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Nip/Tuck season 3

2005 season of American tv series From Wikipedia, the free encyclopedia

Nip/Tuck season 3
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The third season of Nip/Tuck premiered on September 20, 2005 and concluded on December 20, 2005. It consisted of 15 episodes.

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Cast and characters

Main cast

Special guest stars

Recurring cast

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Episodes

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U.S television ratings

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The third season aired in the fall of 2005, as opposed to the summer, like the previous two seasons. John Landgraf, president of FX, stated that such a move was a "huge risk", since it stacked up "against the full barrage of fall network competition".[3] The second season premiere rating was eclipsed on September 20, 2005, when the third-season premiere, entitled "Momma Boone", drew roughly 5.3 million viewers. Three months later on December 20, 2005, the third-season finale, entitled "Cherry Peck / Quentin Costa", drew 5.7 million viewers. According to Zap2It, of those 5.7 million viewers, 3.9 million were in the 18–49 age group demographic, "making the finale the number-one episode among the key advertising demographic of any cable series in 2005. It's also the largest demographic number for any single telecast in the network's history."[3] Despite some criticism, the story arc involving The Carver attracted even more of an audience to the series than any of the seasons before, reaching its climax in a December 20, 2005, 2-hour season finale, entitled "Cherry Peck / Quentin Costa", which became the most-watched scripted episode in the history of the FX network.[3]

Reception

The third season received positive reviews from critics, holding a 71% fresh rating on Rotten Tomatoes.[4] Brian Lowry wrote for Variety "The not-so-subtle genius of this show is its ability to have it both ways – to skewer our culture's obsession with youth and beauty while simultaneously reveling in it."[5] Melanie McFarland wrote for the Seattle Post-Intelligencer that "Beneath this skin is one-of-a-kind daring television that explores the complexities of human relationships with an unparalleled intelligence, sensitivity, appropriate level of fun and, when it is warranted, menace."[6] Some criticism was aimed at the casting, with Joe Reid of The Atlantic quoting "Some unfortunate casting decisions placed a good deal of the plot's weight on the shoulders of people like Rhona Mitra and Bruno Campos, which was ... a mistake",[7] whilst Gillian Flynn, at Entertainment Weekly, was critical of the season's storylines and character development.[8]

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References

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