Designation[a] |
Type |
Introduced |
Discontinued |
Image size
(in × in) |
Image size (mm × mm) |
Exposures |
Comment |
101 |
roll film |
1895 |
1956 |
3+1⁄2 × 3+1⁄2 in |
88.9 × 88.9 mm |
|
|
102 |
roll film |
1896 |
1933 |
1 × 2 in |
25.4 × 50.8 mm |
|
One flange has gear teeth |
103 |
roll film |
1896 |
1949 |
|
100 × 125 mm |
|
|
104 |
roll film |
1897 |
1949 |
4+3⁄4 × 3+3⁄4 in |
120.65 × 95.25 mm |
|
|
105 |
roll film |
1897 |
1949 |
2+1⁄4 × 3+1⁄4 in |
57.15 × 82.55 mm |
|
Like 120 film with 116-size flanges |
106 |
for roll holder |
1898 |
1924 |
3+1⁄2 × 3+1⁄2 in |
88.9 × 88.9 mm |
|
Roll holder films were wound inside out |
107 |
for roll holder |
1898 |
1924 |
3+1⁄4 × 4+1⁄4 in |
82.55 × 107.95 mm |
|
|
108 |
for roll holder |
1898 |
1929 |
4+1⁄4 × 3+1⁄4 in |
107.95 × 82.55 mm |
|
|
109 |
for roll holder |
1898 |
1924 |
4 × 5 in |
101.6 × 127 mm |
|
|
110 (early roll film) |
for roll holder |
1898 |
1929 |
5 × 4 in |
127 × 101.6 mm |
|
No relation to the later 110 cartridge format. |
110 ("Pocket Instamatic") |
cartridge |
1972 |
Present[2] |
|
13 × 17 mm |
|
16 mm stock, registration perforated Introduced with Kodak's "Pocket Instamatic" series Daylight, Transparency, Black & White
Fujifilm ceased 110 production in 2009. Lomography revived the format in 2011. |
111 |
for roll holder |
1898 |
Unknown |
6+1⁄2 × 4+3⁄4 in |
165.1 × 120.65 mm |
|
Possibly discontinued 1924 or 1929 |
112 |
for roll holder |
1898 |
1924 |
7 × 5 in |
177.8 × 127 mm |
|
|
113 |
for roll holder |
1898 |
Unknown |
|
90 × 120 mm |
|
Possibly discontinued 1924 or 1929 |
114 |
for roll holder |
1898 |
Unknown |
|
120 × 90 mm |
|
Possibly discontinued 1924 or 1929 |
115 |
roll film |
1898 |
1949 |
6+3⁄4 × 4+3⁄4 in |
171.45 × 120.65 mm |
|
|
116 |
roll film |
1899 |
1984 |
2+1⁄2 × 4+1⁄4 in |
63.5 × 107.95 mm |
|
Like 616 film with wider flanges |
117 |
roll film |
1900 |
1949 |
2+1⁄4 × 2+1⁄4 in |
57.15 × 57.15 mm |
6 |
Like 620 spool with 120 keyslot |
118 |
roll film |
1900 |
1961 |
3+1⁄4 × 4+1⁄4 in |
82.55 × 107.95 mm |
|
3.474-inch spool |
119 |
roll film |
1900 |
1940 |
4+1⁄4 × 3+1⁄4 in |
107.95 × 82.55 mm |
|
|
120 |
roll film |
1901 |
Present |
2+1⁄4 × 3+1⁄4 in 2+1⁄4 × 2+1⁄4 in 2+1⁄4 × 1+5⁄8 in |
56 × 70 mm |
8 10 12–13 15–16 |
2.4 inch (60.96 mm) stock, unperforated, paper-backed |
121 |
roll film |
1902 |
1941 |
1+5⁄8 × 2+1⁄2 in |
|
|
|
122 |
roll film |
1903 |
1971 |
3+1⁄4 × 5+1⁄2 in |
82.55 × 139.7 mm |
6 or 10 |
Postcard format |
123 |
roll film |
1904 |
1949 |
4 × 5 in |
101.6 × 127 mm |
|
|
124 |
roll film |
1905 |
1961 |
3+1⁄4 × 4+1⁄4 in |
82.55 × 107.95 mm |
|
3.716-inch spool: same picture size as 118 with longer spool |
125 |
roll film |
1905 |
1949 |
3+1⁄4 × 5+1⁄2 in |
82.55 × 139.7 mm |
