Work for Eighth Blackbird and Orchestra |
Louis Langrée & Eighth Blackbird |
March 25–27, 2022 (scheduled) |
World |
Mark Simpson |
Violin Concerto |
Louis Langrée & Nicola Benedetti, violin |
January 14–15, 2022 (scheduled) |
U.S. |
Sebastian Currier |
Track 8 |
Louis Langrée |
November 19–20, 2021 (scheduled) |
World |
Christopher Cerrone |
A Body, Moving |
Louis Langrée |
April 9–11, 2021 |
World |
William Winstead |
Passages in Time |
Louis Langrée |
January 18–19, 2020 |
World |
Francisco Coll | Hidd'n Blue | Gustavo Gimeno | October 25–26, 2019 |
U.S. |
Christopher Rouse |
Symphony No. 6 |
Louis Langrée |
October 18–19, 2019 |
World |
Gabriella Smith |
f(x) = sin2x - 1/x, for orchestra |
Eun Sun Kim |
September 28–29, 2019 |
World |
Bryce Dessner | Concerto for Two Pianos | Louis Langrée, Katia & Marielle Labèque, duo pianos | September 20–21, 2019 |
U.S. |
Shara Nova |
Look Around |
arr. Nate Thatcher |
August 3, 2019 |
World |
James MacMillan | Credo | Juanjo Mena | May 25, 2019 (MF) |
North American |
Mark Simpson | The Immortal for solo baritone, semi chorus, optional large choru,& orchestra | Juanjo Mena | May 17, 2019 (MF) |
U.S. |
Clarice Assad |
Cantos da Terra: Borboleta |
Matthew Swanson |
April 14, 2019
(MF) |
World |
Jonathan Bailey Holland |
Ode |
Louis Langrée |
November 9–10, 2018 |
World |
Pierre Jalbert |
Passage |
Louis Langrée |
April 14–15, 2018 |
World |
Enrico Chapela |
Radioaxial |
James Gaffigan |
April 6–7, 2018 |
World |
Emily Cooley |
Abound |
Louis Langrée |
November 24–25, 2017 |
World |
Julia Adolphe |
Equinox for Chorus |
Louis Langrée & May Festival Chorus |
November 4–5, 2017 |
World |
Jonathan Bailey Holland |
Stories from Home |
Louis Langrée |
October 5–7, 2017 |
World |
Bryce Dessner | Wires | Matthias Pintscher & Bryce Dessner, guitar | January 14, 2017 |
U.S. |
Michael Fiday |
Three for One |
Louis Langrée |
November 25–26, 2016 |
World |
Gregory Spears |
Fellow Travelers (opera) |
Mark Gibson |
June 17, 2016 |
World |
Julia Adolphe |
See Dream Elegies for Chorus, Oboe,
And Cello |
James Conlon |
May 22, 2016
(MF) |
World |
Alvin Singleton |
Prayer for tenor solo, chamber choir, and ensemble |
James Conlon |
May 22, 2016
(MF) |
World |
Zhou Tian |
Concerto for Orchestra |
Louis Langrée |
May 13–14, 2016 |
World |
Thierry Escaich |
Psalmos, Concerto for Orchestra |
Louis Langrée & Thierry Escaich, organ |
May 6–7, 2016 |
World |
Bryce Dessner | Réponse Lutoslawski | Louis Langrée | March 19, 2016 |
U.S. |
Gunther Schuller |
Symphonic Triptych |
Cristian Mâcelaru |
January 22–23, 2016 |
World |
Sebastian Currier |
Flex |
Louis Langrée |
November 19–21, 2015 |
World |
TJ Cole |
Elegy |
Louis Langrée |
November 13–14, 2015 |
World |
Jonathan Bailey Holland |
Equality |
Louis Langrée |
November 13–14, 2015 |
World |
Kristin P. Kuster |
Forgive |
Louis Langrée |
November 13–14, 2015 |
World |
Daníel Bjarnason |
Collider |
Louis Langrée |
March 14, 2015 |
World |
Caroline Shaw |
Lo |
Louis Langrée & Caroline Shaw, violin |
March 13, 2015 |
World |
André Previn |
Concerto for Violin, Cello, and Orchestra |
Louis Langrée, Jaime Laredo, violin & Sharon Robinson, cello |
November 21, 2014 |
World |
David Lang |
mountain |
Louis Langrée |
March 22, 2014 |
World |
Nico Muhly |
Pleasure Ground |
Louis Langrée & Nathan Wyatt, baritone |
March 21, 2014 |
World |
Zhou Tian |
Trace (originally titled Poem from a Vanished Time) |
Mei-Ann Chen & Timothy Lees, violin |
March 23–24, 2013 |
World |
Philip Glass |
Cello Concerto No. 2, Naqoyqatsi |
Dennis Russell Davies & Matt Haimovitz, cello |
March 30–31, 2012 |
Erkki-Sven Tüür | Piano Concerto | Paavo Järvi & Awadagin Pratt, piano | May 13–14, 2011 |
U.S. |
Erkki-Sven Tüür |
Fireflower |
Paavo Järvi |
May 13–14, 2011 |
Charles Coleman |
P. J. Fanfare |
Paavo Järvi |
May 6–7, 2011 |
Stewart Goodyear |
Count Up |
Paavo Järvi |
March 25–26, 2011 |
Jörg Widmann |
Souvenir bavarois |
Paavo Järvi |
February 3–5, 2011 |
Jonathan Bailey Holland |
The Party Starter |
Paavo Järvi |
January 28–29, 2011 |
Ian Krouse |
Out of the Cradle, Endlessly Rocking |
Robert Porco |
May 21, 2010
(MF) |
Erkki-Sven Tüür | Symphony No. 7, Pietas | Paavo Järvi | September 25–27, 2009 |
