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Madhurāṣṭakam
Sanskrit Hindu octet From Wikipedia, the free encyclopedia
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The Madhurāṣṭakam (Sanskrit: मधुराष्टकम्), also spelt as Madhurashtakam, is a Sanskrit ashtakam in devotion of Krishna, composed by the Hindu Bhakti saint Vallabha. Vallabha was a Telugu Brahmin who propagated Pushtimarg, which emphasizes on the unconditional bhakti and seva of Krishna. According to legend, when Krishna himself appeared in front of Vallabha, on the midnight of Shravana Shukla Ekadashi, the philosopher composed the Madhurashtakam in praise of the deity.
 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. (July 2023) |
He created many other literary pieces including the Vyasa Sutra Bhashya, Jaimini Sutra Bhasya, Bhagavata Subodhini Tika, Pushti Pravala Maryada, and Siddhanta Rahasya, in Sanskrit.
The devotional hymn "Madhurāṣṭakam" of Vallabha was created to lead the devotee in Pustimarga, the Path of Grace, which involves a constant love-filled devotion to Krishna by various acts of homage, such as singing (kirtana), remembering (smarana), conceptualising and beholding (darshana) a beatific image of the deity and offering of services (seva). According to this philosophy, these acts enable the devotee to enter into the divine presence of Krishna and to experience the deity's real essence (svarupa) which are in fact, succinctly laid down by the Madhurāṣṭakam. Madhurāṣṭakam is regarded play an instrumental role in the realisation of the deity.
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Genre
The term aṣṭakam is derived from the Sanskrit word aṣṭa, meaning "eight". An aṣṭakam is made up of eight stanzas.
Aṣṭakam belong to the genre of lyric poetry, which tends to be short, extremely melodic, and contemplative. It reflects and portrays the poet's own feelings, states of mind, and perceptions about the theme or character in the aṣṭakam.
Context
The thought behind the composition in 'Bhakti mixed with Love', being a typical frame of devotion and dedication in the Bhakti movement. In the loved bhakti frame, the devotee falls in love with the almighty and to the devotee, all the attributes and actions of God appears sweet, as those appear to a lover.
The Madhurāṣṭakam deals with the qualities and deeds of Krishna, all of which have been conceptualized as being dipped in madhu, meaning honey or nectar. In the eyes of the devotee, everything that pertains to the deity is sweet and graceful, he being the adhipati (sovereign) of all sweetness.
The body of the Madhurāṣṭakam includes many qualities, attributes and motifs associated with Krishna, including the venu flute, cows, the Yamuna river, gopis, and Krishna's lila. These symbols and motifs related to the life and deeds of Krishna have been labelled as 'sweet' in the astakam.
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See Sanskrit for details of pronunciation.
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In popular culture
Madhurāṣṭakam has been a very popular devotional song. Renowned singers, including the classical legend M. S. Subbulakshmi and semi-classical singer K. J. Yesudas have given classical and semi-classical renditions of the song. In the Odissi dance tradition, the Madhurāṣṭakam comprises an elegant and intoxicating theme for dance drama.
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