Top Qs
Timeline
Chat
Perspective
List of compositions by Jenő Hubay
From Wikipedia, the free encyclopedia
Remove ads
This is a list of compositions by Jenő Hubay, Hungarian violinist, composer and music teacher.
More information Genre, Op. ...
| Genre | Op. | Date | Original title (Hungarian title) | Other title (English title) | Notes |
|---|---|---|---|---|---|
| Chamber music | 1 | 1877–1878 | Plevna nóta Magyar fantázia | Chant de Plevna Fantaisie hongroise | for violin and piano or orchestra |
| Vocal | 2 | 1873 | 18 Eredeti magyar dal
| 18 Original Hungarian Songs | for voice and piano; words by Sándor Petőfi; each song accompanied by an original drawing by a Hungarian artist 1. drawing by Gyula Aggházy 2. drawing by Ottó Baditz 3. drawing by Lajos Deák Ébner 4. drawing by Árpád Feszty 5. drawing by Imre Greguss 6. drawing by János Greguss 7. drawing by László Gyulai 8. drawing by János Jankó 9. drawing by Ödön Kacziány 10. drawing by Károly Lotz 11. drawing by Mihály Munkácsy 12. drawing by Béla Spányi 13. drawing by Mihály Szemlér 14. drawing by Artúr Tölgyessy 15. drawing by György Vastagh 16–18. drawings by Mihály Zichy |
| Chamber music | 3 / 1 | 1880 | Szvit Massenet Lahore király című operája nyomán | Suite sur Le Roi de Lahore de J. Massenet (Suite on Themes from Massenet's Le Roi de Lahore) | for violin and piano or orchestra |
| Transcription | 3 / 2 | c.1879–1881 | Két Massenet-dal
| 2 Mélodies de J. Massenet (2 Songs of Jules Massenet)
| for violin and piano or orchestra; original for voice and piano |
| Chamber music | 3 / 3 | 1876 | Carmen-fantázia | Carmen, Fantaisie brillante | for violin and piano or orchestra; based on themes from Georges Bizet's Carmen |
| Chamber music | 4 | 1879 | Cigányfantázia | Fantaisie tziganesque (Gypsy Fantasy) | for violin and piano |
| Chamber music | 5 | 1877–1878 | Szvit
| Suite
| for violin and piano; also orchestrated; revised 1881; dedicated to Károly Aggházy |
| Concertante | 5 | 1877–1878 | Szvit
| Suite
| for violin and orchestra; also for violin and piano; revised 1881; dedicated to Károly Aggházy |
| Chamber music | 6 | 1881 | Két darab
| 2 Pieces (2 Morceaux)
| for violin and piano |
| Chamber music | 7 | 1880 | Pusztai emlék | Souvenir of Puszta (Echos de la Puszta; Puszta-Klänge) | for violin and piano; co-composed with Károly Aggházy |
| Vocal | 8 | 1876 | Öt dal
| 5 Songs (5 Lieder)
| for voice and piano; Hungarian translation by Zoltán Ferenczi 1. words by F. Werner 2. words by Emanuel Geibel 3. words by Eduard Mörike 4. words by J. v. Düringsfeld 5. words by Carl Beck |
| Chamber music | 9 | 1879 | Csárdajelenet No. 1 D-moll | Scène de la csárda No. 1 in D minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra; revised 1882 |
| Chamber music | 10 | 1876–1877 1880 1880 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano 1.~2. published 1896 as Zwei Stücke (2 Pieces) by Bosworth & Co. in Leipzig 1. for violin and orchestra (published 1900) 3. Valse-caprice (published 1894 in Budapest) 3. La fuite, Impromptu for violin and piano or orchestra (published 1896 by Bosworth & Co. in Leipzig) |
| Choral | 11 | c.1879 | Két férfikórus
| 2 Male Choruses | for male chorus and piano or orchestra 1. words by Antal Váradi 2. words by Mihály Vörösmarty |
| Vocal | 12 | 1882 | Három dal | 3 Songs (3 Lieder)
| for voice and piano; words by Victor Hugo |
| Chamber music | 13 | 1880–1881 | Csárdajelenet No. 2 „Kis furulyám: Szomorúfűz ága“ | Scène de la csárda No. 2 "My Little Flute" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Ma petite flûte"; "Meine kleine Flöte") | for violin and piano or orchestra |
