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Aeolian dominant scale

Fifth mode of the melodic minor scale From Wikipedia, the free encyclopedia

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The Aeolian dominant scale (Aeolian 3 scale), Mixolydian 6 scale, descending melodic major scale, or Hindu scale[1][2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.

Quick facts Modes, Component pitches ...

It corresponds to Raga Charukeshi in Indian Classical music.

This scale can also be obtained by raising the third degree of the natural minor scale or lowering the sixth degree of the mixolydian scale.

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \time 7/4 c4 d e f g aes bes c
} }
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Chords and chord progressions

This scale has the following chords (in Roman numeral major-based notation):

I iidim iiidim iv v bVI+ bVII

There are also some chords that are found in the scale, but are spelled incorrectly. They are as follows (spelled enharmonically):

I+ III+

Seventh chords in this scale include:

I7 iim7b5 iiim7b5 ivmaj7 v7 bVI+maj7 bVII7

Common chord progressions in mixolydian 6 include:

I iv

I iv v bVII

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Melodic major

The name melodic major refers to the combined scale that proceeds as natural major ascending and as Aeolian dominant descending. It is named melodic major because it closes the augmented second in the harmonic major scale by either sharpening the sixth (ascending) or flattening the seventh (descending).

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \time 7/4 c4 d e f g a b c bes aes g f e d c
} }
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Songs that use the Aeolian dominant scale

See also

References

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