File:Baglione.jpg
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原始文件 (740 × 1,109像素,文件大小:88 KB,MIME类型:image/jpeg)
摘要
Sacred and Profane Love ( ) | ||||||||||||||||||||||||
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艺术家 | ||||||||||||||||||||||||
标题 |
Sacred and Profane Love label QS:Len,"Sacred and Profane Love"
label QS:Lfr,"Victoire de l'Amour sacré sur l'Amour profane" |
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物体类型 |
画作 object_type QS:P31,Q3305213 |
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日期 |
1602年 date QS:P571,+1602-00-00T00:00:00Z/9 |
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表现形式 |
布面油画 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:240厘米;宽度:143厘米 dimensions QS:P2048,240U174728 dimensions QS:P2049,143U174728 |
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藏于 |
institution QS:P195,Q2266081 |
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来源/摄影师 |
Web Gallery of Art: 图像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/b/baglione/sacred2.html" |
许可协议
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
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因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
媒体类型 简体中文(已转写)
image/jpeg
数据大小 简体中文(已转写)
90,422 字节
1,109 像素
740 像素
文件历史
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2019年11月8日 (五) 06:44 | 740 × 1,109(88 KB) | Perhelion | Reverted to version as of 22:38, 4 July 2009 (UTC) reverting better version without reason | |
2019年8月20日 (二) 03:47 | 266 × 400(19 KB) | Lepluspre'cieux | Reverted to version as of 19:26, 29 January 2006 (UTC) | ||
2009年7月4日 (六) 22:38 | 740 × 1,109(88 KB) | Ruud Koot | higher resolution | ||
2006年1月29日 (日) 19:26 | 266 × 400(19 KB) | Maksim | La bildo estas kopiita de wikipedia:en. La originala priskribo estas: == Summary == Baglione's 'Sacred Love and Profane Love' == Licensing == {{PD-old}} {| border="1" ! date/time || username || edit summary |---- | 13:30, 25 September 2005 || [[:en:User |
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- Caravaggio
- Chiaroscuro
- Amor Vincit Omnia (Caravaggio)
- Giovanni Baglione
- User talk:Woohookitty/Archive4
- Love addiction
- User talk:Reasearch Method II
- User:Robintibor/
- User:Bckyfern/Amor Vincit Omnia (Caravaggio)
- Divine Love Conquering Earthly Love (Baglione)
- User:Jessicanjuarez/Divine Love Conquering Earthly Love (Baglione)
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JPEG文件备注 | BAGLIONE, Giovanni
(b. ca. 1566, Roma d. 1643, Roma) Sacred and Profane Love 1602 Oil on canvas, 240 x 143 cm Galleria Nazionale d'Arte Antica, Rome Baglione painted this canvas, alongside of another version now in Berlin, for the Cardinal Benedetto Giustiniani. The two works follow on the heels of and make reference to Caravaggio's Love Victorious, painted in 1601 for the Marquis Vincenzo Giustiniani. The canvas dates to just before the famous court trial that marked Baglione's definitive split with the circle of his contemporary, Caravaggio: it is thus a document of the phase of Baglione's career in which he most closely approximated Caravaggio's methods. Baglione was originally trained as a painter in the late mannerist style, and was active in major papal commissions at the end of the sixteenth century. He was the first painter to attach himself to the new naturalistic vision of Caravaggio, a style that had its official debut in that painter's work at San Luigi dei Francesi in the Jubilee Year of 1600. While there is no doubt that Baglione modelled the National Gallery picture on Caravaggio's Love Victorious, the artist took a completely new point of view. Uniting the figures to the dark background against which they stand out, he uses an intense and direct spotlighting that creates strong chiaroscuro contrasts. The legacy of late mannerism matrix is evident in both the compositions of the individual figures, above all the attenuated proportions of Sacred Love, and in the rich, complex attire, which departs from Caravaggesque prototypes. Derived from the Psychomachia of Prudentius, the moralizing theme of combat between the vices and the virtues was interpreted by Virgil in "Omnia vincit Amor". Later codified by Petrarch, the theme enjoyed a new popularity in the early seventeenth century. The face of the figure of the devil at the left has been identified as a portrait of Caravaggio. This canvas includes a satirical condemnation of both Caravaggio's art and his moral scruples, making what is tantamount to a visual charge of sodomy. Divine Love interrupts a tryst between Cupid and the Devil, who turns toward the viewer in anguished surprise revealing Caravaggio's likeness. The painting is signed and dated: "IO BAGLIONE/R:F:/1602"
Author: BAGLIONE, Giovanni Title: Sacred and Profane Love Time-line: 1601-1650 School: Italian Form: painting Type: mythological |
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