Melbourne International Film Festival
Annual Australian film festival From Wikipedia, the free encyclopedia
The Melbourne International Film Festival (MIFF) is an annual film festival held over three weeks in Melbourne, Victoria, Australia. It was founded in 1952 and is one of the oldest film festivals in the world following the founding of the Venice Film Festival in 1932, Cannes Film Festival in 1939 and Berlin Film Festival in 1951.
 | |
| Location | Melbourne, Victoria, Australia |
|---|---|
| Founded | 1952 |
| Artistic director | Al Cossar |
| No. of films | 300 (approx.) |
| Website | Official website |
Currently held in the month of August from 8th to 25th in 2024 and spanning events in the Melbourne CBD as well as inner-suburban and regional Victoria, MIFF screens films from both Australia and across the world to an audience of approximately 150,000.[1] It is the largest film festival in both Australia and the Southern Hemisphere, and is the world’s largest showcase of new Australian cinema.[2] The 2022 festival contributed A$9.7 million to the City of Melbourne’s economy.[1]
Alongside its expansive and well-received film program, MIFF realizes its vision, “An enlightened, inclusive, engaged society through film”,[2] via its renowned industry programs (the co-financing fund Premiere Fund, the talent incubator program Accelerator Lab and the film-financing market 37°South), its skill-building initiatives for youth (MIFF Schools and Critics Campus), and the MIFF Awards that recognize both short- and longform filmmaking talent.
MIFF was originally launched as the Olinda Film Festival in 1952 after a group of delegates to the 1951 Australian Council of Film Societies suggested that a film event be established in the eponymous tourist town. It was renamed the Melbourne Film Festival in 1953 and held this title over many decades before transforming into the Melbourne International Film Festival.[3][4] Appointed in 1956, Erwin Rado was the festival’s first director, holding the role until 1979 and returning for a single-year stint in 1983;[3] the Australian Dictionary of Biography notes that he shaped the film event’s character with his “uncompromising drive for excellence”.[5]
Following Rado, the festival was headed up by Geoffrey Gardner (1980–1982), Paul Seto (1984), Paul Coulter (1985), Santina Musumeci (1986–1987), Tait Brady (1988–1996), Sandra Sdraulig (1997–2000), James Hewison (2001–2006), Richard Moore (2007–2010), Michelle Carey (2011–2018) and current artistic director Al Cossar (2019–present).[4][6]
MIFF’s annual program boasts around 300 titles spanning feature films, short films and XR (virtual reality, augmented reality and mixed reality), alongside a suite of galas, special events, activations and talks. In 2022, the festival screened 260 features, 111 shorts, 12 XR works, and 10 galas and special events, representing 82 countries of origin and 75 languages.[1]
MIFF’s short film competition, established in 1962,[4] is accredited by the American Academy of Motion Picture Arts and Sciences, the British Academy of Film and Television Arts and the Australian Academy of Cinema and Television Arts.[7] Its inaugural award was ‘Best Short Film’, but the title was changed to ‘Grand Prix for Best Short Film’ in 1965. Since 1985, the Grand Prix has been presented by the City of Melbourne.[8]
In 2022, this was complemented by a feature-length competition for first- and second-time directors, the Bright Horizons Award (presented by VicScreen), whose winner receives a A$140,000 prize; as well as the Blackmagic Design Australian Innovation Award, which recognizes an outstanding Australian creative with a A$70,000 cash prize. As of 2023, the MIFF Awards slate has been expanded to also include the First Nations Film Creative Award, which recognizes an outstanding Indigenous Australian creative with a prize worth $45,000; the Audience Award, as decided by public voting; and the MIFF Schools Youth Jury Award, crowning the best title from the student-focused MIFF Schools program.[9]
Feature film awards
- Bright Horizons Award
- Blackmagic Design Australian Innovation Award
- First Nations Film Creative Award
- Audience Award
- MIFF Schools Youth Jury Award
Short film awards
In 2023 Campari was the Shorts Awards Presenting Partner, and the Venue Partner ACMI. The Shorts Awards are all accredited by Academy Awards, and the 2023 winners of the Best Short Film, Best Australian Short Film, Best Documentary Short Film, and Best Animation Short Film awards were eligible to submit their films for the 96th Academy Awards in 2024. The MIFF Shorts program is also BAFTA-Qualifying; any British film screened in the 2023 festival was eligible for entry in the British Short Film and British Short Animation categories of the 2024 BAFTA Film Awards. The 2023 awards were as follows:[10]
- City of Melbourne Grand Prix for Best Short Film
- VicScreen Erwin Rado Award for Best Australian Short Film
- Award for Emerging Australian Filmmaker
- Award for Best Fiction Short Film
- Award for Best Documentary Short Film
- Award for Best Animation Short Film
- Award for Best Experimental Short Film
As of 2019[update] awards for short films were:[11][12]
- City of Melbourne Grand Prix for Best Short Film – $7,000 cash prize (Academy-accredited Award)
- Melbourne Airport Award for Emerging Australian Filmmaker – $5,000 cash prize + airfare to Berlinale
- Film Victoria Erwin Rado Award for Best Australian Short Film – $5,000 cash prize
