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Vault (film)

2019 American film From Wikipedia, the free encyclopedia

Vault (film)
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Vault is a 2019 American crime thriller film directed by Tom DeNucci, written by Tom DeNucci and B. Dolan, and starring Theo Rossi, Clive Standen, Samira Wiley, and Chazz Palminteri. It was released on June 7, 2019. It is based on the Bonded Vault heist in 1975 in Rhode Island.

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Plot

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Two small-time criminals and longtime friends, as Deuce (Theo Rossi) and Chucky (Clive Standen), graduate from robbing pawn shops and jewelry stores and become involved in a plan to rob a mafia vault.

They are recruited with a group of small time criminals by Gerry “The Frenchman” Ouimette (Don Johnson), the right-hand man for Providence Mafia boss Raymond Patriarca (Chazz Palminteri). Patriarca is a notorious gangster and executioner who although in jail, continues running his crime empire from inside his well-appointed jail cell.

The crew pull off the biggest heist in American history: stealing over $30 million from a fur dealer's vault that the Mafia uses as its unofficial bank to store cash and stolen goods.

After the heist, they turn most of it over to Ouimette to fence while they lie low and hope for the heat to dissipate. Deuce hides out in a rural motel with his girlfriend Karyn, growing increasingly anxious. One by one, members of the crew are killed.

Deuce and Chucky become suspicious and turn on each other. Deuce is arrested and told Chucky was killed by the Mafia. He's told he might qualify for witness protection if he gives enough information. After confessing, he learns that Chucky is still alive.

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Cast

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Release

The film premiered in Providence, Rhode Island on June 7, 2019, and was released nationwide in theaters and via Video on demand on June 15.[2][5]

Reception

Reception

Vault received mixed reviews from critics. While the film was praised for its dedication to recreating a 1970s aesthetic and its performances, it faced criticism for tonal inconsistencies and reliance on genre clichés.

Writing for The Hollywood Reporter, Justin Lowe praised director Tom DeNucci’s sense of period detail, noting the film’s costuming and use of a color palette “ranging from earthy yellow through fashionable beige to muddy brown.” However, Lowe critiqued the film’s lack of stylistic identity, remarking that it “doesn’t have much in common with its most distinctive progenitors,” and that it “miss[ed] an opportunity to re-create an authentic ’70s aesthetic.”<sup>[1]</sup>

In the Los Angeles Times, Noel Murray recognized the efforts of DeNucci, co-writer B. Dolan, and the cast to bring “a fascinating, largely forgotten true story to life.” Nevertheless, he found that “an inconsistent tone and an over-reliance on genre clichés” prevented the film from fully realizing its dramatic potential.<sup>[2]</sup>

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References

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