| Chamber music | 14 | c.1881–1883 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano 1. also for viola and piano |
| Chamber music | 15 | c.1882 | Két darab
| 2 Pieces (2 Morceaux)
| 1. for violin or viola and piano 2. for viola or cello and piano or orchestra |
| Choral | 16 | c.1882 | Négy férfikórus
| 4 Male Choruses | words by Sándor Petőfi, József Bajza and Antal Váradi 1–3. for male chorus or male chorus and orchestra 4. for male chorus and piano or orchestra |
| Vocal | 17 | c.1882 | Öt dal
| 5 Songs (5 Mélodies; 5 Lieder)
| for voice and piano 1. words by Lucien Paté 2.–5. words by Sully Prudhomme |
| Chamber music | 18 | 1882–1883 | Csárdajelenet No. 3 „Maros vize“ | Scène de la csárda No. 3 "The Waters of Maros" in C minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Les eaux de Maros"; "Das Wasser von Maros") | for violin and piano or orchestra |
| Vocal | 19 | 1878, c.1886 | Két Magyar dal
| 2 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra 1. words by Sándor Petőfi 2. words by Géza Zichy |
| Concertante | 20 | 1884, 1888 | Brácsaverseny C-dúr | Viola Concerto in C major | for viola and orchestra; orchestration incomplete; movements II and III orchestrated by Lajos Huszár |
| Concertante | 20 | 1884–1888 | Morceau de Concert C-dúr | Morceau de Concert (Concert Piece) in C major | for viola and orchestra; 1891 revision of movement I from the Viola Concerto |
| Concertante | 21 | 1884 | I. Hegedűverseny „Dramatikus“ a-moll | Violin Concerto No. 1 "Concerto dramatique" in A minor | for violin and orchestra; dedicated to Joseph Joachim |
| Chamber music | 22 | 1884 | Romantikus szonáta D-dúr | Sonate romantique in D major | for violin and piano |
| Vocal | 23 | 1885 | Négy dal
| 4 Songs (4 Mélodies)
| for voice and piano; words by Elena Văcărescu |
| Choral | 24 | c.1885 | Négy férfikórus
| 4 Male Choruses
| words by Emil Ábrányi and Sándor Petőfi 1–2. for male chorus and piano or orchestra 3–4. for male chorus a cappella |
| Chamber music | 25 | c.1882–1886 | Románc F-dúr | Romance in F major | for violin (or viola) and piano or orchestra |
| Orchestral | 26 | 1885 | I. Szimfónia | Symphony No. 1 | revised 1923 |
| Chamber music | 27 | 1885 | Hat magyar poéma | 6 Hungarian Poems (Six poèmes hongrois) | for violin and piano; Nos. 1 and 6 also for viola and piano |
| Opera | 28 | 1885 | Alienor | Alienor (Aliénor) | opera in 4 acts and an epilogue; libretto by Edmond Haraucourt |
| Vocal | 29 | 1888 | Carmen Sylva öt költeménye | 5 Poems of Carmen Sylva (5 Gedichte von Carmen Sylva) | for voice and piano; words by Carmen Sylva 2 additional songs left unpublished in manuscript form: 6. Ich lernte vom Steuermann 7. Mir wars, die Welt sein mein |
| Chamber music | 30 | 1887–1889 | Virágrege
| The Flower's Tale (Blumenleben; Petits boutons)
| for violin and piano |
| Vocal | 31 | c.1889 | Öt Petőfi dal | 5 Petőfi Songs (5 Petőfi Lieder)
| for voice and piano; words by Sándor Petőfi |
| Chamber music | 32 | 1882–1886 | Csárdajelenet No. 4 „Hejre Kati“ | Scène de la csárda No. 4 "Hejre Kati" ("Hey Katie!") in E major (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
| Chamber music | 33 | 1887 | Csárdajelenet No. 5 „Hullámzó Balaton“ | Scène de la csárda No. 5 "The Waves of Lake Balaton" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("The Wavy Balaton"; "The Waves of the Balaton") | for violin and piano or orchestra |
| Chamber music | 34 | 1887 | Csárdajelenet No. 6 „Sárga cserebogár“ | Scène de la csárda No. 6 "Yellow Maybeetle" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Le scarabée jaune"; "Der gelbe Käfer") | for violin and piano or orchestra |
| Vocal | 35 | 1891 | Két magyar dal
