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Destiny's Child
American girl group (1990–2006) From Wikipedia, the free encyclopedia
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Destiny's Child was an American girl group whose final lineup comprised Beyoncé, Kelly Rowland, and Michelle Williams. The group began their musical career as Girl's Tyme, formed in 1990 in Houston, Texas. After years of limited success, the original quartet—Beyoncé, Rowland, LaTavia Roberson, and LeToya Luckett—were signed in 1997 to Columbia Records as Destiny's Child.
The group was launched into mainstream recognition following the release of the single "No, No, No". Their best-selling second album, The Writing's on the Wall (1999), spawned the US Billboard Hot 100 number-one singles "Bills, Bills, Bills" and "Say My Name". Despite critical and commercial success, the group was plagued by internal conflict and legal turmoil, as Roberson and Luckett attempted to split from the group's manager, Mathew Knowles, due to his favoritism of Beyoncé and Rowland. In early 2000, both Roberson and Luckett were replaced by Williams and Farrah Franklin; however, Franklin quit after a few months, leaving the group as a trio.
The group's third album, Survivor (2001)—whose themes were interpreted as a channel to their experience—yielded the US number-one singles "Independent Women" and "Bootylicious". After releasing the Christmas album 8 Days of Christmas (2001), Destiny's Child announced a hiatus to pursue solo careers. They later reunited to release their fifth and final album, Destiny Fulfilled (2004), which produced the US top-three singles "Lose My Breath" and "Soldier". Since the group officially disbanded in 2006, Beyoncé, Rowland, and Williams have reunited several times, including at the 2013 Super Bowl halftime show, the 2018 Coachella festival, and the final show of the 2025 Cowboy Carter Tour.
Destiny's Child is one of the best-selling girl groups of all time, with estimated sales of over 60 million records. Regarded as one of the most influential girl groups in popular music, they are credited with helping shape the sound of late-1990s and early-2000s R&B and considered pioneers of the 1990s girl-group resurgence. Known for their themes of female empowerment and stage performances, they won numerous accolades, including three Grammy Awards, eleven Billboard Music Awards, five American Music Awards, two MTV Video Music Awards, and a star on the Hollywood Walk of Fame. Billboard named them one of the greatest musical trios of all time.
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History
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1990–1997: Early beginnings and Girl's Tyme
In 1990, Beyoncé met LaTavia Roberson while in an audition for an all-girl entertainment group.[1] Based in Houston, Texas, they joined a group that performed rap and dance routines on the city's talent show circuit.[2][3] Kelly Rowland, who lived in Beyoncé's house at the time, joined them in 1992.[4][5] Originally named Girl's Tyme, they were eventually reduced to six members, including Támar Davis and sisters Nikki and Nina Taylor.[6][7] R&B producer Arne Frager flew to Houston to see the group and later brought them to the Record Plant in Northern California, focusing particularly on Beyoncé's vocals because he believed she had strong personality and vocal ability.[8] Hoping to secure the group a major record deal, Frager's strategy was to debut them on Star Search, then the biggest talent show on national television.[9] They lost the competition because, according to Beyoncé, they chose the wrong type of song—they were rapping instead of singing.[1][10][11]
After the group's defeat, Beyoncé's father, Mathew Knowles, began voluntarily managing them.[12] He reduced the lineup to four members, removing Davis and the Taylor sisters, and adding LeToya Luckett in 1993.[13] Aside from spending time at their church in Houston, Girl's Tyme practiced in their backyards and at Headliners Salon, owned by Beyoncé's mother, Tina Knowles. They tested routines in the salon—then located on Montrose Boulevard—sometimes even collecting tips from customers, who would also critique their performances. During the school year, the group performed at local events, and when summer arrived, Mathew set up a "boot camp" to train them in dance and vocal performance.[14] After intensive preparation, they began opening for established R&B acts such as SWV, Dru Hill, and Immature.[1][15] Tina designed the group's stage outfits.[14] Over the early years of their career, Girl's Tyme went through several name changes, becoming Somethin' Fresh, Cliché, the Dolls, Borderline, and Destiny.[16] Under the name Destiny, the group signed with Elektra Records, but they were dropped several months later before releasing an album.[12]
We got the word destiny out of the Bible, but we couldn't trademark the name, so we added child, which is like a rebirth of destiny.
