Santa Maria Maddalena dei Pazzi

This article is about the religious complex in Florence. For other uses, see Maria Maddalena de' Pazzi (disambiguation).

Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence, Italy.

Church of Santa Maria Maddalena dei Pazzi
Chiesa di Santa Maria Maddalena dei Pazzi
The entrance with the portico
Religion
Affiliation	Roman Catholic
Province	Florence
Location
Location	Florence, Italy
Architecture
Type	Church

Giovanni Battista Foggini, Design for a sarcophagus for the Church of Santa Maria Maddalena de' Pazzi, Florence

History

The Pazzi name was added after the Carmelite order nun Maria Maddalena de' Pazzi, canonized in 1669, whose family patronized the church. The original convent had been dedicated to Saint Mary Magdalene delle Convertite, the patron of once fallen, now converted women. The Cistercian order from Badia a Settimo took control of the site in 1332 and moved to it in 1442, while the convent was transferred to San Donato in Polverosa. However, the church and chapter house were rebuilt between 1481 and 1500, with initial designs in 1492 by Giuliano da Sangallo.

The 13th-century interiors were redecorated in the 17th and early 18th centuries, which removed the altarpieces by masters such as Botticelli, Perugino, Lorenzo di Credi, Domenico Ghirlandaio, and Raffaellino del Garbo. They were replaced by new ones from minor masters such as Carlo Portelli, Alfonso Boschi, Domenico Puligo, Santi di Tito, and Francesco Curradi. In the chapter house is a fresco divided into three lunettes of the Crucifixion and Saints (1493–1496) by Pietro Perugino, commissioned by Dionisio and Giovanna Pucci.

The first chapel to the right of the entrance is the Cappella del Giglio (Chapel of Saint Mary of the Lily), frescoed with depictions of Saints Philip Neri, Bernard, Nereus and Achilleus by the studio of Bernardino Poccetti, with an altarpiece by Domenico Passignano. The fourth chapel on the right has a stained glass window by Isabella, the daughter of Georges Henri Rouault. The choir chapel originally contained a fresco by Domenico Ghirlandaio but was rebuilt from 1685 to 1701 by Ciro Ferri and Pier Francesco Silvani. Ferri painted the altarpiece and Luca Giordano the flanking pieces. The statues of Penitence and Faith on the right were sculpted by Innocenzo Spinazzi, and those of Innocence and Religion on the left by Giovanni Monatauti. The bronze reliefs on the altar were made by Massimiliano Soldani-Benzi.

The interior also contains works by Giovanni and Cosimo Bizzelli, Jacopo Chiavistelli, Ottavio Vannini, Cosimo Rosselli, Cosimo Gamberucci, Leonardo del Tasso, Giuseppe Servolini, and Giuseppe Piattoli.

Gallery

• 
  Virgin and Saint (detail) by Ciro Ferri
• 
  Virgin and Saint (detail)
• 
  Jesus and Saint by Luca Giordano
• 
  Virgin Presenting the Christ Child by Luca Giordano
• 
  Communion by Giovanni Battista Cipriani
• 
  Nativity of the Virgin by Stradanus
• 
  The Adoration of the Shepherds by Stradanus

See also

• The Vision of Saint Bernard (Perugino)

Further reading

43°46′27″N 11°15′52″E

• Cristina Acidini. Santa Maria Maddalena de' Pazzi. La chiesa e il convento. [S.l.] Mandragora, 2020. ISBN 9788874615407.
• Borsook, Eve (1991). Cronin, Vincent (ed.). The Companion Guide to Florence. Harper Collins. p. 248. ISBN 000215139-1.
• Luchs, Alison. "Cestello: A Cistercian Church of the Florentine Renaissance." PhD diss. Johns Hopkins University, 1976 (Garland Outstanding Dissertations in the Fine Arts, 1977).
• Wundram, Manfred. Kunstführer Florenz. Stuttgart: Reclam, 1993, pages 227–228. ISBN 978-3150103852.
• Frommers entry
• Museums in Florence.