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The Time Is Now (album)
2018 studio album by Craig David From Wikipedia, the free encyclopedia
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The Time Is Now is the seventh studio album by English singer Craig David, released on 26 January 2018.[4][5] The album features guest appearances from JP Cooper, Bastille, AJ Tracey, Ella Mai, Kaytranada and GoldLink. The albums's first single, "Heartline", was released on 14 September 2017, through David's official YouTube account.
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The album reached number two in the United Kingdom, making it David's fifth UK top 10 album.
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Background
On 15 September 2017, less than a year after the release of his comeback album Following My Intuition which became his first chart-topper for 16 years, David announced the follow-up, The Time Is Now. In an interview, David said: "The motivation and inspiration behind this album was all down to the huge realisation that even when I wasn't as focused, there were amazing lessons to be learnt."[6]
The album features collaborations with Bastille, AJ Tracey, Kaytranada and GoldLink.[7]
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Promotion
The first single from the album, "Heartline", was released on 14 September 2017, and peaked at 24 in the UK. The second single, "I Know You", featuring the British band Bastille, was released on 23 November 2017, and was commercially more successful than his recent singles, peaking at five in the UK. In further promotion of the album, David embarked on a tour and made appearances at music festivals around England, the United States, the Middle East and Europe to promote the album.[8]
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Critical reception
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The Time Is Now received mixed reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 56 based on 12 reviews, indicating "mixed or average reviews."[9] Ben Hogwood from MusicOMH found that while the album was "undoubtedly a bit too long, The Time Is Now reaffirms Craig David's standing as a fine and flexible pop songwriter with all sorts of hooks up his sleeve. He is a more versatile singer these days, able to home in on an urban style, but moulding himself into different shapes, sizes and speeds."[14] Neil McCormick from The Daily Telegraph criticized the album for its lack of lyrical depth and overreliance on Auto-Tune but pointed out that is was "packed with snappy, hook-laden songs, and plush electronic arrangements and rhythm tracks."[12] Andre Paine, writing for The Evening Standard, called the album a "comeback that's going to keep adding followers,"[20] while NME's Leonie Cooper found that "what The Time Is Now lacks in coherency, it makes up for in sheer enthusiasm."[15] AllMusic editor concluded that the album was "less scattered stylistically, yet less consistent quality-wise."[10]
Damien Morris from The Observer felt that the album was offering "inspirational memes slathered over playlist-ready tropical R&B-pop" and called it a "glossily one-note album, an uncomplicated toast to desire sated, friendship reciprocated and love requited."[16] Rachel Aroesti from The Guardian remarked that the album "contains notably less UK garage than its predecessor, and instead lives up to its name by mining trendy, but already quite tired, sounds from the charts [...] It's a shame that David barely draws on the genre he helped popularise, because here he often seems swallowed up by different styles. [He] may have worked hard to rejoin the pop firmament, but he seems slightly lost now that he’s arrived."[13] Andy Gill from The Independent found that The Time Is Now was "unambitious" and sounded like "David’s attempt to refloat his becalmed career on the flimsiest of generic grooves and autotuning tropes. It’s wearily repetitive and almost aggressively underwhelming, with David’s bland romantic entreaties carried by frisky shuffles and the sparest of keyboard hints."[21]
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Commercial performance
The Time Is Now reached number two on the UK Albums Chart, debuting with sales of 16,874 copies, behind the soundtrack of The Greatest Showman.[22]
Track listing
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Notes
- ^[a] signifies a vocal producer.
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Personnel
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Credits adapted from album’s liner notes.[24]
- Mark Asari – backing vocals (tracks 9, 14), chant vocals (track 1)
- Jonas Blue – producer and mixing (track 2)
- Raoul Chen – producer, engineer, mixing, backing vocals, drum programming, and instruments (track 6)
- Wez Clarke – mixing (tracks 1, 3, 7, 14, 15)
- JP Cooper – vocals (track 7)
- Craig David – vocals (all tracks)
- Ed Drewett – chant vocals (track 1)
- Phebe Edwards – backing vocals (tracks 4, 5, 12)
- Lauren Faith – backing vocals (track 4)
- Rachel Furner – backing vocals (track 12)
- GoldLink – vocals (track 9)
- Manon Grandjean – engineer (tracks 4, 5, 8, 10, 12)
- Stuart Hawkes – mastering (all tracks)
- Tre Jean-Marie – producer (tracks 1, 7, 14, 15); vocal production, vocal mixing, and background vocals (track 9); chant vocals (track 1)
- Kaytranada – producer and mixing (track 9)
- William Kennard – producer, mixing, instrumentation, and programming (track 13)
- Chris Laws – engineer, drums, and percussion (track 3)
- Tim Laws – guitar (track 3)
- Colin Lester – executive producer
- Andy Mac – talkbox (track 14)
- Steve Mac – producer and keyboards (track 3)
- Rob MacFarlane – engineer (tracks 8, 13)
- Ella Mai – vocals (track 15)
- Jacob Manson – producer, engineer, mixing, guitar, keyboards, and drum programming (track 11)
- Brandon Michael – chant vocals (track 1)
- Saul Milton – producer, mixing, instrumentation, and programming (track 13)
- Nosaappollo – producer (track 15)
- Tyrell "169" Paul – producer (tracks 4, 10, 12), drum programming (tracks 4, 10)
- Dann Pursey – engineer (track 3)
- Carmen Reece – backing vocals (track 8)
- Sillkey – additional production (track 14)
- Dan Smith – vocals (track 8)
- Fraser T. Smith – producer, mixing, keyboards, and drum programming (tracks 4, 5, 8, 10, 12); guitar (tracks 4, 10)
- AJ Tracey – vocals (track 11)
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Charts
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Certifications
Release history
References
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