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Josephs Legende

1914 ballet by Richard Strauss From Wikipedia, the free encyclopedia

Josephs Legende
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Josephs Legende (The Legend of Joseph), Op. 63, is a ballet in one act for the Ballets Russes based on the story of Joseph and Potiphar's wife, with a libretto by Hugo von Hofmannsthal and Harry von Kessler and music by Richard Strauss. Composed from 1912 to 1914, it premiered at the Paris Opera on 14 May 1914.[1]

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Léonide Massine as Joseph in La Légende de Joseph (1914)

Composition

Hugo von Hofmannsthal first proposed Josephs Legende to Strauss as a Zwischenarbeit (interim work) between Ariadne auf Naxos and Die Frau ohne Schatten. Composition began in June 1912, but in a letter of 11 September Strauss confided that the work was not progressing as quickly as he expected: "The chaste Joseph himself isn't at all up my street, and if a thing bores me I find it difficult to set it to music. This God-seeker Joseph – he's going to be a hell of an effort!"[2][3]

Strauss drew on earlier sketches for his abandoned ballet Die Insel Kythere and wrote for an outsized orchestra with exotic instrumental colouring including four harps, large and small cymbals, four pairs of castanets, heckelphone, and a contrabass clarinet.[4]

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Instrumentation

Josephs Legende is scored for the following instruments:

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Performance history

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Strauss in London, June 1914 to conduct the UK premiere of Josephs Legende

With Diaghilev as impresario, Nijinsky as choreographer and creator of the title role – replaced after his marriage and fall from grace by Fokine and Massine – costumes by Léon Bakst and Alexandre Benois, scenic design after Veronese by Josep Maria Sert, and Strauss conducting the premiere, the initial run lasted seven performances.

This was shortly followed by a further seven in London in June conducted by Richard Strauss (UK premiere 23 June) and Sir Thomas Beecham, who had loaned the money for the commission to Diaghilev.[5][6] With the looming war, Strauss never received his fee of 6,000 francs.[7]

Later choreographers included George Balanchine, Antony Tudor, and John Neumeier, but none of their versions was considered more successful.[8]

Symphonic fragment

In 1947, Strauss prepared a symphonic fragment from Josephs Legende for reduced orchestra.[9] This was premiered in February 1949 in San Antonio under Max Reiter.

Recordings

Audio

Video

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See also

References

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