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Predator (franchise)
American media franchise From Wikipedia, the free encyclopedia
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Predator is an American science fiction action anthology media franchise primarily centered on encounters between humans and a fictional species of extraterrestrial trophy hunters known as the Predators. Produced and distributed by 20th Century Studios, the series was initially conceived by screenwriters Jim and John Thomas. The series began with the film Predator (1987), directed by John McTiernan, and was followed by several sequels—Predator 2 (1990), Predators (2010), The Predator (2018), Prey (2022), Predator: Killer of Killers (2025), and Predator: Badlands (2025)—as well as a range of expanded universe media, including comic books, novels, and video games, including Predator: Concrete Jungle (2005) and Predator: Hunting Grounds (2020).
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Beginning with crossover comic books published in the 1990s under the Alien vs. Predator (AVP) imprint, the Predators later intersected with the Alien film series, pitting the Predators against the titular Alien characters. This narrative convergence led to two theatrical crossover films—Alien vs. Predator (2004) and Aliens vs. Predator: Requiem (2007)—and the AVP series having its own associated expanded universe of tie in novels, comics and video games.
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Premise
The Predator franchise centers on recurring storylines in which human characters encounter a technologically advanced alien species that hunts other lifeforms for sport. These aliens—credited as Predators in the films and alternatively named Yautja,[1][2] Hish-Qu-Ten, and Skin Thieves in expanded universe media—serve as antagonists in largely self-contained narratives that blend military science fiction, action, and horror elements.
Although the films vary in setting and time period, they typically follow a familiar structure: a group of humans, often military personnel or other combatants, find themselves targeted by a Predator during a mission or survival scenario. The creatures are portrayed as adhering to a ritualized code of conduct, selectively targeting dangerous opponents they deem worthy prey. Over time, expanded media introduced additional layers to the fictional mythology, including the species' social hierarchy, interstellar hunting culture, and internal rivalries.
Background
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Predator was John McTiernan's first studio film as director. The studio hired screenplay writer Shane Black not only to play a supporting role in the film, but to keep an eye on McTiernan due to the director's inexperience.[3] Jean-Claude Van Damme was originally cast as the film's creature,[4] the idea being that the physical action star would use his martial arts skills to make the creature an agile, ninja-esque hunter. When compared to Arnold Schwarzenegger, Carl Weathers, and Jesse Ventura, actors known for their bodybuilding regimes, it became apparent a more physically imposing man was needed to make the creature appear threatening. Eventually, Van Damme was removed from the film and replaced by the actor and mime artist Kevin Peter Hall.[5][6][7][8] A Van Damme easter egg was eventually featured in The Predator.[9]
The Yautja's design is credited to special effects artist Stan Winston. While flying to Japan with Aliens director James Cameron, Winston, who had been hired to design the Predator, was doing concept art on the flight. Cameron saw what he was drawing and said, "I always wanted to see something with mandibles", and Winston subsequently included them in his designs.[5] Schwarzenegger recommended Winston after his experience working on The Terminator.[10][11]
The film's creature was originally designed with a long neck, a dog-like head and a single eye. This design was abandoned when it became apparent that the jungle locations would make shooting the complex design too difficult. Originally, the studio contracted the makeup effects for the creature from Richard Edlund's Boss Film Creature Shop. However, with problems filming the creature in Mexico and attempts to create a convincing monster of Van Damme, wearing a very different body suit, failing, makeup effects responsibilities were given to Winston and his studio, R/Greenberg Associates. According to former Boss Film Creature Shop makeup supervisor Steve Johnson, the makeup failed because of an impractical design by McTiernan that included 12-inch-length (300 mm) extensions that gave the creature a backward bent satyr-leg. The design did not work in the jungle locations. After six weeks of shooting in the jungles of Palenque, Mexico, the production had to shut down so that Winston could make the new creature. This took eight months and then filming resumed for five weeks.[8]
The clicking sound of the creature was provided by Peter Cullen. Despite his resolution not to voice any more monsters following injuries to his throat sustained during the ADR of King Kong, his agent convinced him to audition. The clicking sound was inspired by a mixture of the visual of the creature and his recollection of a dying horseshoe crab.[12]
R/Greenberg Associates created the film's optical effects, including the creature's ability to become invisible, its thermal vision point-of-view, its glowing blood, and the electric spark effects. The invisibility effect was achieved by having someone in a bright red suit (because it was the farthest opposite of the green of the jungle and the blue of the sky) the size of the creature. The take was then repeated without the actors using a 30% wider lens on the camera. When the two takes were combined optically, a vague outline of the alien could be seen with the background scenery bending around its shape. For the thermal vision, infrared film could not be used because it did not register in the range of body temperature wavelengths. The glowing blood was achieved by green liquid from chem-lite sticks used by campers. The electrical sparks were rotoscoped animation using white paper pin registered on portable light tables to black-and-white prints of the film frames. The drawings were composited by the optical crew for the finished effects.[13][14]
In an interview on Predator Special Edition, actor Carl Weathers said many of the actors would secretly wake up as early as 3 a.m. to work out before the day's shooting, in order to look "pumped" during the scene. Weathers also stated that he would act as if his physique was naturally given to him, and would work out only after all the other actors were nowhere to be seen. It was reported that actor Sonny Landham was so unstable on the set that a bodyguard was hired; not to protect Landham, but to protect other people from him.[15]
According to Schwarzenegger, filming was physically demanding as he had to swim in very cold water and spent three weeks covered in mud for the climactic battle with the creature. In addition, cast and crew endured very cold temperatures in the Mexican jungle that required heat lamps to be on all of the time. Schwarzenegger also faced the challenge of working with Kevin Peter Hall who could not see out of the mask, and had to rehearse his scenes with it off and then memorize where everything was.