|
like 122 on longer spool; also for stereo pairs, 3+1⁄4 in × 2+1⁄2 in × 2 |
126 (early roll film) |
roll film |
1906 |
1949 |
4+1⁄4 × 6+1⁄2 in |
107.95 × 165.1 mm |
|
No relation to the 126 cartridge format introduced in 1963. |
126 ("Instamatic") |
cartridge |
1963 |
2008 |
|
26.5 × 26.5 mm |
12, 20 (later 24) |
35 mm stock, registration perforated Introduced with first "Instamatic" cameras under the name "Kodapak" |
127 |
roll film |
1912 |
Present |
1+5⁄8 × 2+1⁄2 in 1+5⁄8 × 1+5⁄8 in 1+5⁄8 × 1+1⁄4 in |
|
8 12 16 |
46 mm stock, "Vest Pocket" |
128 |
roll film |
1912 |
1941 |
1+1⁄2 × 2+1⁄4 in |
38.1 × 57.15 mm |
|
for Houghton Ensignette #E1[3] |
129 |
roll film |
1912 |
1951 |
1+7⁄8 × 3 in |
|
|
for Houghton Ensignette #E2 |
130 |
roll film |
1916 |
1961 |
2+7⁄8 × 4+7⁄8 in |
|
|
|
135 |
cartridge |
1934 |
Present |
|
24 × 36 mm |
12
20
24
36 |
35 mm stock, double perforated formerly available in 12, 18, 20, or 72 exposures[4] By far the most popular format since the mid-1960s. |
220 |
roll film |
1965 |
Present |
2+1⁄4 × 3+1⁄4 in 2+1⁄4 × 2+1⁄4 in 2+1⁄4 × 1+5⁄8 in |
60 × 70 mm |
18 21 24–27 30–33 |
2.4-inch (60.96 mm) stock, unperforated, no backing paper Twice as long as 120.[5]
Final films in 220 were professional films for commercial/wedding photography; Kodak Portra (2015) and Fujifilm Colour Negative and Reversal (2017 in Japan only). Ilford ceased 220 production in 2004 after their 220 spooling plant broke down. SHANGHAI JIANCHENG is now making 220 film.[6] |
235 |
loading spool |
1934 |
Unknown |
|
24 × 36 mm |
|
35 mm film in daylight-loading spool |
240 / APS |
cartridge |
1996 |
2011 |
|
30.2 × 16.7 mm |
15, 25, or 40 |
24 mm stock, registration perforated Daylight, Transparency, Black & White (Chromogenic 400CN) |
335 |
stereo pairs |
1952 |
Unknown |
|
24 × 24 mm |
20 pairs |
Special length for Realist format stereo pairs |
435 |
loading spool |
1934 |
Unknown |
|
24 × 36 mm |
|
35 mm film in daylight-loading spool |
50 |
for roll holder |
1915 |
March 1941 |
3+1⁄4 × 2+1⁄4 in |
|
|
for Graflex rollholder |
51 |
for roll holder |
1915 |
Feb 1951 |
4+1⁄4 × 3+1⁄4 in |
|
|
for Graflex rollholder |
52 |
for roll holder |
1915 |
Mar 1949 |
5+1⁄2 × 3+1⁄4 in |
|
|
for Graflex rollholder |
53 |
for roll holder |
1915 |
Feb 1951 |
5 × 4 in |
|
|
for Graflex rollholder |
54 |
for roll holder |
1915 |
Mar 1949 |
7 × 5 in |
|
|
for Graflex rollholder |
500 |
film pack |
1911 |
1948 |
1+3⁄4 × 2+3⁄8 in |
|
12 |
redefined 1921 as 1+5⁄8 × 2+7⁄16 in |
515 |
film pack |
1905 |
1955 |
5 × 7 in |
|
12 |
|
516 |
film pack |
1909 |
1955 |
2+1⁄2 × 4+1⁄4 in |
|
12 |
|
518 |
film pack |
1903 |
1976 |
3+1⁄4 × 4+1⁄4 in |
|
12 sheets |
|
520 |
film pack |
1906 |
1976 |
2+1⁄4 × 3+1⁄4 in |
|