| 2 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra 1. words by Lajos Bartók 2. words by Janka Wohl |
| Vocal | 36 | 1891 | Egy rózsa dalai
| Songs of a Rose (Lieder einer Rose)
| for voice and piano; words by Roza Cebrian, Hubay's wife |
| Chamber music | 37 | 1889 | Két darab
| 2 Pieces (2 Morceaux; 2 Stücke)
| for violin and piano |
| Chamber music | 38 | 1892 | Két darab
| 2 Pieces (2 Stücke)
| for violin and piano 1. also for viola and piano |
| Chamber music | 39 | 1892 | A csalogány dala | Song of the Nightingale (Nachtigallen-Gesang) | for violin and piano or orchestra |
| Opera | 40 | 1888 | A cremonai hegedűs | The Violin Maker of Cremona (Le luthier de Crémone; Der Geigenmacher von Cremona) | opera in 2 acts; libretto by François Coppée and Henri Beauclair |
| Chamber music | 40a | 1888 | Hegedűszóló A cremonai hegedűs című operából | Violin Solo from the Opera The Violin Maker of Cremona | for violin and piano |
| Chamber music | 41 | 1891 | Csárdajelenet No. 7 „Kossuth-nóta“ | Scène de la csárda No. 7 "Kossuth's Song" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Kossuth's Melody"; "Thème Kossuth"; "Kossuth-Thema") | for violin and piano or orchestra |
| Chamber music | 42 | 1892 | I. Noktürn a-moll | Nocturne No. 1 in A minor | for violin and piano |
| Vocal | 43 | 1890 | Talpra magyar | for voice and piano; words by Sándor Petőfi | |
| Choral | 43 | 1890 | Talpra magyar | for male chorus or mixed chorus and piano or orchestra; words by Sándor Petőfi | |
| Chamber music | 44 | 1893 | Magyar alföldi képek, három karakterdarab
| Impressions de la Puszta, 3 Morceaux caractéristiques (Impressions from Puszta, 3 Character Pieces)
| for violin and piano |
| Chamber music | 45 | 1893 | Két mazurka
| 2 Mazurkas
| for violin and piano |
| Chamber music | 46 | 1893 | Három karakterdarab
| 3 Character Pieces (3 Morceaux caractéristiques)
| for violin and piano |
| Chamber music | 47 | 1893 | Atair, zenei regény öt fejezetben
| Atair, Musical Novel in 5 Chapters (Ataïr, Roman musical en cinq chapitres)
| for violin and piano |
| Chamber music | 48 | 1894 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano |
| Chamber music | 49 | 1894 | Mozaik, Tíz darab
| Mosaïque, 10 Morceaux (Mosaic, 10 Pieces)
| for violin and piano 9. also for viola and piano |
| Opera | 50 | 1893 | A falu rossza | The Village Vagabond (Le rôdeur du village; Der Dorflump) | Hungarian opera in 3 acts, 4 scenes; libretto by Antal Váradi after the play by Ede Tóth |
| Chamber music | 50a | 1893 | Hegedűszóló „A falu rossza“ című operából | Violin Solo from the Opera The Village Vagabond | for violin and piano |
| Chamber music | 51 | 1893 | Öt karakterdarab
| 5 Character Pieces (5 Morceaux caractéristiques)
| for violin and piano |
| Chamber music | 52 | 1894 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano |
| Vocal | 53 | 1894 | Öt dal
| 5 Songs (5 Gesänge)
| for voice and piano 1. words by E. Im Hof 2. words by Wilhelm Henzen (1850–1910) 3. words by G. Ebers 4. words by W. Vollhardt 5. words by E. Müller |
| Chamber music | 54 | 1895 | Két koncertmazurka
| 2 Mazurkas de concert (2 Concert Mazurkas)
| for violin and piano |
| Chamber music | 55 | 1894 | Két cigányfantázia
| 2 Fantaisies tziganesques (2 Gypsy Fantasies)
| for violin and piano |
| Chamber music | 56 | 1895 | Három poéma François Coppée nyomán | 3 Poèmes d'après François Coppée (3 Poems after François Coppée) | for violin and piano |
| Chamber music | 57 | 1895 | Pusztai hangok
| Une voyage au Puszta (A Journey to Puszta; Pusztenfahrt)
| for violin and piano |
| Chamber music | 58 | 1895 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano |
| Chamber music | 59 | c.1895 | Két magyar fantázia
