Datoteka:Gentile_da_Fabriano_Adoration.jpg
From Wikipedia, the free encyclopedia
Vidi sliku u punoj veličini (908 × 730 piksela, veličina datoteke: 188 KB, MIME tip: image/jpeg)
Ova je datoteka sa Zajedničkog poslužitelja i mogu je rabiti drugi projekti. Opis s njezine stranice s opisom datoteke prikazan je ispod. |
Sažetak
Gentile da Fabriano: Adoration of the Magi | |||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Umjetnik/stvaratelj |
artist QS:P170,Q312393 |
||||||||||||||||||||||||
Naziv | |||||||||||||||||||||||||
Vrsta | slika / polyptych | ||||||||||||||||||||||||
Žanr | religijska umjetnost | ||||||||||||||||||||||||
Opis | |||||||||||||||||||||||||
Prikazane osobe | |||||||||||||||||||||||||
Datum |
1423 date QS:P571,+1423-00-00T00:00:00Z/9 |
||||||||||||||||||||||||
Medij |
tempera on panel medium QS:P186,Q175166;P186,Q106857709,P518,Q861259 |
||||||||||||||||||||||||
Dimenzije |
visina: 300 cm; Širina: 282 cm dimensions QS:P2048,300U174728 dimensions QS:P2049,282U174728 |
||||||||||||||||||||||||
Dio umjetničke zbirke |
institution QS:P195,Q51252 |
||||||||||||||||||||||||
Inventarni broj |
8364 (Uffizi Gallery) |
||||||||||||||||||||||||
Referencija |
|
||||||||||||||||||||||||
Normativni nadzor | |||||||||||||||||||||||||
Izvor/fotograf |
http://gallery.euroweb.hu/html/g/gentile/adormag1.html / Web Gallery of Art: Slika Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/g/gentile/adormag1.html" |
||||||||||||||||||||||||
Dopuštenje (Naknadna uporaba ove datoteke) |
|
Annotations InfoField | This image is annotated: View the annotations at Commons |
Mother Mary
Jesus
Joesph
Predmeti prikazani u ovoj datoteci
motiv
Adoration of the Magi engleski
digital representation of engleski
Adoration of the Magi engleski
Adoration of the Magi engleski
Povijest datoteke
Kliknite na datum/vrijeme kako biste vidjeli datoteku kakva je tada bila.
Datum/Vrijeme | Minijatura | Dimenzije | Suradnik | Komentar | |
---|---|---|---|---|---|
sadašnja | 22:32, 18. travnja 2015. | 908 × 730 (188 KB) | Martin H. | Reverted to version as of 10:19, 12 April 2005: the newly uploaded file shows a 3D object | |
00:13, 20. veljače 2011. | Nema minijature | 3.617 × 3.869 (4,68 MB) | Eugene a | Best version | |
12:19, 12. travnja 2005. | 908 × 730 (188 KB) | Taragui | Adoration of the Magi by Gentile da Fabriano (1423) Tempera on wood, 300 x 282 cm Galleria degli Uffizi, Florence Source: http://gallery.euroweb.hu/html/g/gentile/adormag1.html Public domain: {{pd-art}} |
Uporaba datoteke
Na ovu sliku vode poveznice sa sljedećih stranica:
Globalna uporaba datoteke
Sljedeći wikiji rabe ovu datoteku:
- Uporaba na af.wikipedia.org
- Uporaba na ar.wikipedia.org
- Uporaba na be.wikipedia.org
- Uporaba na ca.wikipedia.org
- Uporaba na cs.wikipedia.org
- Uporaba na da.wikipedia.org
- Uporaba na el.wikipedia.org
- Uporaba na en.wikipedia.org
- Uporaba na eo.wikipedia.org
- Uporaba na es.wikipedia.org
- Uporaba na fa.wikipedia.org
- Uporaba na fr.wikipedia.org
- Uporaba na he.wikipedia.org
- Uporaba na io.wikipedia.org
- Uporaba na mk.wikipedia.org
- Uporaba na nl.wikipedia.org
- Uporaba na nn.wikipedia.org
- Uporaba na no.wikipedia.org
- Uporaba na pt.wikipedia.org
- Uporaba na ru.wikipedia.org
- Uporaba na sh.wikipedia.org
- Uporaba na sl.wikipedia.org
- Uporaba na sr.wikipedia.org
- Uporaba na sv.wikipedia.org
- Uporaba na sw.wikipedia.org
- Uporaba na th.wikipedia.org
- Uporaba na vi.wikipedia.org
Metapodatci
Ova datoteka sadržava dodatne podatke koje je vjerojatno dodala digitalna kamera ili skener u procesu snimanja odnosno digitalizacije. Ako je datoteka mijenjana, podatci možda nisu u skladu sa stvarnim stanjem.
JPEG komentar datoteke | GENTILE DA FABRIANO
(b. ca. 1370, Fabriano Marche, d. 1427, Roma) Adoration of the Magi 1423 Tempera on wood, 300 x 282 cm Galleria degli Uffizi, Florence Gentile da Fabriano's painting is not a geometrically constructed composition. It should be read as if it were the text of a tale, beginning at the top left corner, where the three Magi, meeting at the seaside, notice the star they have to follow. If we follow their course among sloping hills and cultivated fields we can see how they march into Jerusalem under the frame of the central arch, while in the lunette on the right we can see them departing. In the middle distance the direction of their journey changes, proceeding towards us and suddenly the mass of people appears from a deep ravine flanked up by a precipitous rock and a fence. Now we can discern the faces too, and observe the smallest details of garments, arms and harness. Then the crowd, which can pride itself on hunters, noble chargers and exotic animals too, stops at the right-hand corner of the foreground, having reached its destination. Only here does the youngest King's page remove his master's spurs; having sunk to one knee the second King is on the point of handing over his gift, whereas the oldest, who has already presented his, is kneeling and kissing the Infant Jesus' foot. The elegant handmaids of the Virgin are taking delight in the lovely sight. In a masterly way Gentile da Fabriano launches, moves and stops this huge crowd of people. On the shores of the endless sea, underneath the left upper lunette, the figures of the three Magi on the summit of a mountain are surrounded by an atmosphere of cosmic stillness, while the march itself is exceedingly animated. Lively conversations are in progress, the horses are ambling and the limitless wonders of nature attract the travellers' attention. The scene of the Magi paying homage (also in the left-hand side) is calm again, emanating profound devotion and meditation. The somewhat dilapidated gate and the cave separate the principal characters from the episodes narrating what had happened earlier and it gives them some quiet in the otherwise overcrowded composition. The plentiful realism of details which Gentile da Fabriano produced achieved such convincing effects that it approached the Renaissance ideal of representing reality. He was not only able to depict objects accurately, but also every tiny change of facial expressions and the direction of glances establishing links between people. Nor did he forget the spectator, since the donor of the altarpiece, Palla Strozzi, standing behind the youngest King, is looking at us.
Author: GENTILE DA FABRIANO Title: Adoration of the Magi Time-line: 1351-1400 School: Italian Form: painting Type: religious |
---|