Jeffrey Mumford |
. . . and symphonies of deepening light . . . expanding . . . ever cavernous |
James Gaffigan |
March 27–28, 2009 |
Marc André Dalbavie | Concerto for Flute | Paavo Järvi & Emmanuel Pahud, flute | March 20–21, 2009 |
Erkki-Sven Tüür | The Path and the Traces | Paavo Järvi | January 16–18, 2009 |
Robert Johnson |
prairyerth |
Paavo Järvi |
May 2–3, 2008 |
Jörg Widmann | Antiphon | Paavo Järvi | March 7, 2008 |
Krzysztof Penderecki |
Concerto for Piano and Orchestra (Resurrection), Rev. 2007 |
Krzysztof Penderecki & Barry Douglas, piano |
December 7–8, 2007 |
Charles Coleman |
Deep Woods |
Paavo Järvi |
May 3–5, 2007 |
Adolphus Hailstork |
Earthrise |
James Conlon |
May 19, 2006
(MF) |
Aulis Sallinen | Symphony No. 8, Op. 81, Autumnal Fragments | Paavo Järvi | January 20–22, 2005 |
Stephen Paulus |
All Things are Passing |
Robert Porco |
May 23, 2004
(MF) |
Jonathan Bailey Holland |
Halcyon Sun |
Paavo Järvi |
April 30 – May 2, 2004 |
Douglas Lowry |
Exordium Nobile |
Paavo Järvi |
September 12–13, 2003 |
Lorenzo Palomo | Concierto de Cienfuegos | Jesús López-Cobos & Los Romeros, guitar | April 25–27, 2003 |
Kevin Puts |
Symphony No. 2 |
Paavo Järvi |
March 7–9, 2002 |
Carl Orff | Tanzende Faune, Op. 21 | Paavo Järvi | November 15–17, 2001 |
Erkki-Sven Tüür | Concierto for Violin & Orchestra | Paavo Järvi & Isabelle van Keulen, violin | November 15–17, 2001 |
Charles Coleman |
Streetscape |
Paavo Järvi |
September 14–15, 2001 |
Joel Hoffman |
The Smile |
Jesús López-Cobos |
March 23–24, 2001 |
Randy Edelman |
Transcontinental - A Mad Musical Dash Across the USA |
Erich Kunzel |
December 1–2, 2000 |
Steven Reineke |
Rise of the Phoenix (Fanfare for Orchestra) |
Erich Kunzel |
December 1–2, 2000 |
Jonathan D. Kramer |
Rewind: A Semi-Suite |
Jesús López-Cobos |
November 10–11, 2000 |
Ellen Taaffe Zwilich |
Millennium Fantasy for Piano and Orchestra |
Jesús López-Cobos & Jeffrey Biegel, piano |
September 22–23, 2000 |
Daniel Brewbaker |
Cincinnatus Psalm |
James Conlon |
May 26, 2000
(MF) |
Gideon Lewensohn |
Serenata Concertante |
Serenata Concertante |
May 13, 1999 (MF) |
Kurt Weill |
Der Weg der Veheissung: Propheten |
James Conlon |
May 13, 1999 (MF) |
Robert Johnson |
Autunnale for Orchestra, Oboe and English Horn |
Jesús López-Cobos, Richard Johnson, oboe & Robert Walters, English horn |
April 23–24, 1999 |
George Duke |
Muir Woods Suite (for Jazz Piano and Orchestra) |
Jesús López-Cobos & George Duke, jazz piano |
April 29 – May 1, 1999 |
Alvin Singleton |
Praisemaker |
James Conlon |
May 22, 1998
(MF) |
Leonardo Balada |
Concierto Magico for Guitar and Orchestra |
Jesús López-Cobos & Angel Romero, guitar |
March 13–14, 1998 |
Joel Hoffman |
Millennium Dances |
Jesús López-Cobos |
September 19–20, 1997 |
Dave Brubeck |
Orchestral Suite from Joy In The Morning |
Jesús López-Cobos |
January 24–25, 1997 |
Bernard Rands |
Fanfare for Orchestra |
Jesús López-Cobos |
September 27–28, 1996 |
Gunther Schuller |
An Arc Ascending |
Jesús López-Cobos |
June 12, 1996 |
Robert Johnson |
Nightpiece (After Blakelock) |
Jesús López-Cobos |
February 8–10, 1996 |
Dennis Eberhard |
For the Musicians of the Queen |
Jesús López-Cobos |
January 12–13, 1996 |
Edwin London |
Fanfarronda |
Jesús López-Cobos |
November 30 – December 2, 1995 |
Eric Stokes |
Fanfare of Rings |
Jesús López-Cobos |
November 24–25, 1995 |
Franz Lehár |
Feiber, Tone Poem |
Erich Kunzel & Carsten Süss, tenor |
November 10–11, 1995 |
Franz Lehár |
Triumphal March |
Erich Kunzel |
November 10–11, 1995 |
Mary Judge |
Fanfare for a Celebration |
Jesús López-Cobos |
September 22–23, 1995 |
Joel Hoffman |
ChiaSsO |
Jesús López-Cobos |
September 15–16, 1995 |
John Corigliano |
To Music Fanfare |
Jesús López-Cobos |
May 4–6, 1995 |
Frank Proto |
Ghost in Machine |
Jesús López-Cobos; Cleo Laine, vocalist & Paul Winfield, narrator |
April 28–29, 1995 |
Roque Cordero |
Fanfarria Jubilosa |
Jesús López-Cobos |
April 21–22, 1995 |
Leonardo Balada |
Shadows, for Orchestra |
Jesús López-Cobos |
March 31 – April 1, 1995 |
Steven Stucky |
Fanfare for Cincinnati |
Jesús López-Cobos |
March 10–11, 1995 |
Fred Lerdahl |
Without Fanfare |
Jesús López-Cobos |
March 10–11, 1995 |
