Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of non-theatrical film; i.e. films that go direct-to-video or direct-to-streaming. It was first awarded in 1999, for films released the previous year, under the title Best Sound Editing – Direct to Video – Sound. From 1999 until 2011, the award honored both animated and live-action films. The award has been given with its current title since 2018.

Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media
Country	United States
Presented by	Motion Picture Sound Editors
Currently held by	Mandell Winter, David Esparza, Hamilton Sterling, Will Digby, Micah Loken, Sang Kim, Eryne Prine, Mark "Vordo" Wlodarkiewicz, Dan O'Connell, John Cucci – Infinite (2021)

Winners and nominees

1990s

Year	Film	Winners/Nominees
1998	Best Sound Editing – Direct to Video – Sound
	Young Hercules	Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
	Adventures in Odyssey: A Stranger Among Us
	Batman & Mr. Freeze: SubZero
	Belle's Magical World
	The Brave Little Toaster Goes to Mars
	Dennis the Menace Strikes Again
	Scooby-Doo on Zombie Island
1999	Best Sound Editing – Direct to Video – Sound Editorial
	Alvin and the Chipmunks Meet Frankenstein	Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Clark Conrad, Jay Keiser (ADR editors); David De Coster, Adam DeCoster, Sharon Michaels, Timothy Pearson, Paige Pollack, Noel Vought (Foley artists); John Asman, Sam Black, David M. Weishaar (re-recording mixers); Jeff Courtie (foley mixer); Michael S. Wren (recordist)
	Animaniacs: Wakko's Wish	Robert Hargreaves (supervising sound editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising ADR editor); George Brooks (sound effects editor); Linda Di Franco, John Hegedes (dialogue editors)
	Bartok the Magnificent	Mark Server (supervising sound/Foley editor); Scott Seymann (supervising dialogue editor); Michael Ferdie (supervising ADR editor); Robert Bender, Jeff Snodgrass, Fiona Trayler, Tom Wheeler (sound editors)
	The Christmas Lamb	Gregory Cathcart, Gary Falcone, Joe Pizzulo (supervising sound editors); Devon Bowman, Sanaa Kelley (dialogue editors)
	Mickey's Once Upon a Christmas	Jennifer Mertens (supervising sound/ADR editor); Thomas A. Harris (supervising Foley editor); Eric Hertsguaard (supervising dialogue editor); Rick Hammel, Brian F. Mars, Otis Van Osten, Charles Rychwalski, Kenneth Young (sound editors)
	Revelation	Mark Beck (supervising sound editor); Alan deGraaf (supervising Foley editor); Steve Munro (supervising dialogue editor); Tim Roberts (supervising ADR editor); Colin Baxter (sound editor); Catherine Hutton, David Drainie Taylor (dialogue editors)
	Scooby-Doo! and the Witch's Ghost	Cecil Broughton, Tim Gedemer (supervising sound editors); Stuart Ablaza (supervising Foley editor); Tim Iverson (supervising ADR editor); John Bires (sound effects/Foley editor); Rick Hinson (sound editor); Bruce Greenspan, Jim Hearn, Rick Hinson, Kerry Iverson (sound editors)

2000s

Year	Film	Winners/Nominees
2000 [1][2]	Scooby-Doo and the Alien Invaders	Tim Gedemer (supervising sound editor), Cecil Broughton (supervising Foley editor), Kerry Iverson (supervising dialogue editor), Rick Hinson (sound editor), Stuart Ablaza (Foley editor), Jim Hearn (dialogue editor)
	An American Tail: The Mystery of the Night Monster	Burton Weinstein (supervising sound editor); Scott Kolden (sound editor); Michael C. Gutierrez (Foley editor); Geoff McNiel, Michelle C. Stein (dialogue editors); Jay Keiser (ADR editor)
	The Little Mermaid II: Return to the Sea	David E. Stone (supervising sound editor), Vanessa Theme Ament (supervising Foley editor), Mary Andrews (supervising ADR editor), Donald Flick (sound editor)
	Pilgrim	Mark Beck (supervising sound editor), Virginia Storey (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor/supervising ADR editor)
	Road Rage	Mark Beck (supervising sound editor); Virginia Storey (supervising Foley editor); Katherine Fitzgerald (supervising dialogue editor); Scot Marshall (supervising ADR editor); Robert Carli, Steven Toepell (sound editors)
	Stonebrook	David Bondelevitch (supervising sound editor/supervising dialogue editor); Greg Back (supervising Foley editor); Laurence A. Ellis (supervising ADR editor); Barry Keys, Scott Spencer, Joseph Zappala, Donald P. Zappala (sound editors)
	Tribulation	Steve Munro (supervising sound editor); Virginia Storey (supervising Foley editor); Ray Campbell (supervising dialogue editor); Tim Roberts (supervising ADR editor); Colin Baxter, Ken Cade (sound editors); David Drainie Taylor (dialogue editor)
	Turbulence 2: Fear of Flying	Dorian Cheah, Paula Fairfield (supervising sound editors); Robert Jackson (supervising dialogue editor/supervising ADR editor); Sarah Smith (sound editor/Foley editor); Benjamin L. Cook, Craig Jurkiewicz, David Mann, Michael Mullane, Carla Murray, Anne Slack (sound editors); David Grant, Steve Scoville (dialogue editors); Jed M. Dodge, Jason George (ADR editors)
2001 [3]	Best Sound Editing – Direct to Video