The film was particularly successful and subsequently inspired a number of comic books, video games and popular anecdotes within the media. Schwarzenegger was asked to reprise his role in a Predator sequel, but was already attached to Terminator 2: Judgment Day and could not accept the role. The character was rewritten from the developing sequel's script, and the sequel to Predator, directed by Stephen Hopkins, was scheduled for 1990.[16]
Due to excessive violence and nudity scenes, Predator 2 was the first film to be given the newly instituted NC-17 rating in the United States. It was eventually rated R by the Motion Picture Association of America after being re-cut to its final theatrical length.[17] The film cast Danny Glover in the lead role, and Kevin Peter Hall reprised his role as the Predator. Also, returning to the role of Anna in the sequel, Elpidia Carrillo was slated to be in two scenes but was cut back to a brief appearance on a video screen in the government agents' surveillance trailer. Her character is showing damage to the Central American jungle caused by the explosion at the conclusion of the first film.[citation needed]
Films
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Predator (1987)
An elite paramilitary rescue team, led by Major Dutch is on a covert operation in a Central American jungle where they are tasked with rescuing an official and his aide from guerrillas when they encounter a highly dangerous extraterrestrial with futuristic technology who hunts them for sport and are forced to find a way to defeat it before it kills off the entire team while awaiting a helicopter rescue.
Predator 2 (1990)
In the record-hot summer of 1997, a different Predator arrives in Los Angeles and hunts violent gang members, drawing the attention of the local police force, specifically Lieutenant Harrigan, who pursues the creature as it rampages throughout the city. The creature itself is in turn being hunted by the secretive government task-force OWLF, led by CIA agent Peter Keyes, which wishes to capture it for study.
Predators (2010)
A group of notorious mercenaries and murderers find themselves kidnapped and transported to an extraterrestrial game preserve jungle planet, where they have to learn to work together in order to fight off a band of Super Predators and other creatures stalking them and find a way off this world.
The Predator (2018)
After witnessing the crash of a Predator spaceship on Earth and hiding some of the remains, U.S. Army Ranger Quinn McKenna and a team of PTSD-afflicted soldiers must take down a pair of Predators, including a new enhanced Predator which was genetically enhanced by its species. The Predator canon is expanded by distinguishing multiple types and purposes of the Predator species.
Prey (2022)
With the sale of 21st Century Fox's assets to The Walt Disney Company, the future of the series was called into question, though Bob Iger confirmed that certain properties would remain R-rated.[18] In December 2019, Dan Trachtenberg was announced to be developing a film under the working title of Skulls, with a script from Patrick Aison, set during the American Civil War.[19][20][21] In November 2020, it was revealed that the project was actually a fifth film in the Predator franchise. Trachtenberg indicated that he had been working on the film since 2016, with the intention to market the project without any references to Predator.[22] The Walt Disney Company produced the project through their 20th Century Studios banner.[23] In May 2021, Amber Midthunder was announced to star.[24] In late July, the title was shortened to Skull[25] before officially becoming Prey in November; it was released on Hulu on August 5, 2022.[26][27]
Naru, a skilled Comanche warrior, is striving to prove herself as a hunter, and finds herself having to protect her people from a Predator as well as from French fur traders who are destroying the Buffalo her people rely on for survival.