Michael Schelle |
Centennimania |
Keith Lockhart |
March 2–4, 1995 |
David Stock |
Fanfarria |
Ivan Fischer |
February 24–25, 1995 |
Philip Koplow |
Clear to the Final Ocean |
Ivan Fischer |
February 17–18, 1995 |
Marc Neikrug |
Flamenco Fanfare |
Pinchas Zukerman & Eric Kim, cello |
December 1–3, 1994 |
Gerald Plain |
Fireworks for Large Orchestra |
Sir Andrew Davis |
November 25–26, 1994 |
Marta Ptaszynska |
Fanfare for Peace |
Jesús López-Cobos |
November 18–19, 1994 |
Jonathan D. Kramer |
Cincy in C |
Jesús López-Cobos |
November 10–12, 1994 |
Krzysztof Penderecki |
Entrata |
Krzysztof Penderecki |
November 4–5, 1994 |
Samuel Adler |
Centennial |
Yuri Temirkanov |
October 21–22, 1994 |
Daniel Asia |
Gateways: Fanfare for Cincinnati |
Hermann Michael |
October 7–8, 1994 |
Gerhard Samuel |
Auguri |
Jesús López-Cobos |
September 30 – October 1, 1994 |
Vincent McDermott |
Titus Magnificus |
Jesús López-Cobos |
September 23–24, 1994 |
Gunther Schuller |
The Past is in the Present |
Jesús López-Cobos |
March 25–26, 1994 |
William Waite |
Gems |
Jesús López-Cobos |
April 23–24, 1993 |
Edwin London |
A Hero of Our Time |
Jesús López-Cobos |
September 25–26, 1992 |
Philip Koplow |
Legacy: J. Ralph Corbett |
Jesús López-Cobos |
March 6–7, 1992 |
Tania León |
Carabalí |
Jesús López-Cobos |
January 17–18, 1992 |
Frank Proto |
The New Seasons |
Jesús López-Cobos; Michael Thornton, tuba; Richard Jensen, percussion & William Platt, percussion |
April 19–20, 1991 |
Jonathan D. Kramer |
About Face |
Jesús López-Cobos |
November 10–11, 1989 |
Ronald Caltabiano |
Northwest! |
Jesús López-Cobos |
January 27–28, 1989 |
Joel Hoffman |
Concerto for Violin and Orchestra |
Jesús López-Cobos & Cho-Liang Lin, violin |
January 13–14, 1989 |
Frank Proto |
Dialogue for Synclavier and Orchestra |
Michael Gielen |
March 7–8, 1986 |
Earl Kim |
Where Grief Slumbers |
Michael Gielen and Benita Valente, soprano |
February 28 – March 1, 1986 |
Ira Taxin |
Concerto for Brass Quintet and Orchestra |
Bernard Rubenstein; Empire Brass Quintet, & brass quintet |
March 30–31, 1984 |
Jonathan D. Kramer |
Moments in and out of Time |
Michael Gielen |
February 10–11, 1984 |
Norman Dinnerstein |
Golden Bells |
Michael Gielen |
October 14–15, 1983 |
Hans Werner Henze |
Dramatic Scenes, Part 1, from Orpheus |
Michael Gielen |
March 11–12, 1983 |
Mauricio Kagel |
Variations Without Fugue |
Michael Gielen & Eugene Pridonoff, piano |
February 18–19, 1983 |
Bernd Alois Zimmerman |
Dialogue for Two Pianos and Orchestra |
Michael Gielen, Alfons & Aloys Kontarsky, piano |
February 12–13, 1982 |
Frank Proto |
Concert No. 2 for Double Bass |
David Stahl & Francois Rabbath, contrabass |
November 20–21, 1981 |
Ned Rorem |
Double Concerto in Ten Movements for Cello and Piano |
Jorge Mester; Peter Wiley, cello &Lee Luvisi, piano |
November 13–14, 1981 |
Dmitri Shostakovich |
Suite on Verses of Michelangelo, Op. 145A |
John Nelson & John Shirley-Quirk, bass-baritone |
December 12–13, 1980 |
Arvo Pärt |
Cantus in Memory of Benjamin Britten |
Neeme Järvi |
May 16–17, 1980 |
Richard Rodney Bennett |
Actaeon, For Horn And Orchestra |
Walter Susskind & Barry Tuckwell, horn |
December 7–8, 1979 |
Frank Proto |
Concerto for Cello and Orchestra |
David Stahl & Peter Wiley, cello |
April 20–21, 1979 |
Scott Huston |
Fanfare for the 200th |
Kazimierz Kord |
May 6–7, 1977 |
Paul Cooper |
Homage |
Carmon DeLeone |
April 29–30, 1977 |
Gene Gutche |
Perseus and Andromeda XX (Asymmetrical Dances), Op. 50 |
Kenneth Schermerhorn |
February 25–26, 1977 |
Alan Hovhaness |
Fanfare for the New Atlantis |
Kenneth Schermerhorn |
February 25–26, 1977 |
Frank Proto |
Bicentennial Fanfare |
Thomas Schippers |
November 5–6, 1976 |
Paul Creston |
Fanfare '76 - The Republic Stands, Op. 106 |
Thomas Schippers |
March 5–6, 1976 |
Ingolf Dahl |
Symphony Concertante for Two Clarinets and Orchestra |
Thomas Schippers; Carmine Campione, clarinet & Richard Waller, clarinet |
March 5–6, 1976 |
Howard Hanson |
Laude: Chorale and Fanfare |
Carmon DeLeone |
February 20–21, 1976 |
Ned Rorem |
Air Music, Ten Variations for Orchestra |
Thomas Schippers |
December 5–6, 1975 |
Virgil Thomson |
Fanfare: A Portrait |
Thomas Schippers |