	A Texas Funeral	William Dotson (supervising sound editor); Harry Cohen (sound designer/sound effects editor); Pembrooke Andrews (supervising Foley editor); Cathie Speakman (supervising dialogue/ADR editor); Jeff K. Brunello, Rebecca Hanck, Jeffrey R. Whitcher (sound effects editors); Frederick H. Stahly (dialogue editor)
	Apocalypse IV: Judgment	Steven Toepell (supervising sound editor); Steve Hammond, Virginia Storey (supervising Foley editors); Wayne Swingle (supervising dialogue/ ADR editor)
	Manhattan Steamroller: The Christmas Angel	Victor Iorillo, Doug Kent (supervising sound editors); Michael Babcock, John Edwards-Younger, Jeff Sawyer (sound effects editors); Larry Goeb (ADR editor)
	Mannheim Steamroller: Fresh Aire 8	Victor Iorillo (supervising sound editor), Michael Babcock (sound editor), Larry Goeb (ADR editor)
	Road to Redemption	Mathew Waters (supervising sound editor); Thomas Jones (supervising ADR editor); Benjamin L. Cook, Michael Mullane, Johanna Turner (sound effects editors); Robert Getty, Michael Hertlein (dialogue editors); Alec St. John (Foley editor)
	Scooby-Doo and the Cyber Chase	Cecil Broughton, Tim Gedemer (supervising sound editor); Eileen Horta (supervising Foley editor); Mark Keatts (supervising dialogue editor); Rick Hinson, Glenn Oyabe, Dave Rowe (sound editors)
	Tremors 3: Back to Perfection	Joseph Zappala (supervising sound editor), Barry Keys (supervising Foley editor), George R. Groves Jr. (supervising dialogue editor/sound effects editor), Scott Bernstein (supervising ADR editor), Greg Back (sound effects editor), James Christopher (dialogue editor)
2002 [4][5]	The Adventures of Tom Thumb and Thumbelina	Timothy J. Borquez (supervising sound editor/re-recording mixer), Thomas Syslo (supervising sound editor), Eric Freeman (supervising dialogue editor), Eileen Horta (supervising ADR editor)
	Cowboy Up	Patrick Dodd, John C. Stuver (supervising sound editors); Christopher Emerson, Michael Jonascu, Michael Payne (sound effects editors); Francesca Estevez (dialogue editor); Anne Laing (ADR editor); David Bondelevitch, Daniel DiPrima (music editors)
	Deceived	Mark Shnuriwsky (supervising sound editor), Steve Hammond (supervising Foley editor), Janice Ierulli (supervising dialogue editor), Robert Warchol (sound editor), Gary Koftinoff (music editor)
	Larryboy: The Cartoon Adventures- Fly By Might and Angry Eyebrows	Scott Pinkerton (supervising sound/dialogue editor/adr/music editor), Thomas Chan (supervising sound/music editor)
	Left Behind II: Tribulation Force	Tom Bjelic (supervising sound editor), Virginia Storey (supervising Foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor)
	Rock My World	Mark Beck (supervising sound editor), Steve Hammond (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor), Wayne Swingle (supervising ADR editor), Mara Ladico (sound editor), Jonathan Goldsmith (music editor)
	The Skulls II	Nelson Ferreira (supervising sound editor); Rob Bertola, Tony Currie, Tim Isle (sound editors)
	Storm Watch	Patrick M. Griffith (supervising sound editor/foley/dialogue/ADR editor), Timothy Pearson (supervising Foley editor), Stephen M. Galvin (supervising dialogue/ADR editor), Steve McCarty (sound editor)
2003 [6][7][8]	Best Sound Editing in Direct to Video
	Bionicle: Mask of Light	Timothy J. Borquez (supervising sound editor/music editor); Roy Braverman (supervising sound editor); Matt Brown (supervising dialogue editor); Jason Freedman, Eric Freeman, Morgan Gerhard, Gordon Hookailo, Jeff Hutchins, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound editors)
	101 Dalmatians II: Patch's London Adventure	Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); G.W. Brown, Adam Kopald, Todd Toon (sound editors); Dominick Certo (music editor)
	Imaginext: Fortress of the Dragon
	Inspector Gadget 2	Vic Kaspar (sound designer/supervising dialogue/ADR editor); Stefan Kluka (supervising Foley editor); John Kincade (supervising ADR editor); Julius Chan, Liam Egan, Mark Franken (sound effects editors); Matt Connolly (dialogue editor); Simon Leadley, Tim Ryan (music editors)
	Left Behind II: Tribulation Force	Tom Bjelic (supervising sound editor), Virginia Storey (supervising Foley editor), Brandon Walker (supervising dialogue editor), Gary Koftinoff (music editor)
	Stitch! The Movie	Otis Van Osten (sound designer), Jody Thomas (supervising Foley editor); Jason Oliver (supervising dialogue/ADR editor); Ron Salaises, Kenneth Young (sound effects editors); Dominick Certo (music/scoring editor)
	Timequest	Mark Beck (supervising sound editor); Steve Hammond (supervising Foley editor); Jonas Kuhnemann (supervising dialogue editor); Danielle McBride, David Moffat (sound editors); Daniel Peter Kolton (music editor)
	Unconditional Love	Avram D. Gold (supervising sound/dialogue/ADR editor); Richard L. Anderson (supervising sound editor); Jim Weidman (supervising music editor); Elliott Koretz, George Simpson, David A. Whittaker (sound effects editors); Rick Mitchell (Foley editor); Donald J. Malouf (dialogue editor); Barbara McDermott, David Olson, Joe E. Rand (music editors)
	Under Heavy Fire