| 2 Fantasies tziganesques (2 Hungarian Fantasies)
| for violin and piano |
| Chamber music | 60 | 1896 | Csárdajelenet No. 8 „Azt mondják nem adnak“ | Scène de la csárda No. 8 "So They Say" in A minor (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("They Say They Don't Give Me"; "À ce qu'ils disent") | for violin and piano or orchestra; The opening melody is that of the Slovak national anthem Nad Tatrou sa blýska. |
| Vocal | 61 | 1896 | Hét dal | 7 Songs (7 Lieder)
| for voice and piano; words by Ernst Weber, T. Resa and August Silberstein 5. words by Ernst Weber 6. words by T. Resa 7. words by August Silberstein |
| Chamber music | 62 | 1896 | Elégikus fantázia | Fantaisie élégiaque (Elegiac Fantasy) | for violin and piano or orchestra |
| Pedigogical | 63 | 1896 | Hat hegedű gyakorlat: a vonó teknikájánok fejlesztésére | 6 Etudes for the Development of Bow Technique (Six études de violon pour développer la technique de l'archet) (Sechs Etüden für Violine: die Entwicklung der Bogentechnik bezweckend) | for violin solo |
| Pedigogical | 64 | 1896 | Hat hegedű gyakorlat: a balkéz teknikájánok fejlesztésére | 6 Etudes for the Development of Left-Hand Technique (Six études de violon pour développer la technique de la main gauche) (Sechs Etüden für Violine zur Entwicklung der Fingertechnik) | for violin solo |
| Chamber music | 65 | 1896 | Csárdajelenet No. 9 „Czinka Panna nótája“ | Scène de la csárda No. 9 Panna Czinka's Tune (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
| Chamber music | 66 | 1897 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano |
| Chamber music | 67 | 1897 | Magyar nóták „Erdő, erdő, sűrű erdő árnyában“ | Hungarian Songs "In the Dark Shade of the Deep Forest" | for violin and piano |
| Vocal | 68 | 1896 | Dalok Kury Klárikának
| Lieder an Klärchen Kury | for voice and piano; words by Mihály Szabolcska |
| Chamber music | 69 | 1897–1898 | Csárdajelenet No. 10 „Szalatnai emlék“ | Scène de la csárda No. 10 "Souvenir de Szalatna" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Memoirs from Szalatna") | for violin and piano or orchestra |
| Chamber music | 70 | c.1897–1898 | Cantilène | Cantilène | for violin and piano or orchestra |
| Vocal | 71 | 1898 | Három dal
| 3 Songs (3 Mélodies; 3 Lieder)
| for voice and piano 1. words by François Coppée 2. words by François Coppée 3. words by Victor Hugo Nos. 4, 5 and 6: unpublished |
| Chamber music | 72 | 1897 | Variációk egy magyar témára | Variations on a Hungarian Theme (Variations sur un thème hongrois) (Variationen über ein ungarisches Thema) | for violin and piano; also orchestrated |
| Concertante | 72 | 1897 | Variációk egy magyar témára | Variations on a Hungarian Theme (Variations sur un thème hongrois) (Variationen über ein ungarisches Thema) | for violin and orchestra; also for violin and piano |
| Chamber music | 73 | 1898 | II. Noktürn A-dúr | Nocturne No. 2 in A major | for violin and piano |
| Chamber music | 74 | 1898 | Két darab
| 2 Pieces (2 Morceaux)
| for violin and piano |
| Vocal | 75 | 1894 | Két magyar dal
| 2 Hungarian Songs (2 ungarische Lieder)
| for voice and piano or orchestra; orchestrated in 1898 1. words by Janka Wohl 2. words by József Kiss |
| Chamber music | 76 | 1899 | Hat új magyar poéma | 6 New Hungarian Poems (6 Nouveaux poèmes hongrois) | for violin and piano |
| Vocal | 77 | 1897 | Három magyar dal
| 3 Hungarian Songs | for voice and piano; words by Mihály Szabolcska |
| Vocal | 78 | 1898 | Három magyar dal
| 3 Hungarian Songs | for voice and piano; words by Mihály Szabolcska |
| Chamber music | 79 | 1899 | Tíz karakterdarab
| 10 Character Pieces (10 Pièces caractéristiques)