December 5–6, 1975 |
Walter Piston |
Bicentennial Fanfare |
Thomas Schippers |
November 14–15, 1975 |
Donald Erb |
New England's Prospect |
James Levine |
May 17, 1974 |
Felix Labunski |
Primavera |
Thomas Schippers |
April 19–20, 1974 |
Claus Adam |
Concerto for Violoncello and Orchestra |
Carmon DeLeone & Stephen Kates, cello |
October 26–27, 1973 |
Frank Proto |
Concerto in One Movement for Violin and String Bass |
Thomas Schippers; Ruggiero Ricci, violin & Barry Green, contrabass |
October 13–14, 1972 |
Frank Martin |
Concerto No. 2 for Piano and Orchestra |
Thomas Schippers & Paul Badura-Skoda, piano |
April 7–8, 1972
|
James Furman |
I Have a Dream, Symphonic Oratorio |
Erich Kunzel |
January 22–23, 1971 |
Dale Frank |
Kosha |
Erich Kunzel |
June 7, 1970 |
Wilfred Josephs |
Mortales, Op. 62 |
Julius Rudel |
May 23, 1970 (MF) |
Gen Parchman |
Concerto for Timpani and Orchestra |
Erich Kunzel & Eugene Espino, timpani |
May 1–2, 1970 |
Bernd Alois Zimmermann |
Musique pour les soupers du Roi Ubu |
Erich Kunzel |
April 24–25, 1970 |
Kurt Weill |
Das Berliner Requiem |
Erich Kunzel, Seth McCoy, tenor & William Justus, baritone |
April 3–4, 1970 |
Jenõ Takács |
Antiqua Hungarica, Op. 47 |
Max Rudolf |
March 7–8, 1970 |
Dave Brubeck |
CSO 75th Anniversary Salute |
Erich Kunzel |
February 27–28, 1970 |
Gardner Read |
Symphony No. 4, Op. 42 |
Erich Kunzel |
January 30–31, 1970 |
Paul Reif |
Fanfare and Fugato |
Erich Kunzel |
December 12–13, 1969 |
Peter Mennin |
The Pied Piper of Hamelin |
Max Rudolf |
May 2, 1969 (MF) |
Alan Hovhaness |
Symphony No. 19, Op. 217, Vishnu |
Erich Kunzel |
January 10–11, 1969 |
Hans Werner Henze |
Moralities |
Max Rudolf |
May 18, 1968 (MF) |
Wilfred Josephs |
Symphony No. 2 |
Max Rudolf |
March 8–9, 1968 |
Scott Huston |
Four Phantasms |
Max Rudolf |
February 2–3, 1968 |
Bernard Rogers |
Apparitions |
Max Rudolf |
December 15–16, 1967 |
Tadeusz Baird |
Concerto for Orchestra |
Max Rudolf |
November 17–18, 1967 |
Wilfred Josephs |
Requiem, Op. 39 |
Max Rudolf, Annie Walker, soprano; Norman Treigle, bass & Roy Christensen, cello |
January 12–14, 1967 |
Felix Labunski |
Polish Renaissance Suite |
Max Rudolf |
January 6–7, 1967 |
Miljenko Prohaska |
Concertino for Jazz Quartet and Strings |
Max Rudolf |
December 9–10, 1966 |
Gene Gutche |
Hsiang Fei, Op. 40 |
Max Rudolf |
October 21–22, 1966 |
Yannis Papaioannou |
Symphony No. 5 |
Max Rudolf |
April 29–30, 1966 |
Jenõ Takács |
Eisenstadt Divertimento, Op. 75 |
Max Rudolf |
January 14–15, 1966 |
Franz Waxman |
The Song of Terezin ( A Dramatic Song Cycle) |
Stanislaw Skrowaczewski |
May 22, 1965 (MF) |
George Crumb |
Variazioni for Orchestra |
Max Rudolf |
May 8, 1965 |
Easley Blackwood |
Concerto for Clarinet and Orchestra, Op. 13 |
Max Rudolf & Richard Waller, clarinet |
November 20–21, 1964 |
Gen Parchman |
Winsel Overture |
Max Rudolf |
January 17–18, 1964 |
Gian Carlo Menotti |
The Death of the Bishop of Brindisi |
Max Rudolf |
May 18, 1963 (MF) |
Gunther Schuller |
Concerto for Piano and Orchestra |
Max Rudolf & Jeanne Kirstein, piano |
October 26–27, 1962 |
Jenõ Takács |
Passacaglia for String Orchestra, Op. 73 |
Max Rudolf |
October 12–13, 1962 |
Norman Dello Joio |
Fantasy and Variations for Piano and Orchestra |
Max Rudolf & Lorin Hollander, piano |
March 9–10, 1962 |
Donato di Veroli |
Theme and Variations for Orchestra |
Max Rudolf |
November 25–26, 1961 |
Gen Parchman |
Symphony for String Orchestra |
Max Rudolf |
November 24–25, 1961 |
Felix Labunski |
Symphonic Dialogues |
Max Rudolf |
February 9–11, 1961 |
Stjepan Sulek |
Concerto No. 1 for Orchestra, Classical |
Milan Horvat |
January 20–21, 1961 |
Joseph Tal |
Symphony No. 1 |
Max Rudolf |
February 12–13, 1960 |
Gunther Schuller |
Contours |
Max Rudolf |
December 31 – January 2, 1960 |
Leo Kraft |
Variations for Orchestra |
Max Rudolf |
December 1–3, 1960 |
Margaret Johnson Bosworth |
Queen City Suite |
Josef Krips |
May 4, 1960 (MF) |
Samuel S. Ensor |
Verses from a Children's Book, Short Movements for Narrator and Orchestra |
Max Rudolf & Charlotte Shockley, narrator |
February 12–13, 1960 |
Henry Humphreys |
A Christmas Fantasy-Overture, Op. 68 |
Max Rudolf |
December 18–19, 1959 |
Ingvar Lidholm |
