Helen Bevington

Helen E. Bevington (née Smith; 1906 – March 16, 2001) was an American poet, prose writer, and educator.

Quotes

• Whenas in perfume Julia went,
  Then, then, how sweet was the intent
  Of that inexorable scent.
  • "Herrick's Julia", in The New Yorker (September 21, 1946), p. 32
  • Dr. Johnson's Waterfall, and Other Poems (Boston: Houghton Mifflin Co., 1946), p. 30

• One gender to walk the wide world in
  Is the feminine,
  A plight that — softly to a friend —
  I can recommend.
  • "To Susan at Birth". Nineteen Million Elephants, and Other Poems (Boston: Houghton, Mifflin Co., 1950), p. 66

• I had a perfect confidence, still unshaken, in books. If you read enough you would reach the point of no return. You would cross over and arrive on the safe side. There you would drink the strong waters and become addicted, perhaps demented — but a Reader.
  • The House was Quiet and the World was Calm (New York: Harcourt Brace Jovanovich, 1971), pp. 25–6

• Victor Hugo was a passionate observer, partial to death scenes. He had an appetite for extinction, a man sure to be on hand at the sound of a death rattle or the passing of a funeral procession.
  • Along Came the Witch: A Journal in the 1960's (New York: Harcourt Brace Jovanovich, 1976), p. 201

When Found, Make a Verse of (1961)

New York: Simon and Schuster

• It seems an odd idea to my students that poetry, like all art, leads us away from itself, back to the world in which we live. It furnishes the vision. It shows with a sudden intense clarity what is already there.
  • p. 34

• No matter what kind of verse a woman writes, nobody alive or dead deserves to be called a poetess.
  • p. 80

• The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
  • pp. 88–9

External links

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Helen Bevington