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List of 8/9 PM telenovelas of TV Globo
From Wikipedia, the free encyclopedia
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TV Globo (formerly Rede Globo) is the main producer of telenovelas in Brazil. Its productions are split into five different categories, according to the airtime. Novelas airing at 9:00 p.m. (known as "novela das nove"), or 8:00 p.m ("novela das oito") telenovela, but these programs are never broadcast at 8:00 p.m, the earliest known time that a novela of this period has aired was 8:30 p.m.) feature plots that tend to be more formulaic, although a wider range of themes are explored. These productions include elements of action, romance and humour and usually last longer than the other novelas. These productions usually garner the highest ratings. These categories became widely adopted by most television companies in Brazil.
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Telenovelas
- Gold indicates the #1 most watched telenovela of all time.
- Silver indicates the #2 most watched telenovela of all time.
- Yellow indicates the top 10 most watched telenovelas.
- Red indicates the least watched telenovela of all time.
1960s
1970s
1980s
1990s
2000s
2010s
2020s
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See also
- List of 11 PM telenovelas of TV Globo
- List of TV Globo telenovelas
- List of 6 PM telenovelas of TV Globo
- List of 7 PM telenovelas of TV Globo
- List of 10 PM telenovelas of TV Globo
Notes
- Inspired by the song "O Ébrio" by Vicente Celestino
- The temporary discontinuity occurred during the run of O Ébrio, a production of TV São Paulo (later TV Globo São Paulo), just-acquired by Roberto Marinho, while O Rei dos Ciganos was the next novela to premiere on Globo's Rio de Janeiro flagship station.
- Based on the opera Madama Butterfly by Giacomo Puccini.
- The only telenovela that its writer is also featured as an actor ever aired. He portrayed the character "Pepe Le Coq".
- The author was replaced by Janete Clair as a result of low viewership ratings.[6]
- It is the first 8 pm telenovelas that ran consecutively all created by Janete Clair at the timeslot till 1973.
- Véu de Noiva was originally scheduled to premiere on 15 October 1969, but production delays resulted in the show's premiere date being moved back by three weeks. The miniseries Rosa Rebelde would be broadcast during the hiatus.
- First premiered in Rio de Janeiro while in São Paulo it aired from 29 June 1970.
- The novela broke record of 100 points viewership ratings. The specific episode aired on 4 October 1972, episode 152
- The only telenovela written by the author on this timeslot
- A miniseries entitled Roque Santeiro was originally scheduled to premiere on 27 August 1975. However, the program was cancelled before it was scheduled to premiere since the Brazilian government deemed the program to have violated censorship laws. As a result, development of Pecado Capital began earlier than planned; an abridged reprise of Selva de Pedra began airing the day after the final episode of Escalada. Roque Santeiro would eventually premiere in 1985.
- An adaptation of the radionovela Um Estranho na Terra de Ninguém, by the same author.
- The last episode was written by Walter George Durst together with Maria Adelaide Amaral.
- From episode 37, Gilberto Braga collaborated with Manoel Carlos.
- Last participation of a director in a telenovela in this timeslot till 1999.
- The last episode was written by Sílvio de Abreu.
- Due to the death of Jardel Filho (who was on the show up to episode 120), director Manoel Carlos abandoned the program. Lauro César Muniz wrote the remaining 17 episodes in collaboration with Gianfrancesco Guarnieri.
- With the sudden death of Jardel Filho, the novela Sol de Verão was abruptly ended, resulting in an emergency situation. Its replacement, Louco Amor, started production earlier than expected. As a result of Filho's death, Rede Globo aired an adaptation by Zélia Gattai, Anarquistas, Graças a Deus, in the interim.
- Beginning with the episode aired on 30 June 1983, the Brazilian advisory rating system reclassified the telenovela as impropriate for minors under 14 years, due to scenes of violence (domestic violence) and its insinuations on sex. The show was later pushed to 9:00 pm as a result of this reclassification. Before the early 2000s, the advisory rating system was only used for internal purposes.
- Based on the play O Berço do Herói, produced in 1963, by the same author.
- Dias Gomes co-wrote with Aguinaldo Silva between episode 51 and episode 163.
- It is a remake based on the original telenovela of the same name by Janete Clair.[45]
- The director worked for the first 20 episodes. Then Daniel Filho and Dennis Carvalho directed until the last episode.
- Based on Tieta do Agreste, by Jorge Amado.
- The program did not air on 5 August due to the opening ceremony of the 2016 Summer Olympics. As a result, only 172 episodes aired on the network.
- Due to the coronavirus pandemic, production of Amor de Mãe was suspended on 12 March 2020 after less than five months. The network then announced that all new telenovela productions would be suspended indefinitely, with reruns of previous telenovelas expected to occupy the 9:00 p.m. timeslot. Before production was suspended, 102 episodes of the telenovela were aired. Filming of Amor de Mãe resumed in August 2020 under new safety protocols. Newer episodes would later return to air on the network on 15 March 2021.
- Due to the coronavirus pandemic, production of all telenovelas that were produced by Rede Globo was suspended on 12 March 2020. Reruns of existing telenovelas would air in the 9:00 p.m. time slot from 23 March 2020 until the end of the year. Production of Globo's telenovelas were resumed on 10 August 2020 under new safety protocols. New episodes of Amor de Mãe would later resume on 15 March 2021—although it would return to re-runs of existing telenovelas after the series ended—from 13 April 2021 to 6 November 2021.
- The telenovela is based on 1990 telenovela of the same name, created by Benedito Ruy Barbosa.
- The telenovela is based on 1993 telenovela of the same name, created by Benedito Ruy Barbosa.
- The telenovela is based on 1988 telenovela of the same name, created by Gilberto Braga, Aguinaldo Silva and Leonor Bassères.
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References
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