| for violin and piano |
| Chamber music | 80 | 1899 | Scherzo g-moll | Scherzo in G minor | for violin and piano |
| Chamber music | 81 | 1899 | Harlekin – Scherzo | Arlequin – Scherzo (Harlequin – Scherzo) | for violin and piano |
| Chamber music | 82 | 1900 | Csárdajelenet No. 11 „Szomorúfűz hervadt lombja“ | Scène de la csárda No. 11 "The Willow's Withered Branch" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
| Chamber music | 83 | 1898 | Csárdajelenet No. 12 „Piczi Tubiczám“ | Scène de la csárda No. 12 "My Little Turtle Dove" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) ("Ma petite tourterelle"; "Meine kleine Turteltaube") | for violin and piano or orchestra |
| Chamber music | 84 | 1898 | Gyermekjelenetek
| Scenes from Childhood (Scènes d'enfants)
| for violin and piano |
| Opera | 85 | 1897–1898 | Moharózsa | The Moss Rose (Moosröschen) | opera (musical short story) in 4 acts and a prologue; libretto by Max Rothauser based on Ouida's Two Little Wooden Shoes |
| Chamber music | 86 | c.1899 | Három darab
| 3 Pieces (3 Morceaux)
| for violin and piano |
| Chamber music | 87 | 1899 | Két darab
| 2 Pieces (2 Morceaux)
| for violin and piano 1. also for viola and piano |
| Chamber music | 88 | 1899 | Örökmozgó | Perpetuum mobile | for violin and piano or orchestra |
| Chamber music | 89 | 1900 | Tíz koncertetűd | 10 Concertant Etudes (10 Études concertantes) | for violin solo |
| Concertante | 90 | c.1900 | II. Hegedűverseny E-dúr | Violin Concerto No. 2 in E major | for violin and orchestra; dedicated to Oscar Studer |
| Vocal | 91 | c.1884 | Judit Simon | Judit Simon | Melodrama for voice and piano; words by József Kiss |
| Vocal | 92 | c.1904 | Ugye Jani | for voice and piano or orchestra, or for voice, violin and piano; words by Imre Farkas | |
| Orchestral | 93 | 1914 | II. Szimfónia „Háborús-szimfónia“ | Symphony No. 2 "War Symphony" | revised c.1922 |
| Choral | 94 | 1905 | Öt vegyeskar
| 5 Mixed Choruses | for mixed chorus; words by Sándor Endrődi |
| Chamber music | 95 | 1904 | Négy darab
| 4 Pieces (Vier Stücke)
| for violin and piano Nos. 3–4 also for violin and harmonium |
| Opera | 96 | 1904 | Lavotta szerelme | Lavotta's Love | opera in 3 acts and an epilogue; libretto by Árpád Berczik and Imre Farkas |
| Choral | 97 | 1903 | Három kuruc-nóta férfikarra
| 3 Kuruc Songs | for male chorus |
| Vocal | 98 | c.1904–1906 | Rákóczi himnusz | Rákóczi Hymn | for voice, tárogató and piano; words by Sándor Endrődi |
| Choral | 98 | c.1904–1906 | Rákóczi himnusz | Rákóczi Hymn | for male chorus, or mixed chorus or children's chorus and piano or orchestra; words by Sándor Endrődi |
| Concertante | 99 | 1906–1907 | III. Hegedűverseny g-moll | Violin Concerto No. 3 in G minor | for violin and orchestra; dedicated to Franz von Vecsey |
| Vocal | 100 | c.1906 | Hét dal
| 7 Songs (7 Lieder)
| for voice and piano or orchestra 1. words by Imre Farkas 2. words by Sándorné Teleki, a.k.a. Szikra (1864–1937) 3. words by Sándor Sajó 4. words by Sándorné Teleki, a.k.a. Szikra (1864–1937) 5. words by Imre Farkas 6. words by Imre Farkas 7. words by Justinus Kerner |
| Concertante | 101 | 1906–1907 | IV. Hegedűverseny „Concerto all'antica“ a-moll | Violin Concerto No. 4 "Concerto all'antica" in A minor | for violin and orchestra; dedicated to Stefi Geyer |
| Chamber music | 102 | 1909 | Csárdajelenet No. 13 | Scène de la csárda No. 13 (Tavern Scenes; Csárda Scenes; Csárda-Scenen) | for violin and piano or orchestra |
| Vocal | 103 | 1910 | Két Petőfi dal
| 2 Petőfi Songs (2 Lieder von Petőfi)
| for voice and piano or orchestra; words by Sándor Petőfi |
| Chamber music | 104 | 1910–1911 | Két darab
| 2 Pieces (2 Morceaux)
