弗朗西斯科·哈耶茲 (義大利語 :Francesco Hayez 義大利語: [franˈtʃesko ˈaːjets] ;1791年2月10日—1882年2月12日),是一位義大利畫家。他被認為是米蘭19世紀中期浪漫主義的主要藝術家之一,並以其宏偉的歷史畫、政治寓言和肖像畫而聞名[ 1] 。
弗朗西斯科·哈耶茲: 吻 (1859)
71歲自畫像
Reclining Odalisque (1839)
Portrait of Gian Giacomo Poldi Pezzoli
Destruction of Temple of Jerusalem (1867)
Crusaders Thirsting near Jerusalem (1836–1850)
Refugees of Parga (1831)
Scene from Byron's drama The Two Foscari (Antonio Bernocchi family collection, today in the Museum of Fondazione Cariplo)
Sicilian Vespers scene 1 (1821–22)
Sicilian Vespers scene 3 (1821–22)
Meeting of Esau and Jacob
New Favorite in Harem
Portrait, Ballerina Carlotta Chabert as Venus (1830)
路得 (1835)
Odalisque (1867)
Susanna at her Bath (1859)
Nude Bather
Odalisque with Book (1866)
The Meditation (1851)
Samson and the Lion (1842)
Portrait, Matilde Juva-Branca (1851)
Portrait, Princess di Sant' Antimo (1840–1844)
Portrait, Antonietta Tarsis Basilico (1851)
Portrait, Felicina Caglio Perego di Cremnago (1842)
Portrait, Antonietta Vitali Sola (1823)
Portrait, Antonio Rosmini (1835)
Portrait, Camillo Benso, Conte of Cavour (1864)
Portrait, Massimo d'Azeglio (1860)
Portrait, Alessandro Manzoni (1841)
Portrait, Conte Ninni (1823)
Levite Ephraim (1842–1844)
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M. Albertario, Lettere dalla periferia dell'Impero. Enrico Banzolini e Francesco Hayez , in Musei lombardi a tre colori. Materiali tra arte e storia , Torino 2012, pp. 41–69.
A derogatory term used in Rome in the nineteenth century to ridicule the poor shepherds of the mountain regions; the term was then used by the painters of the time for their portraits.