form of classical music composed for a small group of instruments From Wikipedia, the free encyclopedia
Chamber music means music written for small groups of instruments. A “chamber” is a “room” (from the French word “chambre”). Usually the word “chamber” in English means a room in a large house or castle. In the days when people with big houses or castles kept their own musicians, they might have their own private orchestra which played in the large hall. Sometimes there would be a concert in a small chamber. This was called “chamber music”.
Chamber music can be any group of instruments from two up to nine. Each player will be playing something different from the others (“one to a part”) unlike an orchestra where there may be many violins all playing the same notes.
The word “chamber” is also used for a “chamber orchestra” meaning: a small orchestra. By contrast: a large orchestra is often called a “symphony orchestra”. A small choir may be called a “chamber choir”. But these examples are not usually thought of as “chamber music”.
These words are used to show how many people are playing. They can also be used for groups of singers (vocal solo, duet etc.):
Chamber music for instruments became popular as something different from big orchestras. The orchestra developed in the 17th century and so did chamber music. Composers wrote trio sonatas which were for two high instruments (e.g. two violins) and a continuo accompaniment (usually harpsichord and cello). Arcangelo Corelli and Johann Sebastian Bach wrote many trio sonatas.
Joseph Haydn wrote lots of string quartets. He made this combination popular. Mozart and Beethoven also wrote some very great string quartets. The last ones that Beethoven wrote were very difficult to play and to understand, but composers of the 19th century like Schubert, Schumann, Mendelssohn and Brahms were inspired by them. In the twentieth century some of the best string quartets were written by Bartók and Shostakovich.
It is great fun to play chamber music because each player is an individual. It is like having a conversation in music. There is no conductor, so each musician has to listen carefully to the others and learn to play together as a small team. The musicians can also hear their own playing better than they can in an orchestra. Some living composers have written a lot of music for young players who are not very advanced. Some of Mozart’s earlier string quartets are not too difficult and make an excellent introduction to chamber music playing.
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