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Da Lama ao Caos

1994 studio album by Chico Science & Nação Zumbi From Wikipedia, the free encyclopedia

Da Lama ao Caos
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Da Lama ao Caos (Portuguese: [da ˈlɐ̃ma‿w ˈkaws]; transl.From Mud to Chaos) is the debut album by the Brazilian band Chico Science & Nação Zumbi. Released in 1994, the album presents a fusion of funk rock and maracatu and contributed for spreading the music of Pernambuco around the world. Da Lama ao Caos is considered the manifesto of the Manguebeat movement.[2]

Quick Facts Studio album by Chico Science & Nação Zumbi, Released ...
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It was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history (13th position).[3] The magazine also voted its title track as the 22nd greatest Brazilian song.[4] In 2022, it was elected as the best Brazilian music album of the last 40 years by a O Globo poll which involved 25 specialists, including Charles Gavin, Nelson Motta, and others.[5]

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Cover

The album cover, conceived by director Hilton Lacerda, is a collage of images that appear to be "pixilated", with each pixel being a different collage.[6] The back cover is picture of a crab's claw, purportedly zoomed-in so it becomes pixilated and it becomes clear that the image had been developed with a computer.[6]

The first version of the artwork was in black-and-white with some blue shades, but the label refused it, demanding more colors, and that's how the final version was born.[6]

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Track listing

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All tracks are written by Chico Science, except where noted.

  • Tracks "Computadores Fazem Arte" and "Côco Dub (Afrociberdelia)" are not included in the vinyl version.
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Personnel

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Source:[7]

Chico Science & Nação Zumbi
Special guests
  • André Jungmann - berimbau on "Maracatu de Tiro Certeiro"
  • Chico Neves - samplers on "Rios, Pontes & Overdrives", "A Cidade", "Samba Makossa", "Antene-se" and "Côco Dub (Afrociberdelia)"
  • Liminha - shouting on "Lixo do Mangue"
Production
  • Liminha - producer, mixer, recording engineer
  • Jorge Davidson - artistic director
  • Ronaldo Viana - mixing coordinator
  • Guilherme Calicchio - recording engineer
  • Vitor Farias - recording engineer
  • Renato Muñoz - studio assistant
  • Ricardo Garcia - technical assessor
  • Alberto Fernandes - technical assessor
  • Steve Hall - mastering
  • Eddy Schreyer - mastering
  • Recorded and mixed at Estúdio Nas Nuvens, Rio de Janeiro
  • Mastered at Future Disc, Oregon
  • Dolores & Morales - graphical project
  • Fred Jordão - photography
  • Luciana K - finisher
  • Helder - illustrations, finisher
  • Hilton Lacerda - comics text, finisher
  • Cláudio Almeida - images/texts editing, finisher
  • Estado da Arte - collaboration
  • João Belian - collaboration

References

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