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Jonathan Keeperman

American far-right activist From Wikipedia, the free encyclopedia

Jonathan Keeperman
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Jonathan Keeperman, also known by his pseudonym "Lomez" (stylised L0m3z), is an American far-right publisher who leads Passage Publishing, also known as Passage Press, a far-right and "new right" publishing company.[1][2][3][4][5] Keeperman was a University of California, Irvine, lecturer from 2013 to 2022.

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Founded in 2021, Passage publishes works from online personalities, reprints and new translations of fiction and nonfiction from historical fascist and reactionary authors.[1]

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Biography

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Keeperman was born to a Jewish family and was raised in Moraga, California.[1] He celebrated his bar mitzvah in 1996.[1][6] In college, he played for the University of California, San Diego, basketball team.[1] Keeperman was a master of fine arts student at the University of California, Irvine (UCI), and was a lecturer in the university's English department from 2013 to 2022.[1][4][7]

He began blogging under the pseudonym "Mr Lomez" in 2006.[1] He used the Lomez identity from 2012 to 2014 in the comment section of Steve Sailer's blog posts, and then on Twitter accounts since around 2015.[1] The account was criticized for using slurs to describe gay people and Asians and for proposing the lynching of journalists.[8] In the 2020s, Lomez wrote in The American Mind, The Federalist, and an anti-feminist essay in First Things.[1][9]

Keeperman was described by The Guardian as a "prominent member[...] of the so-called 'new right'.[1] and Sohrab Ahmari for the New Statesman named him as an "influential, anonymous right-wing scribe and publisher". Ahmari also noted him as an example of the "Unabomber right", what he called a very online section of the far-right which he said had views parallel to Ted Kaczynski, that "shares both Kaczynski’s yearning for a return to nature and his rejection of any effort to ameliorate industrialism’s baleful effects through economic reform".[9] Only in 2024 was the "Lom3z" Twitter persona revealed by James Wilson in The Guardian to be Keeperman.[2][7] He was initially upset by this, but later described being doxxed as a "badge of honor".[2]

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Publishing

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Passage Publishing, also known as Passage Press, is a far-right and "new right" independent publisher led by Keeperman that publishes works from online personalities, reprints and new translations of fiction and nonfiction from historical fascist and reactionary authors.[1][2][5][3] The New York Times noted Passage as popular with conservative intellectuals.[10] It was founded in 2021 out of the Passage Prize, an online writing and arts competition offering a $20,000 cryptocurrency prize for selected works. The judges were neoreactionary Curtis Yarvin and self-published author Zero HP Lovecraft.[11][1] The name Passage Press comes from the book The Forest Passage by Ernst Jünger, who Keeperman stated was his favorite author.[7]

In 2023, Passage Prize was rebranded as "Passage Publishing," and was expanded through acquisitions of Mystery Grove Publishing.[12] Passage has published compendiums from online figures Steve Sailer, Nick Land and Curtis Yarvin.[1][7] It also publishes fiction, including the Hardy Boys' original versions, and writings by Robert E. Howard and H. P. Lovecraft.[7] Through its imprint Passage Classics, Passage Publishing also offers works by, as described by The Guardian, "radical German nationalist and militarist Ernst Jünger; Peter Kemp, who fought as a volunteer in Franco’s army during the Spanish civil war; and two counter-revolutionary Russian aristocrats, White Russian general Pyotr Wrangel and Prince Serge Obolensky".[1][13][7] Man's World is a bi-annual men's magazine published by Passage Publishing.[1]

Passage Publishing also engages in cultural projects, including sponsoring events.[14][15] Fashion designer Elena Velez, who is associated with the Dimes Square scene,[16] has been sponsored by Passage[17] and cited the company and its founder as inspiration.[18]

Interviewed by Ross Douthat for the New York Times, Keeperman said the goal of Passage Publishing was to "revive what is a genuine right-wing cultural and ideological — I hate the word "movement," because it’s not quite that — but a right wing that can form an enduring and meaningful counterweight to a dominant left and a dominant progressive march". He contrasted this with previous works of consciously right-wing art, which he said were "moralistic", "didactic", "overly sentimental" and nostalgic instead of looking forward.[7]

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References

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