Ritornello |
Max Rudolf |
November 27–28, 1959 |
Jenõ Takács |
Semiseria Overture |
Max Rudolf |
October 23–24, 1959 |
Peter Racine Fricker |
Symphony No. 1, Op. 9 |
Max Rudolf |
October 16–17, 1959 |
John Haussermann |
Two Pieces for Orchestra, Op. 27 |
Max Rudolf |
April 3–4, 1959 |
Bernard Rogers |
Africa, Symphony in Two Movements |
Max Rudolf |
January 20 & January 31, 1959 |
Charles Mills |
Crazy Horse Symphony |
Max Rudolf |
November 28–29, 1958 |
Jenõ Takács |
The Chant of the Creation |
Josef Krips |
May 10, 1958 (MF) |
Toshitsugu Ogihara |
Sinfonia di Giappone |
Thor Johnson |
April 11–12, 1958 |
Henry Humphreys |
The Wast Land, for Narrator and Orchestra |
Thor Johnson; Babette Effron, piano & Basil Langton, narrator |
April 3–4, 1958 |
Serge Hovey |
Sholem Aleichem Suite for Soloists, Chorus and Orchestra |
Thor Johnson; Louis Linowitz, baritone; Lucille Rinsky, soprano and Robert Bennett, tenor |
February 21–22, 1958 |
George Rochberg |
Waltz Serenade for Orchestra |
Thor Johnson |
February 14–15, 1958 |
Lani Smith |
Prelude and Scherzo for Brass, Timpani and Strings |
Thor Johnson |
December 6–7, 1957 |
John Larkin |
Mass for the Popes, for Voices, Strings and Organ |
Thor Johnson & Robert Schaeffer, organ |
November 1–2, 1957 |
Serge de Gastyne |
Hollin Hall Symphony |
Thor Johnson |
April 12–13, 1957 |
Fritz Manczyk |
Six Variations on a Sarabande by J.S. Bach |
Thor Johnson |
February 22–23, 1957 |
Normand Lockwood |
"Am I My Brother's Keeper?" Part I of the Oratorio Children of God |
Thor Johnson; Marcelle Bolman, soprano; Shirley Delp, alto; Franklin Bens, tenor; Edgar Keenon, baritone & Donald Gramm, bass |
February 1–2, 1957 |
Henry Dixon Cowell |
Variations for Orchestra |
Thor Johnson |
November 23–24, 1956 |
Ernest Bloch |
Symphony in E-flat |
Thor Johnson |
November 9–10, 1956 |
Wallingford Riegger |
Overture for Orchestra, Op. 60 |
Thor Johnson |
October 26–27, 1956 |
Wallace Berry |
Spoon River (Song Cycle for Baritone and Soprano) |
Thor Johnson |
May 11, 1956 (MF) |
Felix Labunski |
Images of Youth |
Thor Johnson |
May 11, 1956 (MF) |
Franz Reizenstein |
Voices of Night (A Cantata) |
Josef Krips |
May 10, 1956 (MF) |
Benjamin Britten |
Gloriana, Op. 53 |
Josef Krips |
May 8, 1956 (MF) |
Wolfgang Amadeus Mozart |
Davidde Penitente, for Soloists, Chorus and Orchestra, K. 469
(First known performance in the US) |
Thor Johnson, Lois Marshall, soprano; Loren Driscoll, tenor & Sadie Ruth McCollum, mezzo-soprano |
February 17–18, 1956 |
Serge de Gastyne |
L'ile Lumiere |
Thor Johnson |
January 6–7, 1956 |
William Schuman |
Credendum, An Article of Faith |
Thor Johnson |
November 4, 1955 |
Yasushi Akutagawa |
Musica per Orchestra Sinfonica |
Thor Johnson |
October 21–22, 1955 |
Anthony Donato |
Solitude in the City, for Narrator and Orchestra |
Thor Johnson & Carl Jacobs III, narrator |
March 25–26, 1955 |
Scott Huston |
Abstract |
Thor Johnson |
February 11–12, 1955 |
Jean Sibelius |
The Tempest, Op. 109 [complete] |
Thor Johnson, Bige Hammons, bass-baritone; Mary Garnett Poarch, soprano & Antioch Area Theatre, guest |
December 3–4, 1954 |
Franz Schmidt |
The Book with Seven Seals (An Oratorio) |
Josef Krips |
May 7, 1954 (MF) |
Gösta Nystroem |
Concerto for Viola and Orchestra |
Thor Johnson & Erik Kahlson, viola |
April 15–17, 1954 |
Baruch Cohon |
Let There be Light |
Thor Johnson & Abraham Braude, baritone |
February 12–13, 1954 |
Charles Hamm |
Sinfonia for Orchestra |
Thor Johnson |
February 5–6, 1954 |
Harald Saeverud |
Galdreslatten (Danza Sinfonica con Passacaglia), Op. 20 |
Thor Johnson |
October 16–17, 1953 |
William C. Byrd |
Cincinnati Profiles, Suite for Orchestra: The Seven Hills |
Thor Johnson |
February 27–28, 1953 |
Eugene Hemmer |
Cincinnati Profiles, Suite for Orchestra: Fountain Square |
Thor Johnson |
February 27–28, 1953 |
John Larkin |
Cincinnati Profiles, Suite for Orchestra: Mount Adams, A Symphonic Impression |
Thor Johnson |
February 27–28, 1953 |
Robert Whitcomb |
Cincinnati Profiles, Suite for Orchestra: From the Ohio River |
Thor Johnson |
February 27–28, 1953 |
Uuno Klami |
Kalevala Sarja (“Kalevala Suite”), Op. 23 |
Thor Johnson |
April 4–5, 1952 |
Paul Creston |