— Beyoncé speaking on the name of Destiny's Child[17]
The pursuit of a record deal placed strain on the Knowles family; in 1995, Mathew resigned from his job as a medical-equipment salesman, cutting the family's income in half, and Beyoncé’s parents temporarily separated due to the resulting pressure.[12][18] In 1997, the group adopted the name Destiny's Child, based upon a passage in the Book of Isaiah.[19][20] Mathew helped negotiate a record deal with Columbia Records at the urging of Columbia scout Teresa LaBarbera Whites, and the group signed with the label that same year.[1][2] Before signing with Columbia, they had recorded several tracks in Oakland, California, produced by D'wayne Wiggins of Tony! Toni! Toné!.[21] Their major-label debut song, "Killing Time", was selected for the soundtrack of the film Men in Black (1997).[22][23]
1997–2000: The Writing's on the Wall and lineup changes
On October 27, 1997, Destiny's Child released their debut single, titled "No, No, No".[24] The remix version of the song, "No, No, No, Pt. 2", was their first major hit, peaking at number three on the US Billboard Hot 100 chart and atop the Hot R&B/Hip-Hop Songs chart.[25][26] The song preceded their debut studio album, Destiny's Child, which was released on February 17, 1998.[27] The album is an R&B and neo soul set, and its production was handled by a range of producers, including Wiggins, Jermaine Dupri, Wyclef Jean, and Corey Rooney.[1][25][28] Destiny's Child peaked at number sixty-seven on the Billboard 200 and number fourteen on the Top R&B/Hip-Hop Albums chart.[25][29] The album's second single, "With Me" failed to reproduce the success of "No, No, No".[25] Beyoncé considered Destiny's Child successful but not huge, claiming that it was "too mature" for the group at the time.[25]
In 1998, the group's single "Get on the Bus" appeared on the soundtrack of the romantic drama Why Do Fools Fall in Love, and they later made a guest appearance in an episode of the sitcom Smart Guy.[30][31] For their second studio album, Destiny's Child sought to transition from the neo-soul-influenced sound of their debut, enlisting an almost entirely different array of collaborators, including Kevin "She'kspere" Briggs, Kandi Burruss, Missy Elliott, Rodney Jerkins, and LaShawn Daniels.[32][33] The resulting album, The Writing's on the Wall, was released in the US on July 27, 1999, to critical acclaim.[34] The album's lead single, "Bills, Bills, Bills", was released on May 31, 1999, and became Destiny's Child's first song to peak at number one on the Billboard Hot 100.[35][36] The Writing's on the Wall is often deemed Destiny's Child's breakthrough album, spurring their career and introducing them to a wider audience.[14][28]
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In December 1999, Luckett and Roberson attempted split from Mathew, alleging that he kept a disproportionate share of the group's profits and unfairly favored Beyoncé and Rowland. Although they did not intend to leave the group, they discovered that two new members had been added when the video for "Say My Name", the third single from The Writing's on the Wall, premiered in February 2000.[1] Before the video aired, Beyoncé announced on TRL that Luckett and Roberson had left the group. They were replaced by Michelle Williams—formerly a backup singer for Monica—and Farrah Franklin, an aspiring singer and actress.[1] After working with Monica, Williams was introduced to Destiny's Child by a choreographer friend and was flown to Houston, where she stayed with the Knowles family.[14]
On March 21, 2000, Roberson and Luckett filed a lawsuit against Mathew Knowles and their former bandmates, alleging breach of partnership and fiduciary duties.[37] Five months after joining, Franklin left Destiny's Child.[38] The remaining members stated that her departure was due to missed promotional appearances and concerts, and Williams later said that Franklin struggled with the stress.[14] Franklin explained that she left because of the negativity surrounding the group's internal conflict and her lack of influence in decision-making. Toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit targeting Beyoncé and Rowland in exchange for a settlement, though they continued legal action against Mathew.[1]
