Edward J. Montagne

For his son also sometimes known as Edward J. Montagne, see Edward Montagne.

Edward J. Montagne (1885–1932) was a British screenwriter who worked in the American film industry during the silent era.^[1] He worked for Vitagraph for six years, eventually being poached by Selznick Pictures,^[2] and later working for Universal Pictures. He was the father of the producer and director Edward Montagne.

Edward J. Montagne
Born	18 May 1885 London, United Kingdom
Died	15 September 1932 Hollywood, California, United States
Occupation	Writer
Years active	1911–1929 (film)

Selected filmography

• The Wheels of Justice (1915)
• The Conflict (1916)
• Freddy's Narrow Escape (1916)
• The Maelstrom (1917)
• Sunlight's Last Raid (1917)
• The Message of the Mouse (1917)
• Hoarded Assets (1918)
• To the Highest Bidder (1918)
• The Man Who Won (1919)
• Children of Destiny (1920)
• The Daughter Pays (1920)
• Red Foam (1920)
• The Greatest Love (1920)
• The Point of View (1920)
• Chivalrous Charley (1921)
• Conceit (1921)
• A Man's Home (1921)
• The Last Door (1921)
• Remorseless Love (1921)
• Bucking the Tiger (1921)
• After Midnight (1921)
• The Miracle of Manhattan (1921)
• Evidence (1922)
• A Wide Open Town (1922)
• One Week of Love (1922)
• Under Oath (1922)
• Love's Masquerade (1922)
• Reckless Youth (1922)
• Channing of the Northwest (1922)
• The Common Law (1923)
• Rupert of Hentzau (1923)
• The Last of the Duanes (1924)
• Painted People (1924)
• The Storm Daughter (1924)
• Secrets of the Night (1924)
• Alias Mary Flynn (1925)
• The Combat (1926)
• The Mystery Club (1926)
• The Flaming Frontier (1926)
• The Cat and the Canary (1927)
• Surrender (1927)
• Shanghaied (1927)
• It Can Be Done (1929)
• The Love Trap (1929)