Walt Whitman, Op. 53 |
Thor Johnson |
March 28–29, 1952 |
Vittorio Rieti |
Concerto for Two Pianos & Orchestra |
Thor Johnson; Arthur Gold, piano & Robert Fizdale, piano |
February 15–16, 1952 |
Vittorio Giannini |
A Canticle of Christmas, for Baritone, Chorus and Orchestra |
Thor Johnson & Hubert Kockritz, bariton |
December 14–15, 1951 |
Carl Hugo Grimm |
A Christmas Concerto, for Orchestra, Op. 52 |
Thor Johnson |
December 14–15, 1951 |
Roy Harris |
Cumberland Concerto for Orchestra |
Thor Johnson |
October 19–20, 1951 |
Ralph Vaughan Williams |
Fantasia (Quasi Variazone) on the “Old 104th” Psalm Tune |
Thor Johnson & Frank Glazer, piano |
April 20–21, 1951 |
Vittorio Giannini |
Sinfonia per Orchestra |
Thor Johnson |
April 6–7, 1951 |
Darius Milhaud |
Suite from Jeux de Printemps |
Thor Johnson |
March 31 – April 1, 1951 |
Felix Labunski |
Variations for Orchestra |
Thor Johnson |
January 6–7, 1951 |
Rudolph Ganz |
Symphonic Overture to an Unwritten Comedy, Laughter...yet Love, Op. 34 |
Thor Johnson |
November 24–25, 1950 |
Quincy Porter |
The Desolate City, for Baritione and Orchestra |
Thor Johnson & Mack Harrell, baritone |
November 24–25, 1950 |
Don Gillis |
Thomas Wolfe, American |
Thor Johnson & Samuel Messer, narrator |
October 27–28, 1950 |
Carlos Chavez |
Toccata Para Instrumentos de Percusión |
Thor Johnson, Fred W. Noak, percussion; Ernest Lorenz, percussion; Edward Wuebold, percussion; Glenn Robinson, percussion; George J. Carey, percussion & Harold J. Thompson, percussion |
April 22–23, 1950 |
Arthur Honegger |
Jour de Fete Suisse |
Thor Johnson |
December 31 – January 1, 1949 |
Aaron Avshalomov |
Symphony No. 2 in E Minor |
Thor Johnson |
December 30–31, 1949 |
James Gutheim Heller |
Rhapsody for Orchestra |
Thor Johnson |
December 16–17, 1949 |
John Antill |
Suite from Corrobboree |
Eugene Goossens |
November 23–24, 1949 |
David Diamond |
The Enormous Room |
Thor Johnson |
November 19–20, 1949 |
Eric Delamarter |
"Cluny" Dialogue for Viola and Orchestra |
Thor Johnson & Erik Kahlson, viola |
October 22–23, 1949 |
John Haussermann |
Symphony No. 3 |
Thor Johnson |
April 1–2, 1949 |
Cecil Effinger |
Little Symphony No. 2 |
Thor Johnson |
February 4–5, 1949 |
Jean Sibelius |
Scenes Historiques |
Thor Johnson |
December 10–11, 1948 |
Henry Bryant |
The Promised Land ( A Symphony of Palestine) [Symphony No. 2] |
Thor Johnson |
November 26–27, 1948 |
Don Gillis |
Portrait of a Frontier Town |
Thor Johnson |
February 21–22, 1948 |
Henry Brant |
Symphony No. 1 in B-flat |
Thor Johnson |
January 30–31, 1948 |
David Broekman |
Symphony No. 2 |
Eugene Goossens |
March 7–8, 1947 |
Martin G. Dumler |
Te Deum |
Eugene Goossens |
May 11, 1946 (MF) |
Frederick Delius |
A Mass of Life |
Eugene Goossens |
May 8, 1946 (MF) |
Ulrich Cole |
Concerto No. 2 for Piano and Orchestra |
Eugene Goossens & Ulrich Cole, piano |
March 1–2, 1946 |
Carl Hugo Grimm |
An American Overture, Op. 47 |
Eugene Goossens |
February 15–16, 1946 |
John Haussermann |
Ronde Carnavalesque |
Eugene Goossens |
April 6–7, 1945 |
Gunther Schuller |
Concerto for Horn & Orchestra |
Eugene Goossens & Gunther Schuller, French horn |
April 6–7, 1945 |
Eugene Goossens |
Jubilee Variations: Variations on a Theme by Goossens |
Eugene Goossens |
March 23–24, 1945 |
William Grant Still |
Festive Overture |
Eugene Goossens |
January 19–20, 1945 |
Bernard Rogers |
The Passion |
Eugene Goossens |
May 12, 1944 (MF) |
John Haussermann |
Symphony No. 2, Op. 22 |
Eugene Goossens |
April 1 – March 31, 1944 |
Pescara |
Symphonic Sketch, Tibet |
Eugene Goossens |
March 3–4, 1944 |
Eugene Goossens |
Phantasy-Concerto for Piano and Orchestra, Op. 60 |
Eugene Goossens & José Iturbi, piano |
February 25–26, 1944 |
Eric Werner |
Symphony-Requiem |
Eugene Goossens |
January 21–22, 1944 |
Bedřich Smetana |
Country Scenes from Bohemia |
Eugene Goossens |
January 7–8, 1944 |
Dana Suesse |
Concerto in E Minor for Two Pianos and Orchestra |
Eugene Goossens; Ethel Bartlett, piano & Rae Robertson, piano |
December 10–11, 1943 |
Eugene Goossens |
Fanfare for the Merchant Marine |
Eugene Goossens |
April 16–17, 943 |
Howard Hanson |
Fanfare for the Signal Corps |
Eugene Goossens |
April 2–3, 1943 |