| for violin and piano; Ballada was originally written for viola and harmonium in 1904 and intended for the pieces of Op. 95. |
| Chamber music | 105 | 1911 | Valcerparafrázis D-dúr | Waltz-Paraphrase (Valse-Paraphrase) in D major | for violin and piano or orchestra |
| Opera | 106 | 1909–1910 | Az álarc | The Mask (Die Maske) | opera in 3 acts; libretto by Rudolf Lothar and Sándor Góth after F. Martos; revised 1924–1930 |
| Opera | 107 | 1908–1909 | A milói Vénusz | The Venus de Milo (Die Venus von Milo; La Vénus de Milo) | opera in 1 act with prologue; libretto by Sándor Góth and Imre Farkas after Louis d'Assas and Paul Lindau; revised 1926 and 1932 |
| Chamber music | 108 | c.1912 | Románc és szerenád
| Romance et Gitarre (Romance and Serenade)
| for violin and piano |
| Chamber music | 109 | c.1915 | Orgonacsokor – régi bécsi keringő | Lilacs – Old Viennese Waltz (Bouquet des lilas) | for violin and piano |
| Chamber music | 110 | 1919 | Két darab
| 2 Pieces (2 Morceaux)
| for violin and piano |
| Chamber music | 111 | 1920 | Adieu! – Búcsú előtt | Adieu! – Before Parting | for violin and piano |
| Opera | 112 | 1914–1918 | Karenina Anna | Anna Karenina | opera in 3 acts, 4 scenes; libretto by Sándor Góth and Andor Gábor based on Edmond Guiraud's play from the novel of Leo Tolstoy; published 1922 and 1923; premiere performance in 1923 |
| Vocal | 113 | 1920 | Végvári-dalok
| Végvári Songs (Végvári-Lieder)
| for voice and piano with tárogató ab libitum; words by Sándor Reményik |
| Choral | 114 | c.1916–1937 | Ara pacis (Béke himnusz) | Ara pacis (The Altar of Peace) | Cantata after a poem by Romain Rolland for soprano, alto, baritone, mixed chorus, children's chorus and orchestra; world premiere September 2000 |
| Chamber music | 115 | 1923 | Öt koncertetűd
| 5 Concert Etudes (5 Études de concert)
| for violin and piano |
| Orchestral | 116 | c.1907–1915 | Biedermeier szvit | Biedermeier Suite | |
| Chamber music | 117 | 1920 | Csárdajelenet No. 14 „Lavotta témákra“ | Scène de la csárda No. 14 "On Themes of János Lavotta" (Tavern Scenes; Csárda Scenes; Csárda-Scenen) (On the Themes of Lavotta"; "Sur des thèmes de Lavotta") | for violin and piano or orchestra; based on tunes by János Lavotta (1764–1820), composer of verbunkos dance music |
| Choral | 118 | 1921 | Dante: Vita nuova (Dante szimfónia) | Dante: The New Life (Dante: Neues Leben) | Symphony for 4 solo voices, mixed chorus, children's chorus and orchestra |
| Choral | 119 | 1922 | Petőfi szimfónia | Petőfi Symphony | Symphony for 4 solo voices, mixed chorus, children's chorus and orchestra; words by Sándor Petőfi |
| Chamber music | 120 | 1923 | Tavaszi szerelmi dalok
| Love Songs in Spring (Chansons d'amour printanier)
| for violin and piano |
| Chamber music | 121 | 1925 | Hat darab
| 6 Pieces (6 Stücke)
| for violin and piano |
| Vocal | 122 | c.1920–1922 | Négy új magyar dal
| 4 New Hungarian Songs (Neue Lieder)
| for voice and piano 1. words by Ella Halbert 2. words by Émile Polak 3. words by József Kiss 4. words by Alfred de Musset |
| Vocal | 123 | c.1920–1922 | Két új magyar dal
| 2 New Hungarian Songs (Neue Lieder)
| for voice and piano; words by Sándor Endrődi |
| Opera | 124 | 1933–1934 | Az önző óriás | The Selfish Giant (Der selbstsüchtige Riese) | Fairy Tale Opera in 1 act; libretto by László Márkus and Jenő Mohácsi after the story by Oscar Wilde |
| 125 | |||||
| Vocal | 126 | c.1935 | Két dal
| 2 Songs | for voice and piano or orchestra; words by Béla Zerkovitz |
| Ballet | – | 1936 | Csárdajelenet | Scènes de la csárda (Csárda Scene; Tavern Scene) | Ballet in 1 act; scenario by V. Lányi |