2004 [9][10]	Bionicle 2: Legends of Metru Nui	Timothy J. Borquez (supervising sound/music editor); Roy Braverman (supervising sound editor); Eric Freeman (supervising dialogue editor); Doug Andham (supervising ADR editor); Michael Geisler, Gordon Hookailo, Mark Howlett, Jeff Hutchins, Marc Mailand, Brian F. Mars, Paul Menichini, Daisuke Sawa, Thomas Syslo (sound effects editors); Jason Freedman (Foley editor)
	The Chronicles of Riddick: Dark Fury	Scott Martin Gershin, Glynna Grimala (supervising sound editors); Bryan Bowen, Bryan Celano, Lisle Engle, Tom Ozanich, Steve Tushar, Peter Zinda (sound editors)
	Hollywood North	Nelson Ferreira (supervising sound/dialogue/ADR editor), Kevin Banks (supervising sound/music/sound effects editor), Craig Henighan (sound effects editor)
	The Lion King 1½	Ronald Eng (supervising sound editor); Willard Overstreet (supervising Foley editor); Tammy Fearing (supervising dialogue/ADR editor); Doug Jackson, Chuck Michael, Steve Tushar (sound editors); Dominick Certo (music editor)
	Mickey's Twice Upon a Christmas	Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Todd Toon (sound effects editor); Charles W. Ritter (Foley editor); G.W. Brown, Devon Heffley Curry, Lisa J. Levine (dialogue editors); Tammy Fearing (ADR editor); Dominick Certo (music editor)
	The Skulls III	Nelson Ferreira (supervising sound/dialogue/ADR editor), Rob Bertola (supervising sound/ADR editor), Mike Welker (ADR editor), Kevin Banks (music editor)
2005 [11][12][13]	Ark	Mike Draghi (supervising sound editor); Stephen P. Robinson (sound designer); Ernie Sheesley (supervising Foley editor); Gordon Suffield (supervising dialogue editor); Kyle Clausen, Mike Garcia (sound editors); Steven A. Saltzman (music editor); Adam DeCoster, Paige Pollack (Foley artists)
	The Batman vs. Dracula	Timothy J. Borquez, Thomas Syslo (supervising sound editors); Tony Orozco (supervising Foley editor); Mark Keatts (supervising dialogue editor); Kelly Ann Foley (supervising ADR editor); Doug Andham, Daniel Ben-Shimon, Keith Dickens, Ron Ruzicka, Daisuke Sawa (sound editors); Mike Garcia, Mark Keefer, Chuck Smith (dialogue editors); Johs Wu (music editor); Sean Rowe (Foley artist)
	Bionicle 3: Web of Shadows	Timothy J. Borquez (supervising sound/music editor); Thomas Syslo (supervising sound editor); Tony Orozco (supervising Foley editor); Eric Freeman (supervising dialogue editor); Robert Crew (supervising ADR editor); Roy Braverman (sound effects editor); Doug Andham, Keith Dickens, Jason Freedman, Mark Howlett, Jeff Hutchins, Daisuke Sawa, Greg Schorer (sound editors); Brian F. Mars (dialogue editor); Sean Rowe (Foley artist)
	Control	Jack Levy (supervising sound editor), Daniel Colman (sound designer), Vince Balunas (supervising dialogue editor), Chris Boyett (supervising ADR editor), Chris McGeary (music editor), Doug Madick (Foley artist)
	Cypher	Stephen Barden, Craig Henighan (supervising sound editors); Joe Bracciale (dialogue editor); Jill Purdy (ADR editor); Tom Kramer (music editor)
	Left Behind: World at War	Mark Beck (supervising sound editor), Virginia Storey (supervising Foley editor/artist), Fred Brennan (supervising dialogue editor), Richard Calistan (supervising ADR editor), Dan Sexton (sound editor), Gary Chang (music editor)
	Nothing	Stephen Barden, Craig Henighan (supervising sound editors); Jill Purdy (dialogue editor); Kevin Banks (music editor); John Sievert (Foley artist)
2006 [14][15][16]	Best Sound Editing in a Direct to Video Project
	The Fox and the Hound 2	Donald J. Malouf (supervising sound editor); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Charles W. Ritter (sound effects/dialogue editor); Todd Toon (sound effects editor); Tanya Noel Hill, Charles Martin Inouye (music editors)
	Connors' War	Mark Lanza (supervising sound editor); Vic Radulich (supervising dialogue editor); Michael Mullane (sound effects editor); James Bairian, Louis Castle (music editors)
	Leroy & Stitch	Melinda Dilger, Otis Van Osten (supervising sound editors); Trevor Sperry (supervising Foley editor); Jason Oliver (supervising dialogue/ADR editor); Wes Otis, Jeff Shiffman (sound effects editors); Michael Tavera (music editor)
	Three and a Half	Mark Beck (supervising sound editor), Steve Hammond (supervising Foley editor), Jonas Kuhnemann (supervising dialogue editor), Richard Calistan (supervising ADR editor), Bill Halliday (music editor)
	Ultimate Avengers: The Movie	Clive H. Mizumoto, Ron Salaises (supervising sound editors); John Brengman (supervising Foley editor); Mike Garcia (supervising dialogue editor); Mike Draghi (sound effects/dialogue/music editor); Kyle Clausen, Timothy A. Cleveland, Paul J. Diller, Stephen P. Robinson, Kenneth Young (sound effects editors); Mark Ryan (music editor)
	Ultimate Avengers 2: Rise of the Panther	Mike Draghi, Stephen P. Robinson (supervising sound editors); David Ball (supervising Foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Mark Lanza (sound effects editors); David W. Barr (ADR editor); Mark Ryan (music editor)
2007 [17]	Best Sound Editing – Direct to Video
