File:Claudette_Colbert-Patric_Knowles_in_Three_Came_Home_(cropped).jpg
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Claudette_Colbert-Patric_Knowles_in_Three_Came_Home_(cropped).jpg (321 × 337 pikseli, rozmiar pliku: 29 KB, typ MIME: image/jpeg)
Plik Claudette Colbert-Patric Knowles in Three Came Home (cropped).jpg znajduje się w Wikimedia Commons – repozytorium wolnych zasobów. Dane z jego strony opisu znajdują się poniżej. |
Opis
OpisClaudette Colbert-Patric Knowles in Three Came Home (cropped).jpg |
English: Promotional photograph of Claudette Colbert & Patric Knowles for Three Came Home |
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Data | ||||
Źródło | http://www.premiere.fr/Cinema/Photos-film/Photos-acteur/Captives-a-borneo/CAPTIVES-A-BORNEO-THREE-CAME-HOME-1949 | |||
Autor | unknown (20th Century Fox) | |||
Licencja (Ponowne użycie tego pliku) |
american film in the public domain | |||
Inne wersje |
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- As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):
- "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
- Nancy Wolff, includes a similar explanation:
- "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)
- Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
- "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
- Kristin Thompson, committee chairperson of the for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]
Licencja
Public domainPublic domainfalsefalse |
This work is in the public domain because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.
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przedstawia
image/jpeg
0a9e1077cc61a75d97d322eb1c76a84644b85267
29 764 bajt
337 piksel
321 piksel
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Data i czas | Miniatura | Wymiary | Użytkownik | Opis | |
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aktualny | 15:42, 21 cze 2022 | 321 × 337 (29 KB) | Latyelcop | File:Claudette Colbert-Patric Knowles in Three Came Home.jpg cropped 36 % horizontally, 25 % vertically using CropTool with precise mode. Crop for Wikidata. |
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Komentarz pliku JPEG | CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 96 |
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