| Transcription | – | Air | Air from Suite in D by Johann Sebastian Bach | for violin and piano; original for orchestra | |
| Transcription | – | Chaconne | Chaconne from Partita in D minor by Johann Sebastian Bach | for orchestra; original for violin solo | |
| Transcription | – | Magyar táncok No. 1–10
| 10 Hungarian Dances by Johannes Brahms
| for violin and piano | |
| Transcription | – | Szapphói óda | Sapphische Ode, Op. 94 No. 4 by Johannes Brahms | for violin and piano; original for voice and piano | |
| Transcription | – | Solvejg dala | Solvejgs Song from PeerGynt by Edvard Grieg | for violin and piano; original for voice and orchestra | |
| Transcription | – | Larghetto | Larghetto from Sonata in B minor, Op. 1 No. 9, HWV 367, by George Frideric Handel | for violin and piano or orchestra; original for flute and continuo | |
| Transcription | – | Magyar rapszódia | Ungarische Rhapsodie nach der Paraphrase über "Die drei Zigeuner", S.374 by Franz Liszt | for violin and piano or orchestra; original for piano solo | |
| Transcription | – | Valse impromptu | Valse impromptu by Franz Liszt | for violin and piano; original for piano solo | |
| Transcription | – | Elfelejtett keringő No. 1 | Valse oubliée No. 1 (Première valse oubliée) by Franz Liszt | for violin and piano; original for piano solo | |
| Transcription | – | Heródiás – közjáték a III. felvonásból | Hérodiade, Prélude from Act III by Jules Massenet | for violin and piano; original for orchestra | |
| Transcription | – | Közjáték keringő formában | Valse intermède by Andor Merkler | for violin and piano | |
| Transcription | – | Capriccio No. 13 | Caprice No. 13 (XIIIème Caprice), Op. 1 No. 13 by Niccolò Paganini | for violin and piano; original for violin solo | |
| Transcription | – | Moto perpetuo | Moto perpetuo, Op. 11 by Niccolò Paganini | for violin and piano; original for violin and piano | |
| Transcription | – | Tarantella | Tarantella, Op. 33 by David Popper | for violin and piano; original for cello and piano | |
| Transcription | – | Élégie | Élégie, Op. 3 No. 1 by Sergei Rachmaninoff | for violin and piano; original for piano solo | |
| Transcription | – | Polichinelle | Polichinelle, Op. 3, No. 4 by Sergei Rachmaninoff | for violin and piano; original for piano solo | |
| Transcription | – | Barkarola No. 1 | Barcarolle No. 1, Op. 30 No. 1 by Anton Rubinstein | for violin and piano; original for piano solo | |
| Transcription | – | Holnap! | Morgen!, Op. 27 No. 4 by Richard Strauss | for violin and piano; original for voice and piano | |
| Transcription | – | Álom alkonyatkor | Traum durch die Dämmerung, Op. 29 No.1 by Richard Strauss | for violin and piano; original for voice and piano | |
| Transcription | – | Ördögtrilla szonáta | Devil's Trill Sonata (Teufelstriller Sonate) by Giuseppe Tartini | for violin and piano or orchestra | |
| Transcription | – | Cantilena | Cantilena, Op. 48 No. 24 by Henri Vieuxtemps | for violin and piano; original for violin solo | |
| Transcription | – | Hegedűverseny No. 7 | Concerto No. 7 by Henri Vieuxtemps | for violin and orchestra | |
| Transcription | – | Sirató | Lamento, Op. 48 No. 18 by Henri Vieuxtemps | for violin and piano; original for violin solo | |
| Transcription | – | Álom | Rêve from Voies du cœur (Die Stimme des Herzens), Op. 53 No. 5 by Henri Vieuxtemps | for violin and piano; original for violin and piano | |
| Transcription | – | Capriccio-Valse | Capriccio-Valse, Op. 7 by Henryk Wieniawski | for violin and orchestra | |
| Transcription | – | Szerelmi álom | Liebestraum by Géza Zichy | for violin and piano; original for piano left-hand |
Close
Remove ads
External links
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads
Remove ads