Martin G. Dumler |
Prelude and Fugue |
Eugene Goossens |
March 26–27, 1943 |
Carl Hugo Grimm |
Montana, Two Impressions for Orchestra |
Eugene Goossens |
March 26–27, 1943 |
Aaron Copland |
Fanfare for the Common Man |
Eugene Goossens |
March 12–13, 1943 |
Felix Borowski |
Fanfare for the American Soldier |
Eugene Goossens |
March 5–6, 1943 |
Anis Fuleihan |
Fanfare for Medical Corps |
Eugene Goossens |
February 26–27, 1943 |
Harl McDonald |
Fanfare for Poland |
Eugene Goossens |
February 5–6, 1943 |
Leo Sowerby |
Fanfare for Airmen |
Eugene Goossens |
January 29–30, 1943 |
Morton Gould |
Fanfare for Freedom |
Eugene Goossens |
January 22–23, 1943 |
Virgil Thomson |
Fanfare for France |
Eugene Goossens |
January 15–16, 1943 |
William Grant Still |
Fanfare for American Heroes |
Eugene Goossens |
December 18–19, 1942 |
Darius Milhaud |
Fanfare de la Liberté |
Eugene Goossens |
December 11–12, 1942 |
Paul Creston |
Fanfare for Paratroopers |
Eugene Goossens |
November 27–28, 1942 |
Daniel Gregory Mason |
A Fanfare for Friends |
Eugene Goossens |
November 6–7, 1942 |
Henry Dixon Cowell |
Fanfare for the Forces of the Latin American Allies |
Eugene Goossens |
October 30–31, 1942 |
Walter Piston |
Fanfare for the Fighting French |
Eugene Goossens |
October 23–24, 1942 |
Deems Taylor |
Fanfare for Russia |
Eugene Goossens |
October 16–17, 1942 |
Bernard Wagenaar |
A Fanfare for Airmen |
Eugene Goossens |
October 9–10, 1942 |
Aaron Copland |
Lincoln Portrait |
Andre Kostelanetz & William Adams, narrator |
May 14, 1942 |
Jerome Kern |
“Portrait for Orchestra” from Mark Twain |
Andre Kostelanetz |
May 14, 1942 |
Virgil Thomson |
The Mayor La Guardia Waltzes |
Andre Kostelanetz |
May 14, 1942 |
José Iturbi |
Soliloquy for Orchestra |
Eugene Goossens |
January 23–24, 1942 |
Benjamin Britten |
Scottish Ballade for Two Pianos and Orchestra, Op. 26 |
Eugene Goossens; Ethel Bartlett, piano & Rae Robertson, piano |
November 28–29, 1941 |
Robert Casadesus |
Symphony No. 2, Op. 32 |
Eugene Goossens |
November 21–22, 1941 |
James Gutheim Heller |
Little Symphony for Small Orchestra |
Eugene Goossens |
April 4–5, 1941 |
Eugene Goossens |
Symphony No. 1, Op. 58 |
Eugene Goossens |
April 12–13, 1940 |
Bernard Rogers |
Song of the Nightingale, Symphonic Pictures after Hans Christian Andersen |
Eugene Goossens |
March 21–23, 1940 |
Robert Casadesus |
Concerto for Two Pianos and Orchestra |
Eugene Goossens, Robert Casadesus, piano & Gaby Casadesus, piano |
February 9–10, 1940 |
James Gutheim Heller |
Watchman, What of the Night: Excerpts |
Eugene Goossens |
May 3, 1939
(MF) |
Jean Ten Have |
Symphonic Prelude |
Eugene Goossens |
April 6–8, 1939 |
Ernest John Moeran |
Symphony in G Minor |
Eugene Goossens |
Mar 25 - 26,1938 |
Carlos Lopez Buchardo |
Escenas Argentinas |
Frieder Weissmann |
January 7–8, 1938 |
Sir Arthur Seymour Sullivan |
Overture In C (In Memoriam) |
Eugene Goossens |
October 13, 1937 |
Richard Strauss |
Prelude to Act III of Arabella, Op. 79 |
Eugene Goossens |
October 16–17, 1937 |
R. Nathaniel Dett |
The Ordering of Moses |
Eugene Goossens |
May 7, 1937
(MF) |
Edgar Stillman Kelley |
Gulliver, His Voyage to Lilliput, A Symphony in Four Movements |
Eugene Goossens |
April 9–10, 1937 |
Eugene Goossens |
Pictures for Flute, Strings and Percussion |
Eugene Goossens & Ary van Leeuwen, flute |
February 28–29, 1936 |
James Gutheim Heller |
“Lento” from Four Sketches for Orchestra |
Eugene Goossens |
February 7–8, 1936 |
Karol Rathaus |
Serenade for Orchestra, Op. 35 |
Eugene Goossens |
January 17–18, 1936 |
Martin G. Dumler |
Stabat Mater |
Eugene Goossens |
May 25, 1935
(MF) |
Sir Granville Bantock |
Atalanta in Calydon |
Eugene Goossens |
May 24, 1935 (MF) |
Cyril Scott |
La Belle Dame Sans Merci |
Eugene Goossens |
May 24, 1935
(MF) |
Harry Waldo Warner |
Hampton Wick, Op. 38 |
Eugene Goossens |
November 30 – December 1, 1934 |
Sir Arnold Bax |
Symphony No. 5 |
Eugene Goossens |
April 6–7, 1934 |
John Ireland |
Prelude, The Forgotten Rite |
Eugene Goossens |
April 6–7, 1934 |
Nikolai Rimsky-Korsakov |
Overture to The Maid of Pskov |
Eugene Goossens |
March 16–17, 1934 |
Emerson Whithorne |
Symphony No. 1 in C Minor, Op. 49 |
Eugene Goossens |