As part of the agreement, both parties were prohibited from speaking publicly about one another.[1] Roberson and Luckett went on to form another girl group, but they eventually left that project.[39] The heightened publicity largely fueled Destiny's Child's success, helping them become a major pop-culture phenomenon.[2] In 2000, "Say My Name" spent three consecutive weeks at the top of the Billboard Hot 100, and the fourth single, "Jumpin', Jumpin'", peaked at number three.[40][41] The Writing's on the Wall went on to sell over eight million copies in the US, earning an eight-time platinum certification from the RIAA.[42][41] Worldwide, it has since sold over 13 million copies, making it one of the best-selling R&B albums of all time.[43][33] Around this time, Destiny's Child also opened for major pop stars, including Britney Spears and Christina Aguilera.[1][44]
2000–2003: Survivor, subsequent releases, hiatus, and solo projects
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At the 2001 Billboard Music Awards, Destiny's Child won several accolades, including Artist of the Year and Duo/Group of the Year.[45][46] At the 43rd Annual Grammy Awards, the group won two Grammy Awards for "Say My Name": Best R&B Vocal Performance by a Duo or Group and Best R&B Song.[47] "Independent Women Part I" was released on August 29, 2000, as both the lead single and theme song for the soundtrack to the film Charlie's Angels (2000).[48][38] It topped the Billboard Hot 100 for eleven consecutive weeks—from November 2000 to January 2001—becoming Destiny's Child's longest-running number one.[49][50][51] "Independent Women Part I" was included on the group's third studio album, titled Survivor.[52] During the production process of Survivor, Beyoncé took on a larger creative role, co-producing and co-writing nearly the entire album.[1]
In the US, Survivor was released on May 1, 2001, to generally positive reviews.[53][54] It debuted at number one on the Billboard 200, selling 663,000 copies in its first week.[55] The lead single, "Survivor", preceded the album's release by three months and peaked at number two on the Billboard Hot 100.[56][57] "Bootylicious", the second single from the album, spent two weeks atop the Billboard Hot 100.[58] The song was interpreted by some as a commentary on the group's internal turmoil, though Beyoncé denied that it targeted any former members. Roberson and Luckett nevertheless viewed the song as violating the parties' non-disparagement agreement and filed another lawsuit against Destiny's Child and Sony Music shortly after the release of This Is the Remix (2002). All remaining litigation was settled in June 2002.[1][59] By 2004, Survivor had sold over 10 million copies worldwide, making it one of the best-selling albums of the 21st century.[60]
In the aftermath of the September 11 attacks, Destiny's Child canceled a planned European tour and performed at a benefit concert for survivors.[61][62] On October 30, 2001, the group released the holiday album 8 Days of Christmas, featuring updated versions of several traditional Christmas songs.[63] In late 2000, Destiny's Child announced plans to pursue individual side projects—including solo albums—an idea introduced by Mathew.[64] In 2002, Williams released her debut solo album, Heart to Yours, a contemporary gospel set that topped the Billboard Top Gospel Albums chart.[65] Rowland collaborated with Nelly on "Dilemma", which topped the Billboard Hot 100 and won the two a Grammy Award.[66][67] That year, Beyoncé co-starred with Mike Myers in the box-office success Austin Powers in Goldmember and recorded her first solo single, "Work It Out", for the film's soundtrack.[68][69] Rowland's debut solo album, Simply Deep, was released in September 2002, reaching number one on the UK Albums Chart.[70]
