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Connie Lee
American screenwriter (born 1918) From Wikipedia, the free encyclopedia
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Connie Lee (born 1918) was an American screenwriter and songwriter known for her work on the Blondie films, as well as a number of B-Westerns (one of few women working in the genre at the time).[1][2]
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Biography
Lee came out of the Tin Pan Alley school of songwriting, and was given a contract by Ambassador Pictures to write songs for a few of its films.[3] By the time she was 19, she began writing screenplays; her first feature, Swing It, Professor, was released in 1937. She often collaborated on scripts with Karen DeWolf: As a duo, the two penned Nine Girls and many of the Blondie titles.
Lee married screenwriter Seymour Bennett (born Seymour Berkowitz) at some point in the early 1950s; the pair collaborated on the story for 1953's The Last Posse.
In 1953, Lee's and Bennett's careers came to an end when they were named by fellow screenwriter David Lang[4][5][6] (30 November 1913 — 11 May 2007).[7] and were placed on the Hollywood blacklist for alleged Communist ties.[8][9]
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Screenwriting credits
- Ma and Pa Kettle at Waikiki (1953) (credited as Connie Lee Bennett)
- The Last Posse (1952) (credited as Connie Lee Bennett)
- The Lady from Texas (story) 1951) (credited as Connie Lee Bennett)
- The Return of October (story) (1948)
- Blondie's Holiday (1947)
- Blondie's Big Moment (1947)
- Blondie's Lucky Day (1946)
- Life with Blondie (1945)
- Leave It to Blondie (1945)
- Footlight Glamour (1943)
- It's a Great Life (1943)
- The Daring Young Man (1942)
- Blondie for Victory (1942)
- Blondie's Blessed Event (1942)
- Zis Boom Bah (1941) (story)
- Ride, Tenderfoot, Ride (1940) (story)
- Carolina Moon (1940) (story)
- Ghost Valley Raiders (1940) (story)
- Rancho Grande (1940) (story)
- Mountain Rhythm (1939) (story)
- Mexicali Rose (1939) (story)
- Swing It, Professor (1937) (story)
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References
External links
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