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Early Netherlandish Painting (Panofsky book)

Book by Erwin Panofsky From Wikipedia, the free encyclopedia

Early Netherlandish Painting (Panofsky book)
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Early Netherlandish Painting: Its Origins and Character is a 1953 book on art history by Erwin Panofsky, derived from the 1947–48 Charles Eliot Norton Lectures. The book had a wide impact[2] on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract, a hypothesis advanced by Panofsky as early as 1934. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis.[3]

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Early Netherlandish Painting shares its title with the comprehensive, 14-volume survey by Max J. Friedländer, a fact obliquely acknowledged at the beginning of the preface.[4]

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