Rowland made her feature-film debut in the horror crossover Freddy vs. Jason (2003), while Beyoncé filmed The Fighting Temptations (2003) and appeared as a featured vocalist on her then-boyfriend Jay-Z's top-five single "'03 Bonnie & Clyde" (2002).[71][72][73] Beyoncé's debut solo album, Dangerously in Love, was the most commercially successful of the three Destiny's Child members who released solo projects at the time. Released in 2003, it debuted at number one on the Billboard 200 and produced the US number-one singles "Crazy in Love" and "Baby Boy", as well as the top-five songs "Me, Myself and I" and "Naughty Girl".[74] Dangerously in Love earned Beyoncé five Grammy Awards in a single night, tying the record for the most Grammys won in one night by a female artist.[75] In November 2003, Williams appeared on Broadway as Aida and released her second gospel album, Do You Know, two months later.[76][77]
In June 2003, Mathew announced that Destiny's Child would expand back to a quartet with the addition of Beyoncé's younger sister, Solange.[78] Destiny's Child had previously recorded songs with Solange and performed with her when she temporarily replaced Rowland after she broke her toes during a performance. Mathew stated, however, that the idea was used to test public reaction.[79] In August 2003, Beyoncé confirmed that her sister would not be joining the group and instead promoted Solange's debut album, Solo Star, released in January 2003.[80]
2003–2006: Destiny Fulfilled and #1's
Three years after the hiatus, members of Destiny's Child reunited to record their fifth and final studio album, Destiny Fulfilled.[1] Its themes delve into the different conversations the trio had during recording, with the songs tied together by interrelated concepts.[81] All three members contributed to the songwriting on most of the album's material and each served as an executive producer.[81][82] Released on November 15, 2004, Destiny Fulfilled peaked at number two on the Billboard 200 with 497,000 copies sold that week.[83][84] Four singles were issued from the album: the lead single "Lose My Breath," followed by "Soldier", "Cater 2 U", and "Girl";[85] the first two peaked at number three on the Billboard Hot 100.[86][87] "Soldier" and "Cater 2 U" were certified platinum by the RIAA in 2006.[88] Despite its mixed critical reception, the album garnered five Grammy Award nominations, including Best Contemporary R&B Album.[89][90]
To promote the album, Destiny's Child launched the worldwide Destiny Fulfilled... and Lovin' It Tour. On June 11, 2005, during their performance at the Palau Sant Jordi in Barcelona, Spain, the group announced to the audience of 16,000 that they intended to formally disband at the tour's conclusion.[91] Beyoncé later explained that the album title Destiny Fulfilled was deliberate, indicating that the decision to separate had already been made during the album's creation.[92] While working on the project, the members agreed to end their fourteen-year run as a group in order to pursue their individual ambitions, agreeing that their destinies had already been fulfilled.[92] The group communicated their decision in a letter sent to MTV, stating:[91]
We have been working together as Destiny's Child since we were 9 and touring together since we were 14. After a lot of discussions and some deep soul searching, we realized that our current tour has given us the opportunity to leave Destiny's Child on a high note, united in our friendship and filled with overwhelming gratitude for our music, our fans, and each other. After all these wonderful years working together, we realized that now is the time to pursue our personal goals and solo efforts in earnest...No matter what happens, we will always love each other as friends and sisters and will always support each other as artists. We want to thank all of our fans for their incredible love and support and hope to see you all again as we continue fulfilling our destinies.