- Cinema Nova Award for Best Fiction Short Film – $3,000 cash prize (Academy-accredited Award)
- RMIT University Award for Best Animation Short Film – $3,000 cash prize (Academy-accredited Award)
- RMIT University Award for Best Documentary Short Film – $3,000 cash prize
- MIFF Award for Best Experimental Short Film – $3,000 cash prize (Academy-accredited Award)
Winners of Grand Prix for Best Short Film
| Year | Film | Director | Country |
|---|---|---|---|
| 1965 | La gazza ladra | Giulio Giannini, Emanuele Luzzati | Italy |
| 1966 | The Inheritance | Harold Mayer | United States |
| 1967 | Petrol-Carburant-Kraftstoff | Hugo Niebeling | West Germany |
| 1968 | You're Human Like the Rest of Them | B. S. Johnson | UK |
| 1969 | Pas de deux | Norman McLaren | Canada |
| 1970 | Calcutta | Louis Malle | France |
| 1971 | Blake | Bill Mason | Canada |
| 1972 | Scarabus | Gérald Frydman | Belgium |
| 1973 | Street Musique | Ryan Larkin | Canada |
| 1974 | Edward Burra | Peter K. Smith | UK |
| 1975 | Last Grave at Dimbaza | Nana Mahamo | South Africa |
| 1976 | Leisure | Bruce Petty | Australia |
| 1977 | Corralejas de Sincelejo | Mario Mitrotti | Colombia |
| 1978 | Manimals | Robin Lehman | United States |
| 1979 | Malj | Aleksandar Ilic | Yugoslavia |
| 1980 | Interview | Caroline Leaf | Canada |
| 1981 | New York Story | Jackie Raynal | United States |
| 1982 | Shadows | Royden Irvine | Australia |
| 1983 | Douglas Mawson: The Survivor | David Parer | Australia |
| 1984 | Aquí se lo halla | Lee Sokol | United States |
| 1985 | In Heaven There Is No Beer? | Les Blank | United States |
| 1986 | My Life Without Steve | Gillian Leahy | Australia |
| 1987 | Panya shugeki | Naoto Yamakawa | Japan |
| 1988 | The Critical Years | Gerald L'Ecuyer | Canada/United States |
| 1989 | Twilight City | Reece Auguiste | UK |
| 1990 | Swimming | Belinda Chayko | Australia |
| 1991 | Sink or Swim | Su Friedrich | United States |
| 1992 | The Writing in the Sand | Sirkka-Liisa Konttinen | UK |
| 1993 | Lektionen in Finsternis | Werner Herzog | Germany |
| 1994 | Only the Brave | Ana Kokkinos | Australia |
| 1995 | Twilight | Tengai Amano | Japan |
| 1996 | Baka | Thierry Knauff | Belgium |
| 1997 | At Sea | Penny Fowler-Smith | Australia |
| 1998 | The Storekeeper | Gavin Hood | South Africa |
| 1999 | So-poong | Song Il-gon | South Korea |
| 2000 | Wildlife | Kate de Pury | UK |
| 2001 | Muakah | Hadar Friedlich | Israel |
| 2002 | Palace II | Kátia Lund, Fernando Meirelles | Brazil |
| 2003 | Destino | Dominique Monfery | France |
| 2004 | Talking with Angels | Yousaf Ali Khan | UK |
| 2005 | Silent Companion | Elham Hosseinzadeh | Iran |
| 2006 | Avatar | Lluis Quilez | Spain |
| 2007 | Blood Sisters | Louise N.D. Friedberg | Denmark |
| 2008 | Dennis | Mads Matthiesen | Denmark |
| 2009 | Next Floor | Denis Villeneuve, Phoebe Greenberg | Canada |
| 2010 | The Lost Thing | Shaun Tan, Andrew Ruhemann | Australia |
| 2011 | A Fine Young Man | Kevan Funk | Canada |
| 2012 | It’s Not A Cowboy Movie | Benjamin Parent | France |
| 2013 | Pandas | Matúš Vizár | Czech Republic |
| 2014 | The Queen | Benjamin Parent | Argentina |
| 2015 | Everything Will Be OK | Patrick Vollrath | Germany |
| 2016 | Mrs Metro | Aggelos Papantoniou | Australia |
Breakaway film festival (2000)
In 2000, MIFF's rejection of a feature film written and directed by Richard Wolstencroft led him to form the Melbourne Underground Film Festival (MUFF). In subsequent years, MUFF has attracted controversy by criticising the content of MIFF, as well as its management, specifically the leadership of former directors. MUFF sees itself as a space for exciting and edgy Australian cinema that may not be played at MIFF.[13][14]
Looking for Eric (2009)
In June 2009, Ken Loach, Paul Laverty (writer) and Rebecca O'Brien (producer) pulled their film Looking for Eric from the festival because the Israeli Embassy was a sponsor and the festival declined to withdraw their sponsorship. Moore compared Loach's tactics to blackmail, stating that "we will not participate in a boycott against the State of Israel, just as we would not contemplate boycotting films from China or other nations involved in difficult long-standing historical disputes".[15]
Uyghur film (2009)
During the 58th festival in 2009, the film The 10 Conditions of Love (2009), which documents the life of the exiled Uyghur leader Rebiya Kadeer, was screened despite many attempts by the Government of China to have the film withdrawn from the festival. Chinese filmmakers withdrew their films from the festival two days before it opened on 24 July 2009.[16] Former MIFF director Richard Moore refused to remove the film from the festival program,[17] despite the hacking of the festival website and attempts to hack its online ticketing system from IP addresses of Chinese origin. Later, both pro-Chinese and pro-Uyghur activists attempted to disrupt ticketing due to the media coverage.[18][19][20] The Chinese Government contacted Robert Doyle, the Lord Mayor of Melbourne asking him to intervene,[21] but he refused. Australia's Ambassador to China Geoff Raby was summoned by China's Deputy Foreign Minister Zhang Zhijun to express displeasure about Kadeer's attendance at MIFF.[22]
Victoria Police was placed on alert during the screening of the film and Pro-Uighur demonstrators also gathered outside the Melbourne Town Hall,[21] and the Dalai Lama sent a message of support via Michael Danby, the MP for Melbourne Ports:[23]
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