	Return to House on Haunted Hill	Bill R. Dean (supervising sound editor); Dane Davis (sound designer); Christopher Alba (supervising Foley editor); Stephanie Brown (supervising dialogue editor); Bobbi Banks (supervising ADR editor); Drew Yerys (sound editor); Angela Hackner, Paul Hackner, Andrew Twite, Greg Ward (dialogue editors); Richard Adrian, Greg Hedgepath (sound design)
	Superman: Doomsday	Robert Hargreaves (supervising sound editor/designer/Foley artist); Mark Keatts (supervising sound editor/sound designer); Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor); John Hegedes (foley recordist)
	Amazing Journey: The Story of The Who	Bill R. Dean (supervising sound editor); Steve Nelson (supervising Foley editor); Paul Hackner (supervising dialogue editor); Greg Hedgepath, James Morioka, Anthony Roza, Drew Yerys (sound editor); Stephanie Brown (dialogue editor); Paul Crowder (music editor)
	The Invincible Iron Man	Mike Draghi, Stephen P. Robinson (supervising sound editors/sound designers); David Ball (supervising Foley editor); Mike Garcia (supervising dialogue editor); Kyle Clausen, Stuart Provine, Tim Walston (sound editors); Mark Ryan (music editor)
	The Veteran	Mark Shnuriwsky (supervising sound editor/sound designer); Joe Mancuso (supervising dialogue editor); Richard Calistan (supervising ADR editor); Mark Beck, Kevin Howard, Dan Sexton (sound effects editors); Alastair Gray, Rob Hegedus, Jonas Kuhnemann (dialogue editors); Eric Cadesky, Nick Dyer (music editors)
2008 [18][19][20]	Batman: Gotham Knight	Robert Hargreaves (supervising sound editor/designer/sound effects editor/Foley artist); Mark Keatts (supervising dialogue editor); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Christine H. Luethje (music editor)
	Futurama: Bender's Game	Travis Powers (supervising sound editor), Paul D. Calder (supervising dialogue editor), Scott Schirle (music editor)
	Get Smart's Bruce and Lloyd: Out of Control	Gregory M. Gerlich (supervising sound/ADR editor); Sandy Berman (sound designer); David M. Cowan (supervising dialogue editor); Stuart Calderon, Timothy A. Cleveland, Paul J. Diller (sound effects editors); Jeremy J. Gordon (ADR editor); Robb Boyd (music editor); Shelley Roden, Jody Thomas (Foley artists),
	Justice League: The New Frontier	Timothy J. Borquez, Thomas Syslo (supervising sound editors); Mark Keatts (supervising dialogue/ADR editor); Doug Andham, Keith Dickens, Eric Freeman, Tony Orozco, Daisuke Sawa (sound effects editors); Kelly Ann Foley, Mike Garcia, Mark Keefer (dialogue editors); Kevin Manthei (music editor); Diane Greco, Sean Rowe (Foley artists)
	Weirdsville	Mark Gingras (supervising sound editor), Steve Hammond (supervising Foley editor), Allan Fung (supervising dialogue editor), John Rowley (music editor)
2009 [21][22][23]	Family Guy: Something, Something, Something, Dark Side	Bob Newlan (supervising sound editor); Andrew Ellerd (sound designer); Brian Nichols (sound effects editor); Patrick S. Clark, Mark Eklund (dialogue editor); Stan Jones, Douglas M. Lackey (music editors); Dale W. Perry (Foley artist),
	B.O.B.'s Big Break	John Marquis (supervising sound editor); Jonathan Klein (supervising Foley editor); P.K. Hooker (sound effects editor); Adam Milo Smalley (music editor); Alyson Dee Moore, John Roesch (Foley artists)
	Caprica: Pilot	Daniel Colman (supervising sound/designer); Jack Levy (supervising sound editor); Sam C. Lewis (supervising Foley editor); Vince Balunas (supervising dialogue/ADR editor); Jeff K. Brunello (Foley editor); Michael Baber (music editor); Doug Madick, Richard Partlow (Foley artists)
	Exit Speed	George Haddad (supervising sound/dialogue/Foley editor); David Barbee, Bradley C. Katona (sound designers/effects editors); Hugh Murphy (supervising Foley editor); Edmund J. Lachmann (supervising ADR editor/, dialogue/ADR editor); David Baldwin (sound effects editor); Charlie Kolander (dialogue editor); Giorgio Bertuccelli (music editor); Zane D. Bruce, Joseph T. Sabella (Foley artists)
	Lionelville: Destination Adventure	Rick Hinson (supervising sound editor); Jeffrey Kettle (supervising Foley editor); William Hinson (sound effects editor); Sanaa Kelley, Cynthia Merrill (Foley artists)
	Tinker Bell and the Lost Treasure	Donald J. Malouf (supervising sound/designer); Dan Yale (supervising Foley editor); Thomas Whiting (supervising dialogue/ADR editor); Randy Babajtis (sound effects editor); Eliza Pollack Zebert (dialogue editor); Dominick Certo (music editor); John T. Cucci, Dan O'Connell (Foley artists)
	Wrong Turn 3: Left for Dead	Trip Brock, Peter D. Lago (supervising sound editors); Steven Avila (sound designer); Alexander Pugh (sound effects editor); Brian S.M. Wroth (dialogue editor); Ginger Geary (Foley artist)

2010s

Year	Film	Winners/Nominees
2010 [24][25][26]	Best Sound Editing – Direct to Video – Live Action
	30 Days of Night: Dark Days	Eric Lalicata (supervising sound editor); Ryan Gegenheimer (sound designer/effects editor); Matthew C. Beville (supervising Foley editor); Dhyana Carlton-Tims (supervising dialogue editor, dialogue editor); Sean Gray, Eryne Prine (sound effects editors); John Sanacore, Ryan Young (ADR editors); Jaclyn Newman Dorn (music editor); Alex Ullrich (Foley artist)