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Destiny's Child released their greatest hits compilation, #1's, on October 25, 2005.[93] Debuting atop the Billboard 200, the album features several of their most successful songs, including the chart-topping "Bills, Bills, Bills", "Say My Name", "Independent Women Part I", and "Bootylicious".[94] Three new tracks were recorded for the project, among them "Stand Up for Love", created as the theme song for World Children's Day—an annual global effort aimed at raising awareness and funds for children's causes—and "Check on It", which Beyoncé recorded for the soundtrack of the film The Pink Panther (2006).[95] Destiny's Child participated as global ambassadors for the 2005 program of World Children's Day, lending their voices and public support.[96] Despite the album's title, only five of the sixteen tracks had topped either the Billboard Hot 100, leading Billboard's Keith Caulfield to describe the title as "a marketing angle".[97] Conversely, MTV journalist Chris Harris wrote that the collection "lives up to its name".[98]
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Disbandment and aftermath
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Destiny's Child reunited for a farewell performance at the 2006 NBA All-Star Game on February 19, 2006, in Houston, Texas.[99][100] A few days later, the group delivered their final televised performance at the Fashion Rocks benefit concert in New York.[99] After their formal disbandment, all three members resumed their solo careers, each achieving varying degrees of success.[101] Beyoncé, Rowland, and Williams continued to collaborate on one another's projects through guest features, music video appearances, and live performances. Rowland and Williams—along with Beyoncé's sister Solange—appeared in the music video for Beyoncé's 2007 single "Get Me Bodied".[102] On June 26, 2007, the group briefly reunited at the BET Awards, where Beyoncé performed "Get Me Bodied" with Williams and Solange as her backup dancers; following the performance, she introduced Rowland, who performed her single "Like This" with Eve.[103]
On September 2, 2007, during the Los Angeles stop of the Beyoncé Experience tour, Beyoncé sang a snippet of "Survivor" with Rowland and Williams, after which they sang "Happy Birthday" to her.[104] In 2008, Beyoncé recorded a cover of Billy Joel's "Honesty" for the compilation Mathew Knowles & Music World Present Vol.1: Love Destiny, released to commemorate the group's tenth anniversary.[105][106] Rowland made a cameo appearance in Beyoncé's music video for "Party" (2011).[107] In 2012, the group released their third compilation album, Playlist: The Very Best of Destiny's Child, to commemorate the fifteenth anniversary of their formation.[108] Their fourth compilation, Love Songs, was released on January 29, 2013, and featured a newly recorded track, "Nuclear", produced by Pharrell Williams and marking Destiny’s Child's first original song in eight years.[109][110] The following month, Rowland and Williams joined Beyoncé as special guests during her Super Bowl XLVII halftime show, where they performed "Bootylicious", "Independent Women", and Beyoncé's "Single Ladies (Put a Ring on It)".[111]
The group released Video Anthology, a video album containing sixteen of their music videos, in the US in June 2013.[112] Beyoncé and Williams were later featured on Rowland's song "You Changed" from her fourth solo album, Talk a Good Game (2013).[113] That same year, Rowland and Williams made cameo appearances in Beyoncé's music videos for "Superpower" and "Grown Woman", both from her fifth solo studio album, Beyoncé (2013).[114][115] In June 2014, Williams released the single "Say Yes", featuring Beyoncé and Rowland.[116] They reunited again for Beyoncé's Coachella headline performance in April 2018, which was later released as the Homecoming documentary and live album.[117][118] The group also reunited for the closing night of Beyoncé's Cowboy Carter Tour in July 2025.[119]
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Artistry
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Musical style and themes
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Members of Destiny's Child cited Janet Jackson (left) and En Vogue (right) as their influences.
Destiny's Child primarily recorded R&B material[120] that incorporated elements of hip hop,[121][122] contemporary,[123] dance,[124][125] and pop styles.[126][127] In the group's original lineup, Beyoncé was the lead vocalist, Rowland was the second lead vocalist, Luckett took on soprano parts, and Roberson sang alto.[128] Beyoncé continued as the primary lead vocalist in the final trio lineup, though Rowland and Williams also alternated lead vocals on many tracks.[14][129] The group frequently harmonized, particularly on ballads, with each member typically taking a verse and joining together on the chorus.[129] On their album Survivor, all three members sang lead on most tracks.[14] In the most of the songs from Destiny Fulfilled, the verses are divided into three sections, with Beyoncé singing first, followed by Rowland, then Williams; the three harmonize together during the choruses.[129]