January 12–13, 1934 |
Leopold Godowsky |
Java Suite |
Eugene Goossens |
February 2–3, 1933 |
Francis Poulenc |
Mouvements perpetuels |
Eugene Goossens |
December 4–5, 1931 |
M. Enrico |
Theme and Variations for Orchestra, Op. 131 |
Fritz Reiner |
March 27–28, 1931 |
Darius Milhaud |
Concerto No. 1 for Viola and Orchestra, Op. 108 |
Fritz Reiner & Vladimir Bakaleinikoff, viola |
February 27–28, 1931 |
Maurice Ravel |
Menuet antique |
Fritz Reiner |
December 12–13, 1930 |
Roger Sessions |
Suite from The Black Maskers |
Fritz Reiner |
December 5–6, 1930 |
Filip Lazar |
Tziganes, Scherzo for Orchestra |
Fritz Reiner |
November 28–29, 1930 |
Daniel Gregory Mason |
Symphony No. 2 in A major |
Fritz Reiner |
November 7–8, 1930 |
Kurt Weill |
Concerto for Violin and Wind Orchestra, Op. 12 |
Fritz Reiner & Emil Heermann, violin |
March 28–29, 1930 |
Ferruccio Busoni |
Concerto in C Major for Piano, Orchestra and Male Voices, Op. 39 |
Fritz Reiner & Karin Dayas, piano |
March 14–15, 1930 |
Samuel L. M. Barlow |
Alba, Symphonic Poem |
Fritz Reiner |
January 31 – February 1, 1930 |
Louis Gruenberg |
Jazz Suite, Op. 28 |
Fritz Reiner |
March 22–23, 1929 |
Daniel Gregory Mason |
Chanticleer, Festival Overture, Op. 27 |
Fritz Reiner |
November 23–24, 1928 |
Riccardo Pick-Mangiagalli |
Piccola Suite |
Victor de Sabata |
November 25–26, 1927 |
Jesús Guridi |
Thus Sang the Little Ones |
Frank Van der Stucken |
May 7, 1927
(MF) |
Johann Sebastian Bach |
Cantata No. 205, Aeols Appeased
(First known US performance) |
Frank Van der Stucken |
May 6, 1927
(MF) |
Béla Bartók |
Two Scenes from The Miraculous Mandarin |
Fritz Reiner |
April 1–2, 1927 |
Arthur Bliss |
Hymn to Apollo |
Fritz Reiner |
March 18–19, 1927 |
Arthur Honegger |
Concertino for Piano and Orchestra |
Fritz Reiner & Walter Gieseking, piano |
March 18–19, 1927 |
Lodewijk Mortelmans |
Young America |
Frank Van der Stucken |
May 9, 1925
(MF) |
Vittorio Rieti |
Concerto for Quintet of Wind Instruments and Orchestra |
Fritz Reiner |
April 17–18, 1925 |
Béla Bartók |
Dance Suite for Orchestra |
Fritz Reiner |
April 3–4, 1925 |
Wilhelm Grosz |
Prelude to a Comic Opera, Op. 14 |
Fritz Reiner |
February 6–7, 1925 |
Henry Kimball Hadley |
Resurgam, Op. 98 |
Frank Van der Stucken |
May 5, 1923
(MF) |
Béla Bartók |
Suite No. 1 for Orchestra, Op. 3 |
Fritz Reiner |
January 19–20, 1923 |
Alexander Glazunov |
Symphony No. 3 in D Minor, Op. 33 |
Fritz Reiner |
November 24 - 15,1922 |
Albert Dupuis |
Symphonic Fragments from Jean-Michel |
Eugène Ysaÿe |
November 19–20, 1920 |
Théophile Ysaÿe |
Symphony in F Major, Op. 14 |
Eugène Ysaÿe |
March 28–29, 1919 |
Edgar Stillman Kellye |
Pilgrim’s Progress, Op. 37 |
Eugène Ysaÿe |
May 10, 1918
(MF) |
Eugène Ysaÿe |
Exil, Op. 25 for high strings |
Eugène Ysaÿe |
May 9, 1918
(MF) |
Josef Hofmann |
Chromaticon, for Piano and Orchestra |
Ernst Kunwald & Josef Hofmann, piano |
November 24–25, 1916 |
Louis G. Sturm |
Preludio, Tema e Variazione in E Minor, Op. 34 |
Ernst Kunwald |
February 26–27, 1915 |
Gustav Mahler |
Symphony No. 3 in D Minor |
Ernst Kunwald |
May 9, 1914 (MF) |
Richard Strauss |
Alpensinfonie, Op. 64 |
Ernst Kunwald |
April 27, 1916 (MF) |
Gustav Mahler |
Symphony No. 5 in C-sharp Minor |
Frank van der Stucken |
March 24–25, 1905 |
Pier Adolfo Tirindelli |
Leggenda Celeste |
Frank van der Stucken |
February 20–21, 1903 |
Pier Adolfo Tirindelli |
Concerto in G Minor for Violin and Orchestra |
Frank van der Stucken & Pier Adolfo Tirindelli, violin |
February 23–24, 1900 |
Alexander Ritter |
Charfreitag und Frohnleichnam |
Frank van der Stucken |
February 23–24, 1900 |
Alexander Scriabin |
Réverie in E Minor, Op. 24 |
Frank van der Stucken |
December 1–2, 1899 |
Felix Weingartner |
Symphony in G Major, Op. 23 |
Frank van der Stucken |
November 17–18, 1899 |
Antonin Dvořák |
The Midday Witch, Op. 108 |
Frank van der Stucken |
February 12–13, 1897 |
Johannes Brahms |
Triumphlied (Triumphal Hymn), Op. 55 |
Theodore Thomas |
May 11, 1875 (MF) |
Johann Sebastian Bach |
Magnificat, BWV 243
(First known US performance) |
Theodore Thomas |
May 13, 1875 (MF) |
George Frederic Handel |
Dettingen Te Deum
(First known US performance) |
Theodore Thomas |
May 6, 1873 (MF) |