	Caprica: Apotheosis	Daniel Colman (supervising sound/ designer); Jack Levy (supervising sound editor); Jeff K. Brunello (sound designer); Sam C. Lewis (supervising Foley editor); Vince Balunas (supervising dialogue editor); Sara Bencivenga (supervising ADR editor); Stefani Feldman (group ADR editor); Michael Baber (music editor); Doug Madick, Monique Reymond (Foley artists)
	Lost Boys: The Thirst	Steven Avila (supervising sound editor/designer); Trip Brock (supervising sound editor); Peter D. Lago (sound designer); Chris McGeary (supervising music editor); Alexander Pugh (sound effects editor); Irene Montero (Foley editor); Skip Williams, Brian S.M. Wroth (dialogue editors); Ben Whitver (ADR editor); Jenny Leite (music editor); Tara Blume, Rick Owens (Foley artists)
2011 [27][28]	Love	Bob Kellough (supervising sound editor/designer), Craig Henighan (supervising sound editor), Andy Koyama (sound editor), Steve Baine (Foley artist)
	Beethoven's Christmas Adventure	Patrick Giraudi (supervising sound editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Trip Brock (Foley editor); John Gilbert (dialogue editor); Michael T. Ryan (music editor); Lorita de la Cerna, Rick Owens (Foley artists)
	Street Kings 2: Motor City	Eric Lalicata (supervising sound editor); Ryan Gegenheimer, Charles Maynes (sound designers); John Sanacore (supervising Foley editor); Joshua Aaron Johnson (supervising dialogue editor); Amy Felton (supervising ADR editor); Cory Milano (music editor); Alex Ullrich (Foley artist)
2012 [29][30]	Fire with Fire	David Barber (supervising sound editor); Sean Gray, Ken Skoglund (sound designers); Gonzalo Espinoza (supervising foley/ADR editor, Foley artist); David Kitchens (Foley artist)
	12 Dogs of Christmas: Great Puppy Rescue	Carlos Sanches (supervising sound editor); Josh Eckberg, Peter D. Lago (sound designers); John Sanacore (supervising Foley editor); Jason Oliver (supervising dialogue editor); Kurt Godwin, Wes Kobernick, Lesley Saucier, Jake Zuckerberg (sound effects editors); Andrzej Warzocha (music editor); Gregg Barbanell, Alex Ullrich (Foley artists)
	Cowgirls 'n Angels	Eric Lalicata (supervising sound editor); Eryne Prine (sound designer); Dhyana Carlton-Tims (supervising dialogue editor); Sergio R. Rocha (sound effects editor); Tara Blume, Alex Ullrich (Foley artists)
	El Gringo	Jon Vogl (supervising sound editor); David Barbee, Steve Papagiannis (sound designers); Peggy Blum (supervising Foley editor); Matt Coby (supervising dialogue editor); Bradley C. Katona, Jesse Kees (sound effects editors); Monique Reymond (Foley artist)
	Item 47	Andrew DeCristofaro (supervising sound editor); Ann Scibelli, Tim Walston (sound designers); Kerry Carmean-Williams (supervising Foley editor); Glynna Grimala (supervising ADR editor); Tim Kimmel (supervising dialogue editor); Michael Payne, Gayle Wesley (sound effects editors); Gary A. Hecker, Gary Marullo (Foley artists)
	Osombie	Peter D. Lago, Carlos Sanches (sound designers); Phillip Raves (supervising Foley editor, Foley editor); Robert Ramirez, Jake Zuckerberg (sound effects editors); James Schafer (music editor); Aaron Davies, Anthony Ferro, Andrea Laird, Cindy Raves (Foley artists)
	Werewolf: The Beast Among Us	Glenn T. Morgan (supervising sound editor); Mike Chock (sound designer); Ben Wilkins (supervising Foley editor); Joe Dzuban, Justin Dzuban, Lauren Hadaway (sound editors); Chris Foster (music editor); Stella Valente (Foley artist)
2013 [31][32]	Agent Carter	Andrew DeCristofaro (supervising sound editor); Michael Payne, Ann Scibelli (sound designers); Laura Harris Atkinson (supervising dialogue editor); Gary A. Hecker, Gary Marullo (Foley artists)
	The Baytown Outlaws	Eric Lalicata (supervising sound editor); Jeremy B. Davis, Ryan Gegenheimer (sound designers); Shaun Cunningham (supervising Foley editor); Tom Boykin (supervising dialogue editor); Tara Blume (Foley artist)
	Empire State	David Barber (supervising sound/dialogue editor); Gonzalo Espinoza (supervising foley/ADR editor); Steven Avila, Sean Gray, Peter D. Lago (sound effects editors); Ben Zarai (dialogue editor); David Kitchens (Foley artist)
	Evidence	Darren 'Sunny' Warkentin (supervising sound editor/designer); Lon Bender (supervising sound editor); Kris Fenske (sound designer); Shawn Kennelly (supervising Foley editor); Chris Johnston (supervising dialogue/ADR editor, re-recording mixer); Tim Hoogenakker, Anthony Vanchure (sound editors); Julie Pearce (music editor)
	The Frozen Ground	David Barber (supervising sound editor); Gonzalo Espinoza (supervising foley/ADR editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Sean Gray, Ben Zarai (dialogue editors); David Paul Dorn (music editor); David Kitchens (Foley artist)
	Lord of Darkness	Trip Brock (supervising sound editor); Peter D. Lago (sound designer); Greg Mauer (supervising Foley editor); Steven Avila, Alexander Pugh (sound effects editors); Matt Salib, Ian Shedd, Kate Sheil (Foley editors); Jackie Johnson, Brian S.M. Wroth (dialogue editors); Ben Whitver (ADR editor); James Bailey (Foley artist)