Members of Destiny's Child cited R&B musical acts such as Janet Jackson,[130] En Vogue,[131] and TLC as some of their key influences.[132] The New York Times's Ann Powers of described their music as "fresh and emotional", deeming their mixes the "best", their samples the "savviest", and their beats the "most happening".[133] Jon Pareles, writing for the same publication, said a defining sound of the group is "the way [their] melodies jump in and out of double-time. Above brittle, syncopated rhythm tracks, quickly articulated verses alternate with smoother choruses".[134] In 2001, Beyoncé said that: "Everybody is a part of the music [...] everybody is singing lead on every song, and it's so great—because now Destiny's Child is at the point vocally and mentally that it should be at."[135] The group explored themes like women's empowerment in songs such as "Independent Women" and "Survivor",[136][137] but have also been criticized for the anti-feminist message of songs such as "Cater 2 U" and "Nasty Girl".[138][139]
Survivor features themes interpreted as addressing the group's internal conflicts.[14] The lyrics of the title track—particularly the lines "I'm not gonna blast you on the radio ... I'm not gonna lie on you or your family ... I'm not gonna hate you in the magazine"—prompted Roberson and Luckett to file a lawsuit, alleging that the song violated the non-disparagement terms of their earlier settlement.[1] In response, Beyoncé explained: "The lyrics to the single 'Survivor' are Destiny's Child's story because we've been through a lot ... We went through our drama with the members ... Any complications we've had in our 10-year period of time have made us closer and tighter and better."[14] Another track, "Fancy", which includes the lyrics "You always tried to compete with me, girl ... find your own identity", was interpreted by Entertainment Weekly critic David Browne as another response to the legal dispute.[140]
Public image
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Destiny's Child were frequently compared to the Supremes, a 1960s American female vocal group, with Beyoncé often likened to its frontwoman, Diana Ross; Beyoncé, however, has rejected the comparison.[28] The comparison was popularized when she portrayed Deena Jones—the lead singer of the Dreams, a group modeled on the Supremes—in the 2006 film adaptation of the 1981 Broadway musical Dreamgirls.[141][142] As Beyoncé took on a large role during the creation of Survivor, Gil Kaufman of MTV News observed that "it became clear that Beyoncé was emerging as [Destiny Child]'s unequivocal musical leader and public face".[1] Her extensive creative influence led to the album being regarded as "very much her work" by Browne.[140] Lola Ogunnaike—writing for The New York Times—further noted the longstanding industry perception "that Destiny's Child was little more than a launching pad for Beyoncé Knowles' inevitable solo career".[143]
Following the release of Beyoncé's debut solo album Dangerously in Love (2003), speculation grew that Destiny's Child might disband, as each member had achieved individual success and was pursuing separate projects.[91][144] Observers drew parallels to Justin Timberlake, who did not return to NSYNC after the success of his solo debut Justified (2002).[1][144] Rowland refuted the breakup rumors in 2004, confirming that the group had reunited in the studio.[145] The members maintained that their reunion was inevitable and that their close bond had kept them unified.[1][81] Margeaux Watson, arts editor at Suede magazine, suggested that Beyoncé "does not want to appear disloyal to her former partners", characterizing her return to the group as "a charitable one".[143] Beyoncé's mother, Tina, authored the 2002 book Destiny's Style: Bootylicious Fashion, Beauty and Lifestyle Secrets From Destiny's Child, an account of how fashion influenced Destiny's Child's success.[146]
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Legacy and recognition
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Destiny's Child have sold more than 60 million records worldwide, making them one of the best-selling girl groups of all time.[147][148] Following the group's disbandment, MTV News writer James Montgomery noted that "they have left a fairly sizable legacy behind" as "one of the best-selling female pop vocal groups in history".[148] Billboard observed that Destiny's Child were "defined by a combination of feisty female empowerment anthems, killer dance moves and an enviable fashion sense",[149] while Essence stated that they "set trends with their harmonious music and cutting-edge style".[150]
In 2015, Dazed's Daisy Jones wrote that the group made a significant impact on R&B, stating: "Without a hint of rose tint, Destiny's Child legitimately transformed the sound of R&B forever [...] their distinct influence can be found peppered all over today's pop landscape".[151] In an article for The Cut, Nicole Marrow argued that R&B in the 1990s and early 2000s "was virtually redefined by the success of powerhouse performers like [...] Destiny's Child, who preached a powerful litany of embracing womanhood and celebrating individuality".[152] Writing for Pitchfork, Katherine St. Asaph noticed how Destiny's Child largely influenced the resurgence of girl groups similar to The Supremes in the early-to-mid-1990s, saying:[43]
There is no better microcosm of what happened to Top 40 music between 1993 and 1999 than this. Bands like the Star Search winner were buried in a landfill of post-grunge, while R&B groups built out from soul and quiet storm to create a sound innovative enough to earn the "futuristic" label almost everything got in that pre-Y2K time. This bore itself out in the revival in the early-to-mid-'90s of excellent girl groups vaguely in the Supremes mold—TLC, En Vogue, SWV—but it would be Destiny's Child who would become their true successors.