16 sheets |
|
522 |
film pack |
1904 |
1955 |
3+1⁄4 × 5+1⁄2 in |
|
12 sheets |
3A postcard |
523 |
film pack |
1904 |
|
4 × 5 in |
|
12 sheets |
|
526 |
film pack |
1920 |
1941 |
4+3⁄4 × 6+1⁄2 in |
|
|
|
531 |
film pack |
1926 |
1941 |
2+9⁄32 × 5+11⁄32 in |
|
|
60 × 130 mm |
540 |
film pack |
1920 |
1941 |
1+3⁄4 × 4+1⁄4 in |
|
|
|
541 |
film pack |
1920 |
1941 |
3+1⁄2 × 4+3⁄4 |
|
12 |
90 × 120 mm |
542 |
film pack |
1911 |
1948 |
3 × 5+1⁄4 in |
|
|
75 × 135 mm |
543 |
film pack |
1920 |
1948 |
3+3⁄4 × 5+1⁄2 in |
|
12 |
100 × 150 mm |
616 |
roll film |
1931 |
1984 |
2+1⁄2 × 4+1⁄4 in or 2+1⁄2 × 2+1⁄8 in |
|
6, later 8 |
Similar to 116 film but on a thinner spool |
620 |
roll film |
1932 |
1995 |
|
|
|
Similar to 120 film but on a thinner spool |
635 |
loading spool |
Unknown |
Unknown |
|
24 × 36 mm |
36 |
Eastern bloc designation of 35mm film on daylight loading spool.[7] |
828 |
roll film |
1935 |
1985 |
|
28 × 40 mm |
8 |
35 mm, one perforation per frame Bantam |
935 |
loading spool |
Unknown |
Unknown |
|
24 × 36 mm |
36 |
Eastern bloc designation of 1,6m long 35mm film for loading in the darkroom.[7] |
35 |
roll film |
1916 |
1933 |
1+1⁄4 × 1+3⁄4 in |
|
|
35 mm stock, unperforated |
00 UniveX |
roll film |
1933 |
|
1+1⁄2 × 1+1⁄8 in |
|
6 |
made by Gevaert |
Hit (for example TONE camera) |
roll film |
1937 |
Unknown |
|
14 × 14 mm |
10[8] |
17.5 mm stock; used in imported miniature toy cameras[9] |
Disc |
cassette |
1982 |
1998 |
|
8 × 11 mm |
15 |
circular sheet of film attached to rigid carrier |
Half-frame |
cartridge |
1934, later than |
Present |
|
18 × 24 mm |
48 or 72 |
135 film in "half-frame" cameras |
Minox |
cartridge |
1938 |
Present |
|
8 × 11 mm |
15, 36 or 50 |
nominally 9.5 mm-wide stock (in reality 9.2–9.3 mm) |
Karat |
cartridge |
1936 |
1963 |
|
|
|
Early AGFA cartridge for 35 mm film |
Rapid |
cartridge |
1964 |
1990s |
|
24 × 24 mm 18 × 24 mm |
12 16 |
AGFA cartridge for 35 mm film (replaced Karat, same system) |
SL |
cartridge |
1958 |
1990 |
|
24 × 36 mm 24 × 24 mm 18 × 24 mm |
12 16 24 |
Orwo Schnell-Lade Kassette for 35 mm film |
Kassette 16 |
cartridge |
1978 |
1990s |
|
13 × 17 mm |
20 |
Orwo, 16 mm stock, central perforation (holes between frames) Introduced exclusively for the Pentacon k16 camera |
Super 16 (Rollei) |
cartridge |
1963 |
1981 |
|
13 × 17 mm |
18 |
Rollei, 16 mm stock, perforation on both edges? with kino film (?) only by Rollei for the Rollei 16 camera; also Wirgin Edixa 16 (Franka / alka 16) |
Minolta-16 |
cartridge |
1955 |
1974 |
|
10 × 14 mm (original) 13 × 17 mm (later) |
20 |
Minolta, 16 mm stock, originally double perforated (single perforated or unperforated film could be loaded), later single perf to allow larger 13 × 17 mm image |