2014 [33][34]	Stonehearst Asylum	Lon Bender (supervising sound editor/designer); Bill R. Dean (supervising sound editor); Kris Fenske (sound designer); Rachel Chancey (supervising Foley editor); Bobbi Banks (supervising dialogue/ADR editor); Chad Birmingham, John Carbonara (supervising music editors); Patrick Cicero, Dino Dimuro, Hector C. Gika, David Raines, Allan Zaleski (sound effects editors); Ryan Collison (Foley artist)
	The Christmas Dragon	Carlos Sanches (supervising sound/dialogue/ADR editor, sound designer); Joshua Aaron Johnson (sound designer); Phillip Raves (supervising Foley editor); James Schafer (supervising music editor); Scott Evan Anderson, Keith R. Anderson (Foley artists)
	Leprechaun: Origins	Lon Bender, Darren 'Sunny' Warkentin (supervising sound editors); Rusty Dunn, Kris Fenske (sound designers); Geordy Sincavage (supervising Foley editor); Lauren Hadaway (supervising dialogue/ADR editor); Steven A. Saltzman (supervising music editor); Frank Buckner, Dino Dimuro, Anthony Vanchure, Ryan Wassil (sound effects editors); Tim Hoogenakker (dialogue/ADR editor); David De Coster, Sanaa Kelley (Foley artist)
	The Prince	David Barber (supervising sound/dialogue editor); Sean Gray, Ben Zarai (sound designers); Gonzalo Espinoza (supervising foley/dialogue/ADR editor); David Kitchens (Foley artist)
	Red Sky	David Barber (supervising sound/dialogue/ADR editor); Ben Zarai (supervising sound editor); Ken Skoglund (sound designer); Gonzalo Espinoza (supervising Foley editor); Tim Williams (supervising music editor); Sean Gray, Steve Urban (sound effects editors); David Kitchens (Foley artist)
	Wer	Trip Brock (supervising sound editor); Ben Whitver (supervising ADR editor); Steven Avila, Peter D. Lago, Alexander Pugh (sound effects editors); Matt Salib (Foley editor/artist); T.J. Boyd, Greg Mauer, Raymond Park (Foley editors); Jackie Johnson, Ian Shedd (dialogue/ADR editor); James Bailey (Foley artist)
2015 [35][36]	All the Wilderness	Steven Avila, Trip Brock (supervising sound editors); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor); Rickley W. Dumm, Alexander Pugh (sound effects editors); Terry Boyd Jr. (Foley editor); Jackie Johnson (dialogue/ADR editor); Kenny Woods (music editor); Sanaa Kelley, Matt Salib (Foley artists)
	7 Minutes	Trip Brock (supervising sound editor); Steven Avila (sound designer); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor, dialogue/ADR editor); Raymond Park, Alexander Pugh (sound effects editors); Terry Boyd Jr., Matt Salib (Foley artists)
	Last Shift	Dave Chmela, Michael Orlowski (supervising sound editors); Colin Hart, Lee Riley (sound designers); Ben Conley, Joy Elett, Jeff King, James Rouse (sound effects editors); Ryan Maguire (Foley editor); Adam Barber (music editor); Tara Blume (Foley artist)
	Listening	David Barber (supervising sound editor, sound effects editor), David Kitchens (supervising sound editor, Foley artist), Steve Urban (sound designer), Gonzalo Espinoza (supervising foley/ADR editor), Ben Zarai (supervising dialogue editor), Edward White (supervising music editor), Sean Gray (sound effects/dialogue/ADR editor)
	Lost River	Lon Bender (supervising sound editor); Huldar Freyr Arnarson, Kris Fenske (sound designers); Geordy Sincavage (supervising Foley editor); Robert Fernandez, Greg Hedgepath (supervising dialogue editors); Jason Tregoe Newman (supervising music editor); Jonah Guelzo, Peter Staubli, Scott Wolf, Allan Zaleski (sound effects editors); Dan Kenyon, Ryan Wassil (Foley editors); Paul Hackner, Daniel S. Irwin (dialogue/ADR editors); Tara Blume, Vincent Guisetti (Foley artists)
	War Pigs	Carlos Sanches (supervising sound editor); Charles Maynes, Matthew Thomas Hall (sound designers/effects editors); Phillip Raves (supervising Foley editor); Gregory M. Gerlich (supervising dialogue editor); Alex Kharlamov (supervising music editor); Joshua Aaron Johnson (sound effects editor); Stephanie Brown, David M. Cowan, Matt Vowles (dialogue/ADR editors); Scott Evan Anderson (Foley artist)
	We Are Still Here	Tom Boykin, Eric Lalicata, Dan Snow (supervising sound editors); Ryan Gegenheimer (sound designer); Brian Dunlop (supervising dialogue editor); Tara Blume (Foley artist)
2016 [37][38]	The Duel	David Barber (supervising sound editor); Sean Gray, Ken Skoglund, Steve Urban (sound effects editors); Micah Loken (dialogue editor); Michael Kreple (ADR editor); Ben Zarai (music editor); Gonzalo Espinoza, David Kitchens (Foley artists)
	Broken Vows	Sean Higgins, Eric Lalicata (supervising sound editors); Dan Snow (audio lead); Ryan Gegenheimer, Kyle Lane (sound effects editors); Leah Putlek (Foley editor); Dhyana Carlton-Tims (dialogue editor)
	Rattle the Cage	Trip Brock (supervising sound editor); Raymond Park (sound designer); Bruce Stubblefield (supervising dialogue editor); Zheng Jia, John Kochanczyk, Rory O'Shea, G.W. Pope III (sound effects editors); Terry Boyd Jr. (Foley editor); Ian Shedd (dialogue editor); Sanaa Kelley, Matt Salib (Foley artists)
