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Jana Andrsová
Czech ballerina and actress (1939–2023) From Wikipedia, the free encyclopedia
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Jana Andrsová (Večtomová; 8 August 1939 – 16 February 2023) was a Czech ballerina and actress. In 1957 she graduated from the Dance Conservatory in Prague and began to work with the Vitus Nejedly Army Art Ensemble.[2]
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Laterna Magika
From 1959 to 1978, Andrsová worked with Josef Svoboda's avant-garde multimedia company Laterna Magika, initially as a chorus girl and later (beginning in 1973) as a prima ballerina.[2] In Allen Hughes' review of the company's August 1964 Carnegie Hall debut of a presentation that gave 23 performances at that venue under the direction of Miloš Forman,[3]: 433 they are described as "a Czech theatrical spectacle that first came to international attention at the Brussels World's Fair."[4][n 2] In 1966 Andrsová starred in Alfréd Radok's choreographed multimedia production Laterna Magika: Variation 66, The Opening of the Wells, cowritten by Forman in collaboration with Jan Švankmajer.[5]
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Retirement and death
In retirement, Andrsová continued to make stage appearances. In 2014 (also a 2016 reprise) she performed as elderly virtuous heroine Madame de Rosemonde in the National Theatre Ballet world premiere production of Valmont, choreographer Libor Vaculík's adaptation of Les Liaisons dangereuses.[6]
Andrsová died on 16 February 2023, at the age of 83.[7]
Filmography
- Strakonický dudák (1955) – wood nymph
- Jak se Franta naučil bát (1959) – miller's daughter Veronika
- Rusalka (1962) – Rusalka (part sung by Milada Šubrtová)[8][9]
- Hoffmannovy povídky (1962) – Olympia
- Dvanáctého (1963) – dancer
- Svět je báječné místo k narození (1968) – herself
- Bludiště moci (1969) – ballerina
- Kočičí princ (1978) – mother
Notes
- Andrsová makes an appearance in the Sonja Vectomov music video "Two in One," directed by Mika Johnson.[1]
- "Laterna Magika is not a simple affair," Hughes continues by way of introduction. "It combines motion pictures, stereophonic sound and live performers in so elaborate a way that a considerable amount of construction has had to be done in Carnegie Hall to make it work. The stage has been extended and built up with a series of platforms and steps shrouded in black velvet hangings, and several boxes in the back of the auditorium have been made into rooms containing projection equipment. At one point, a small instrumental ensemble plays from a side location in one of the seating tiers."
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References
External links
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