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Left My Blues in San Francisco

1967 studio album by Buddy Guy From Wikipedia, the free encyclopedia

Left My Blues in San Francisco
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Left My Blues in San Francisco is the debut studio album by American blues artist Buddy Guy, released in 1967.[1][2] Future Rotary Connection producer and keyboardist Charles Stepney provided orchestration and drums on some tracks. The album is a mix of older blues tunes and three Buddy Guy originals.

Quick facts Studio album by Buddy Guy, Released ...
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Critical reception

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Reviewing a reissue, The Advocate wrote that "the album’s hodgepodge of styles—soul, rhythm and blues, pop and blues—forms a fascinating time capsule from which Guy’s irrepressible personality and fiery guitar do emerge."[6]

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Track listing

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Personnel

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  • Buddy Guy - lead guitar, lead vocals
  • Gene Barge - tenor saxophone on tracks 1, 2, 7, 9, 10 and 11, production & orchestration
  • Lefty Bates - rhythm guitar on track 4
  • Milton Bland - tenor saxophone on track 8
  • Reggie Boyd - bass guitar on tracks 2, 9, and 11
  • Jarrett Gibson - tenor saxophone on track 4
  • Lafayette Leake - Hammond organ on track 4
  • Abe Locke - tenor saxophone on track 4
  • Jack Meyers - bass on track 4
  • Matt "Guitar" Murphy - guitar on tracks 2, 8, 9 and 11
  • A.C. Reed - tenor saxophone on track 8
  • Leroy Stewart - bass guitar on track 8
  • Charles Stepney - orchestration, drums on tracks 1, 7, and 10
  • Phil Thomas - drums on tracks 2, 4, 9, and 11
  • Sonny Turner - trumpet on track 4
  • Phil Upchurch - bass guitar on tracks 1, 7, and 10
  • Murray Watson - trumpet on track 4

A number of the names of the musicians who contributed to these sessions have been lost to posterity. These are the baritone saxophonist on tracks 1, 7 and 10; bassist on tracks 3, 5 and 6; drummer on tracks 3, 5, 6 and 8; rhythm guitarist on tracks 1, 5, 7 and 10; organist on tracks 3 and 8; pianist on tracks 1, 2, 5, 6, 7, 9, 10 and 11; and tenor saxophonist on tracks 1, 5, 6, 7 and 10

Technical
  • Ron Malo - recording supervisor, engineer
  • Max Cooperstein - supervision
  • Jerry Griffith - album design, cover photography
  • Bill Utterback - illustration

References

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