	The Thinning	Trip Brock (supervising sound editor); Raymond Park (sound designer); Ian Shedd (supervising dialogue editor); Ben Whitver (supervising ADR editor); Sean Heissinger, Zheng Jia (sound effects editors); Jordan McClain (Foley editor); Sanaa Kelley, Matt Salib (Foley artists)
	USS Indianapolis: Men of Courage	David Barber (supervising sound editor); Roland N. Thai (sound designer); David Barbee, Sean Gray, Ben Zarai (sound effects editors); David Kitchens (Foley editor); Karol Urban (dialogue editor); Zigmund Gron (music editor); Gonzalo Espinoza (Foley artist)
2017 [39][40]	Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Non-Theatrical Feature Film Broadcast Media
	In Search of Fellini	Ben Zarai (supervising sound editor, sound designer); David Barber (supervising sound editor, dialogue editor); Michael Lanoue (Foley editor); Michael Kreple (ADR editor); Jennifer Nash (music editor); Gonzalo Espinoza, David Kitchens (Foley artists)
	The Babysitter	Dror Mohar (supervising sound editor); Robert Jackson (supervising ADR editor); Jamie Hardt (Foley editor); Mark Ryan, Lodge Worster (music editors); Miguel Barbosa (Foley artist)
	Havenhurst	Tom Boykin, Eric Lalicata (supervising sound editors); Alex Weiss (sound designer); Dan Snow (audio lead); Ryan Maguire, Leah Putlek (Foley editors); Kyle Lane (ADR editor); Tara Blume (Foley artist)
	Imperial Dreams	Steven Avila, Trip Brock, Raymond Park (sound effects editors); Terry Boyd Jr., Matt Salib (Foley editors); Jackie Johnson, Ian Shedd (dialogue editors); Ben Whitver (ADR editor)
	Little Evil	Mac Smith (supervising sound editor); Luke Dunn Gielmuda, Jonathan Greber (Foley editors); Brad Semenoff (dialogue editor); Angela Claverie, Chris McGeary (music editors); Andrea Gard (Foley artist)
	Revolt	Ethan Beigel, Chad J. Hughes (supervising sound editors); David Barnaby, Shaun Cunningham, Chris Terhune (sound effects editors); Charlie Kolander (dialogue editor); Carsten Richter (Foley artist)
2018 [41][42]	Extinction	Will Files, P.K. Hooker (supervising sound editors); Lisa J. Levine (supervising ADR editor); Justin M. Davey, Ken McGill (sound effects editors); Ryan Cole, Polly McKinnon (dialogue editors); Brett Pierce (music editor); Steve Baine (Foley artist)
	The Christmas Chronicles	Mark Mangini (supervising sound editor); Byron Wilson (supervising dialogue editor); Charlie Campagna, Eliot Connors, Piero Mura (sound effects editors); Ezra Dweck, Albert Gasser (Foley editors); Hugh Waddell (ADR editor); Fernand Bos (music editor)
	Game Over, Man!	Bruce Barris, Elliott Koretz (supervising sound editors); Susan Dudeck (supervising dialogue editor); Thom Brennan, Joseph Tsai (Foley editors); Chase Keehn (dialogue editor); Darrell Hall (music editor); Dawn Lunsford, Alicia Stevenson (Foley artists)
	My Dinner with Hervé	Odin Benitez, Byron Wilson (supervising sound editors); Charlie Campagna, Greg Hedgepath, Dave McMoyler (sound effects editors); Del Spiva (supervising music editor); Jordan McClain (Foley editor); Michael J. Benavente (dialogue editor); Nicholas Fitzgerald, Lance Povlock (music editors); Geordy Sincavage (Foley artist)
	Tau	Mattias Eklund (supervising sound editor); Magnus Alakangas, Alexander Berggren, Fredrik Dalenfjäll, Eric Hector (sound effects editors); Kimberly Harris (dialogue editor); Ulf Olausson (Foley artist)
2019 [43][44]	Togo	Odin Benitez, Todd Toon (supervising sound editors); Martyn Zub (sound designer); Christopher Bonis, Luke Gibleon, Jason King, Adam Kopald (sound effects editors); Walter Spencer (Foley editor); John C. Stuver (dialogue editor); Dave McMoyler (ADR editor); Peter Oso Snell (music editor); Mike Horton, Tim McKeown (Foley artists)
	Deadwood: The Movie	Daniel Colman, Mandell Winter (supervising sound editors); Ben Cook (sound designer); Eryne Prine (Foley editor); Brian Armstrong, Shane Hayes, Bernard Weiser (dialogue editors); Dhyana Carlton-Tims, Rob Chen (ADR editors); Stephanie Gangel, Micha Liberman, Jillinda Palmer (music editors)
	Escape Plan: The Extractors	David Barber (supervising sound editor), Roland Thai (sound designer), George Haddad (sound effects editor), David Kitchens (Foley editor), Michael Kreple (ADR editor), Ben Zarai (music editor), Gonzalo "Bino" Espinoza (Foley artist)
	Guava Island	Trevor Gates (supervising sound editor); Jason Dotts (supervising ADR editor); Matthew Thomas Hall, Paul Knox (sound effects editors); Walter Spencer (Foley editor); Jesse Kees (dialogue editor); Devaughn Watts (music editor); Mike Horton, Tim McKeown (Foley artists)
	IO	Mac Smith (supervising sound editor/sound designer), Brandon Proctor (sound designer), Richard Gould (Foley editor), Brad Semenoff (dialogue editor), Chris Gridley (ADR editor), Heikki Kossi (Foley artist)
	Lady and the Tramp	Andrew DeCristofaro, Darren 'Sunny' Warkentin (supervising sound editors); David Esparza (sound designer); Bryan Lawson (supervising music editor); Michael Payne, Matthew Wilson (sound effects editors); Geordy Sincavage (Foley editor); Kelly Oxford (dialogue editor); David Stanke (ADR editor); Erica Weis (music editor)