Predator: Killer of Killers (2025)
In October 2024, it was reported that a secret Predator film had been directed by Dan Trachtenberg and is one of two Predator films releasing in 2025, set to be released on streaming before the release of Predator: Badlands.[28] In April 2025, the official title was revealed during CinemaCon; while the plot will center around the titular character navigating multiple planets.[29][30]
Predator: Badlands (2025)
In June 2022, Dan Trachtenberg stated that there are discussions for additional installments being developed after the release of Prey. The filmmaker stated that moving forward, the intent is to do things that have not been done before in the franchise.[31] In August, Bennett Taylor expressed interest in reprising his role as Raphael Adolini as "the pirate he is" in a potential prequel to Prey, serving as a loose adaptation of the 1996 comic book Predator: 1718 in which Adolini was introduced, reading it as research before shooting Prey, having aimed to "bring as much of [Raphael] into Prey that made sense".[32]
In February 2024, it was reported that a number of Predator projects are in development, with Dan Trachtenberg involved with each installment. While a sequel to Prey is one of them, a new film with the working title of Badlands is scheduled for principal photography in July of the same year. Trachtenberg will once again serve as director, with a script written by Patrick Aison, from an original story they co-authored. The plot will center around a new female lead, and be set chronologically in the future.[33][34] Actress Elle Fanning has been in talks to star in the leading role.[35]
Predator: Badlands is scheduled to be theatrically released in the United States on November 7, 2025.[36]
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Crossover series
Inspired by the Dark Horse Comics series, the filmmakers of Predator 2 (1990) incorporated an easter egg in which an Alien skull was seen in a Predator trophy case. Expansions upon this shared universe between the Alien and Predator franchises followed through comics and video games, leading up to the launch of a film franchise with the release of Alien vs. Predator in 2004, followed by Aliens vs. Predator: Requiem in 2007. The franchise has spawned various comics, novels, video games, and other merchandise based upon or inspired by the films. A third film has been variously rumored since the production of Requiem.[37][38][39] In mid-2018, Shane Black, the director of The Predator, expressed his belief that a third Alien vs. Predator could still happen, indicating the studio's interest in both franchises.[40]
By August 2024, Alien: Romulus director Fede Álvarez expressed interest in co-directing an Alien vs. Predator movie in collaboration with Prey director Dan Trachtenberg.[41] In October of the same year, Steve Abell (President of Fox Studios) stated that the studio has plans to eventually develop an Alien and Predator crossover film.[28]
Alien vs. Predator (2004)
In 2004, a Predator mothership arrives in Earth orbit to draw humans to an ancient Predator training ground on Bouvetøya, an island about one thousand miles north of Antarctica. A buried pyramid giving off a "heat bloom" attracts a group of explorers led by billionaire and self-taught engineer Charles Bishop Weyland (Lance Henriksen), the original founder and CEO of Weyland Industries, who unknowingly activates an Alien egg production line as a hibernating Alien Queen is awakened within the pyramid. Three Predators descend to the planet and enter the structure, killing all humans in their way with the intention of hunting the newly formed Aliens, while the scattered explorers are captured alive by Aliens and implanted with embryos. Two Predators die in the ensuing battle with an Alien, while the third allies itself with the lone surviving human, Alexa "Lex" Woods (Sanaa Lathan), while making their way out of the pyramid as it is destroyed by the Predator's wrist bomb and eventually does battle with the escaped Alien Queen on the surface. The Queen is defeated by being dragged down by a water tower into the dark depths of the frozen sea, but not before she fatally wounds the last Predator. The orbiting Predator mothership uncloaks and the crew retrieves the fallen Predator. A Predator elder gives Lex a spear as a sign of respect, and then departs. Once in orbit it is revealed that an Alien Chestburster was present within the corpse, thus a predator/alien hybrid is born.
Aliens vs. Predator: Requiem (2007)
Set immediately after the events of the previous film, the Predalien hybrid aboard the Predator scout ship, having just separated from the mothership shown in the previous film, has grown to full adult size and sets about killing the Predators aboard the ship, causing it to crash in the small town of Gunnison, Colorado. The last surviving Predator activates a distress beacon containing a video recording of the Predalien, which is received by a veteran Predator on the Predator homeworld, who sets off towards Earth to "clean up" the infestation. When it arrives, the Predator tracks the Aliens into a section of the sewer below the town. He removes evidence of their presence as he moves along using a corrosive blue liquid and uses a laser net to try to contain the creatures, but the Aliens still manage to escape into the town above. The Predator fashions a plasma pistol from its remaining plasma caster and hunts Aliens all across town, accidentally cutting the power to the town in the process. During a confrontation with human survivors, the Predator loses its plasma pistol. The Predator then fights the Predalien singlehandedly, and the two mortally wound one another just as the US air force drops a tactical nuclear bomb on the town, incinerating both combatants along with the Predalien's warriors and hive, as well as the few remaining humans in the town. The salvaged plasma pistol is then taken to a Ms. Yutani of the Yutani Corporation, foreshadowing an advancement in technology leading to the future events of the Alien films.
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Short films
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On October 19, 2010, Predators was released on home video and included the two prequel short films Moments of Extraction and Crucified, along with the prequel short film The Chosen, which had aired as a television and cinema advertisement prior to the release of Predators.[43] Loot Crate (commonly known for producing and distributing various officially licensed merchandise based on the Alien, Predator, Alien vs. Predator, and Prometheus brands) released a VR 360° short film titled Predator vs. Colonial Marines in February 2016, directed by Julian Higgins and written by Peter Weidman in which a troop of Colonial Marines storm a Weyland-Yutani warehouse and encounter the deadly alien hunter.[44][45] The Predator was released on DVD, Blu-ray and 4K Ultra HD formats on December 18, 2018, in America, alongside the short film The Predator Holiday Special, in which Santa Claus and his elves and reindeer encounter the Predators at the North Pole.[46]
Cast and crew
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(classic)
(fugitive)
(Falconer and Berserker)
(ultimate)
(tracker)
MOTHER
Principal cast
List indicators
This section includes characters who will appear or have appeared in the film series.
- An empty grey cell indicates the character was not in the film, or that the character's official presence has not yet been confirmed.
- C indicates a cameo role.
- U indicates an uncredited appearance.
- V indicates a voice-only role.