Destiny's Child won three Grammy Awards,[153] eleven Billboard Music Awards,[154] five American Music Awards,[155] two MTV Video Music Awards.[73][156] On March 28, 2006, they became the 2,035th recipient of a star on the Hollywood Walk of Fame.[157] Destiny's Child's final trio lineup has been regarded as the group's most definitive and successful.[158][159][160] Billboard named them one of the greatest musical trios of all time and ranked them as the third most successful girl group in chart history, behind TLC and the Supremes.[149][161] The magazine ranked Destiny's Child at number seventeen on its list of the "Top 100 Women Artists of the 21st Century" (2025).[162] "Independent Women" was also acknowledged by the Guinness World Records as the longest-running number-one song on the Billboard Hot 100 by a girl group.[163] Rolling Stone included their single "Say My Name" in its list of the "500 Greatest Songs of All Time" and their album The Writing's on the Wall amongst the "500 Greatest Albums of All Time".[164][165]
The term "bootylicious"—a portmanteau of booty and delicious—was popularized by Destiny's Child's single of the same name and was subsequently added to the Oxford English Dictionary in 2006. During the 2000s, the term was also frequently applied to Beyoncé in reference to her curvaceous figure.[166][167][168] In 2012, VH1 featured Destiny's Child on its "100 Greatest Women in Music" list.[169] Destiny's Child was honored at the 2005 World Music Awards as the World's Best-Selling Female Group of All Time; the show featured a seventeen-minute tribute performance by Patti LaBelle, Usher, Babyface, Rihanna, Amerie, and Teairra Mari.[170][171] Destiny's Child has been cited as a musical influence or source of inspiration by numerous musical acts, such as Rihanna,[172] Lady Gaga,[173] Meghan Trainor,[174] Fifth Harmony,[175] Little Mix,[176] Girls Aloud,[177][178] Haim,[179] Katy B,[180] and RichGirl.[181]
Ciara said that she was motivated to pursue a music career after watching the group perform on television.[182] Ariana Grande has similarly identified Destiny's Child as one of her primary vocal inspirations, stating that their music helped her discover her vocal range and "learned about harmonies[,] runs and ad-libs".[151] Trainor has said that her 2016 single "No" was influenced by the late-1990s and early-2000s sounds of artists including Destiny's Child.[183] Fifth Harmony has named Destiny's Child as their biggest inspiration, paying homage to the group with a medley of "Say My Name", "Independent Women", "Bootylicious", and "Survivor" on the television program Greatest Hits.[184][185]
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Discography
- Destiny's Child (1998)
- The Writing's on the Wall (1999)
- Survivor (2001)
- 8 Days of Christmas (2001)
- Destiny Fulfilled (2004)
Members
- Final members
- Former members
Tours
- Headlining
- Destiny's Child World Tour (2002)
- Destiny Fulfilled... and Lovin' It (2005)
- Co-headlining
- Total Request Live Tour (with 3LW, Dream, Jessica Simpson, City High, Eve and Nelly with the St. Lunatics) (2001)
- Opening act
- SWV World Tour (opened for SWV) (1996)
- Evolution Tour (opened for Boyz II Men) (1998)
- FanMail Tour (opened for TLC) (1999)
- Introducing IMx Tour (opened for IMx) (2000)
- Christina Aguilera in Concert (opened for Christina Aguilera) (2000)
- (You Drive Me) Crazy Tour (opened for Britney Spears for one show) (2000)
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See also
References
Print sources
External links
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