	Mary	David Barber (supervising sound editor); Karol Urban (dialogue editor); George Haddad, Roland N. Thai, Steve Urban, Ben Zarai (sound effects editors); David Kitchens (Foley editor); Michael Kreple (ADR editor); Gonzalo Espinoza (Foley artist)
	O.G.	Frederic Dubois, Dror Mohar (supervising sound editors); Tapio Liukkonen (Foley artist)

2020s

Year	Film	Winners/Nominees	Network
2020 [45][46]	The Ultimate Playlist of Noise	Odin Benitez (supervising sound editor); Russell Topal (sound designer); Ryan Briley (supervising ADR editor); Rustam Gimadlyev (Foley editor); Katerina Tolkishevskaya (music editor); Natalia Syeryakova, Bogdan Zavarzin (Foley artist)	Hulu
	Bad Education	Gene Park (supervising sound editor), Ric Schnupp (sound effects editor), Craig Kyllonen (dialogue editor), Colin Alexander (ADR editor), Shari Johanson (music editor)	HBO
	Bliss	Steve Boeddeker, Lee Salevan (supervising sound editors); Igor Nikolić (Foley editor); Michael Feuser (dialogue editor); Lidia Tamplenizza (ADR editor); Jay Peck (Foley artist)	Amazon
	Blow the Man Down	Chris Foster (supervising sound editor); Laura Heinzinger (Foley editors); Michael Flannery, Matt Rigby (dialogue editors); John Bowen, Nora Linde (ADR editors); Brian McOmber (music editor)
	Troop Zero	Sean McCormick, Erin Oakley (supervising sound editors); Dylan Barfield, Andrew Neil, Paul Pirola (sound effects editors); Troy Mauri (Foley editor); Robert Chen, Will Riley (dialogue editors); Adrian Medhurst (Foley artist)
	The Bygone	David Barber (supervising sound editor); Dave Eichhorn, George Haddad, Roland Thai, Ben Zarai (sound effects editors); Michael Kreple (Foley editor); Gonzalo "Bino" Espinoza, David Kitchens (dialogue editors)	Tubi
	Dolly Parton's Christmas on the Square	Trip Brock (supervising sound editor); Jacob Ortiz (supervising ADR editor); Marc S. Perlman, Michael T. Ryan (supervising music editors); Raymond Park (sound effects editor); Jackie Johnson, Bruce Stubblefield (dialogue editors); Michael Farrow, Tom Ruttledge (music editors)	Netflix
	Safety	Christopher S. Aud, Byron Wilson (supervising sound editors); Steve Durkee (supervising music editor); Phil Barrie, Greg ten Bosch, Aaron Glascock (sound effects editors); Terry Rodman (Foley editor); Daniel Saxlid (dialogue editor); Sanaa Kelley, Matt Salib (Foley artists)	Disney+
2021 [47][48]	Outstanding Achievement in Sound Editing – Non-Theatrical Feature
	Infinite	Mandell Winter, David Esparza (supervising sound editors); Hamilton Sterling (sound designer); Will Digby (sound effects editor); Micah Loken, Sang Kim (dialogue editors); Eryne Prine (Foley editor); Mark "Vordo" Wlodarkiewicz, Dan O'Connell, John Cucci (Foley artists)	Paramount+
	Fear of Rain	David Barber (supervising sound editor); David Kitchens (Foley editor); Ben Zarai (sound effects editor); David Barbee (sound designer); Gonzalo "Bino" Espinoza (Foley artist); Michael Kreple (ADR editor)	Hulu
	Fear Street Part Two: 1978	Trevor Gates (supervising sound editor); Jason Dotts (supervising dialogue editor); Matthew Thomas Hall, Russell Topal Mark Coffey (sound effects editors); Kristen Hirlinger, Harrison Meyle (dialogue editors); Sandra Fox (Foley artist); Brett "Snacky" Pierce (music editor)	Netflix
	The Ice Road	Trip Brock (supervising sound editor); Charles Maynes (sound designer); Jacob Ortiz (supervising ADR editor); Jackie Johnson (dialogue editor); Raymond Park Demetri Evdoxiadis (sound effects editors); Lorita de la Cerna, G.W. Pope, III (Foley artists); Nicholas Fitzgerald (music editor)
	Oslo	Lewis Goldstein (supervising sound editor); Gina Alfano (supervising ADR editor); Peter John Still (sound designer); Alex Soto, Alfred DeGrand (sound effects editors); Thomas Ryan (dialogue editor); Wen Tseng (Foley editor); Leslie Bloome, Joanna Fang (Foley artists)	HBO Max
2022 [49][50]
	Prey	Chris Terhune, Will Files (supervising sound editors); James Miller (sound designer); Christopher Bonis, Diego Perez, Lee Gilmore (sound effects editors); Jessie Anne Spence (supervising dialogue editor); David Bach, Korey Pereira (dialogue editors); Nick Seaman, Roni Pillischer (Foley editors); Annie Taylor (supervising Foley editor); Leslie Bloome, Shaun Brennan (Foley artists)	Hulu
	Pinocchio	Bjørn O. Schroeder, Leff Lefferts (supervising sound editors); Randy Thom (sound designer); Malcolm Fife, Pascal Garneau, Teresa Eckton, Goeun Everett (sound effects editors); James Spencer (dialogue editor); Chris Frazier, Dee Shelby (Foley editors); Christopher Manning (supervising Foley editor); John Roesch, Shelley Roden (Foley artists)	Disney+
	Weird: The Al Yankovic Story	Anthony Vanchure (supervising sound editor); Mike James Gallagher (sound designer); Sanaa Kelley, Iris Dutour, Luke Kelley (Foley artists)	The Roku Channel
	Women of the Movement	Bobbi Banks (supervising sound editor); Nancy MacCleod (sound effects editor); Fred Stahly (dialogue editor); Sanaa Kelly (Foley artist)	ABC

External links

• Official MPSE Website