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The Tallis Scholars
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The Tallis Scholars are a British professional early music vocal ensemble established in 1973. Usually consisting of two singers per part, with a core group of ten singers, they specialise in performing a cappella sacred vocal music. Peter Phillips, the founder of the group, is their conductor. They have released over 60 discs through their own Gimell Records label. In 2013 they were elected to the Gramophone Hall of Fame.[1] In 2023, Gramophone magazine marked the group's 50th anniversary by dedicating a special edition of its magazine to them.[2]
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History
The ensemble was formed in 1973 by Peter Phillips, a music student of David Wulstan and Dennis Arnold, who in 1972–1975 was an organ scholar at St John's College, Oxford. Phillips invited the members of chapel choirs from Oxford and Cambridge to form an amateur Renaissance vocal music ensemble, which turned professional after ten years of concert-giving. From the first performance at the Church of St Mary Magdalen, Oxford, on 3 November 1973, Phillips aimed to produce a distinctive sound influenced by choirs he admired, in particular the Clerkes of Oxenford directed by David Wulstan.[3][4] Since winning a Gramophone Award in 1987, the Tallis Scholars have been recognised as one of the world's leading ensembles specialising in Renaissance polyphony.[5]
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Concerts
The Tallis Scholars tour widely, performing some 70 concerts a year in Europe, North America, Asia and Australia. In April 1994, they sang Allegri's Miserere mei, Deus in the Vatican's newly restored Sistine Chapel.[6] In February 1994 they performed in Rome's Basilica di Santa Maria Maggiore to commemorate the 400th anniversary of the death of the composer Palestrina.[5]
In 1999, the Tallis Scholars toured China, giving two concerts in Beijing.[7] In 1998, they marked their 25th anniversary with a performance at London's National Gallery. In 2000 they performed in New York City with Paul McCartney.[8] For the 2013-2014 40th-anniversary concert series, they announced a world tour to include the United States, Europe, Australia and New Zealand, starting the tour with a concert at St Paul's Cathedral in London for 2,000 people.[9]
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Recordings
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Since March 1980, the Tallis Scholars have recorded on their own label, Gimell Records, established by Peter Phillips and Steve Smith.[10] The label is named after the compositional technique gymel. In accordance with Phillips,
The word Gimell comes from the Latin word 'gimellus', meaning 'a twin', and it's a technical term. It's a corrupt form of the word gimellus that you find in manuscripts of the Tudor school where the part is twinned. You have to understand that in those days the music wasn't written in score; it was written in parts so you'd only see your part. If you were singing your part and you saw the word 'gimell' it had to be decided in rehearsal that some of you singing that part would have to look elsewhere on the page, or even pick up another book and find your part. So it was a signpost.[11]
Soon, there was a critical consensus that "the Tallis Scholar's recordings are of reliably high quality".[12] From 1981 to 2006 the group recorded 40 critically acclaimed discs.[5] The recordings covered a repertoire from over 150 years of music history (approximately the years 1450–1600), with some excursions into later repertoire. In 2010, Gimell released its 50th recording, de Victoria's Lamentations of Jeremiah.[13] Other notable releases included Gramophone magazine's Record of the Year Award winning disc of Josquin's Missa Pange lingua and Missa La sol fa re mi.[5] In 2011 the ensemble's recording of Allegri's Miserere mei, Deus at Merton College, Oxford, in 1980 was named by BBC Music Magazine as one of the "50 Greatest Recordings of All Time".[14] In 2013 the recording of John Taverner's Missa Gloria tibi Trinitas became number one on the UK Specialist Classical Chart.[15]
Members
According to Phillips, during the 1982-1983 concert season, the Tallis Singers formed a core that was more or less consistent for the next 25 years. Some singers left the group to develop successful solo careers, including Michael Chance, Mark Padmore, James Gilchrist, John Mark Ainsley, Tessa Bonner and Jeremy White, who became a principal bass at The Royal Opera, Covent Garden.[16]
Accomplishments
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The Tallis Scholars ensemble contributed to a greater recognition of the choral works of Tallis, Palestrina, Byrd, Tye and de Victoria as well as other European Renaissance sacred and secular composers, while performing over 1,800 concerts around the world and releasing 50 discs.[17] The singers have paved the way for many younger groups such as the Sixteen, the Clerks, the Cardinall's Musick, the Binchois Consort, Trinity Baroque, the Gabrieli Consort and Octarium.[18] Founded in 1999, the Boston-based early music a cappella ensemble Blue Heron is viewed by some critics as an example of the Tallis Scholars' influence on the American early music scene.[19]
In 2000, the group established the Tallis Scholars Summer Schools, a program providing amateur singers and promising young professionals the opportunity to be coached by Phillips and other members of the ensemble in their specialist repertoire. The programme included three courses which took place in Oakham in the United Kingdom, Seattle in the United States and Sydney in Australia.[citation needed]
Various members of the group have scholarly interests in addition to their activities as professional musicians. Phillips has published the scholarly text English Sacred Music 1549–1649.[20] Sally Dunkley, Francis Steele and Deborah Roberts have all worked as music editors and publishers with interests spanning the Renaissance and early Baroque music. Andrew Gant is also organist at the Chapel Royal.[citation needed]
The Tallis Scholars have performed and recorded Russian Orthodox repertoire, including music by Sergei Rachmaninoff and Igor Stravinsky, and contemporary works by Norbert Moret, Ivan Moody, Arvo Pärt, John Tavener, Eric Whitacre, and Nico Muhly.[21]
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Accolades and awards
In 2013, The New York Times described the Tallis Scholars as a "superb a cappella ensemble founded and conducted by Peter Phillips".[22] During their 40 years of concert performances, the group has received many accolades and awards.
In 1987, Gramophone magazine awarded the Tallis Scholars its Record of the Year award. In 1989 the French magazine Diapason added its Diapason d'Or de l'Année award. In 1991 and 2004, Gramophone gave the Tallis Scholars its Early Music Award. In 2012 the singers again received the Diapason d'Or de l'Année award, and in 2013 they were elected by a popular vote to Gramophone's hall of fame.
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Discography
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References
External links
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