Ficheiro:Elvis_Presley_Jailhouse_Rock.jpg
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Resumo
DescriciónElvis Presley Jailhouse Rock.jpg |
English: A photograph promoting the film w:Jailhouse Rock depicts singer Elvis Presley. |
Data | |
Orixe | http://www.doctormacro.com/Images/Presley,%20Elvis/Annex/Annex%20-%20Presley,%20Elvis%20(Jailhouse%20Rock)_01.jpg |
Autoría | Metro-Goldwyn-Mayer, Inc. |
Licenza (Reuso deste ficheiro) |
PD-PRE1964; PD-US-NOT RENEWED. |
Licenza
Public domainPublic domainfalsefalse |
Esta obra está no dominio público xa que foi publicada nos Estados Unidos de América entre 1929 e 1963, e aínda que puidese ter ou non un aviso de dereitos de autoría, os dereitos non se renovaron. Agás que o autor leve falecido o período de tempo requirido, mantén os dereitos de autoría naqueles países que non aplican a regra do período máis curto para obras nos Estados Unidos, como o Canadá (70 pma), China continental (50 pma, non Hong Kong ou Macao), Alemaña (70 pma), México (100 pma), Suíza (70 pma), e outros países con tratados individuais. Vexa Commons:Hirtle chart para máis explicacións.
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Copyright details
Additional source information:
This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
- "Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."[1]
Creative Clearance offers similar advice for older publicity stills but distinguishes "Publicity Photos (star headshots)" from "Production Stills (photos taken on the set of the film or TV show during the shooting)". It says newer publicity stills may contain a copyright, and production stills "must be cleared with the studio."[2]
Nancy Wolff, includes a similar explanation:
Legal expert on the use of photographic images, Nancy Wolff, includes a similar explanation:
- There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them. . .(The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
These photographs came from a photo archive of entertainment industry publicity pictures, historic still images widely distributed by the studios to advertise and promote their then new releases. While not considered valuable at the time, avid collectors have created complete archives by salvaging and cataloging movie and television photographs, preserving a significant facet of American culture. These archives are a valuable cache for publishers who rely on these archives as a resource for entertainment material."[3]
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
Film industry expert Gerald Mast explains how the new 1989 copyright revisions only protected publicity works that complied with all earlier requirements in addition to filing a copyright registration within 5 years of first publication:
- "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."[4]
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[5]
References
- ↑ Honathaner, Eve Light. The Complete Film Production Handbook, Focal Press, (2001) p. 211
- ↑ Creative Clearance. Photography Clearance. Clearance Guidelines for Producers. Archived from the original on 2013-02-12. Retrieved on 4 May 2011.
- ↑ Wolff, Nancy E. The Professional Photographer's Legal Handbook, Allworth Communications, 2007 p. 55
- ↑ Mast, Gerald. "Film Study and the Copyright Law", from Cinema Journal, Winter 2007, pp. 120-127
- ↑ Thompson, Kristin. [1] "Report of the Ad Hoc Committee of the Society For Cinema Studies, "Fair Usage Publication of Film Stills" "Society for Cinema and Media Studies", 1993 conference
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actual | 5 de xuño de 2023 ás 19:39 | 1.772 × 2.200 (842 kB) | Hohum | Greyscale | |
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Este ficheiro contén información adicional, probablemente engadida pola cámara dixital ou polo escáner usado para crear ou dixitalizar a imaxe. Se o ficheiro orixinal foi modificado, poida que algúns detalles non se reflictan no ficheiro modificado.
Orientación | Normal |
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Resolución horizontal | 300 ppp |
Resolución vertical | 300 ppp |
Software utilizado | GIMP 2.10.34 |
Data e hora de modificación do ficheiro | 5 de xuño de 2023 ás 20:38 |
Espazo de cor | sRGB |
Identificación única do documento orixinal | xmp.did:a031846a-988d-441d-9ec7-9b7fe79eff3f |