File:Sir_Thomas_More,_by_Hans_Holbein_the_Younger.jpg
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本预览的尺寸:474 × 599像素。 其他分辨率:190 × 240像素 | 379 × 480像素 | 607 × 768像素 | 810 × 1,024像素 | 2,472 × 3,126像素。
原始文件 (2,472 × 3,126像素,文件大小:2.86 MB,MIME类型:image/jpeg)
摘要
对象
小汉斯·霍尔拜因:Portrait of Sir Thomas More | |||||||||||||||||||||||||||
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艺术家 |
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标题 |
label QS:Lit,"Ritratto di Sir Thomas More"
label QS:Lhu,"Morus Tamás portréja"
label QS:Leu,"Thomas Moren erretratua"
label QS:Lca,"Retrat de Thomas More"
label QS:Lde,"Bildnis von Sir Thomas More"
label QS:Lzu,"Portrait of Sir Thomas More"
label QS:Lja,"サー・トーマス・モアの肖像"
label QS:Larz,"صوره السير توماس مور"
label QS:Lpl,"Portret Tomasza Morusa"
label QS:Lnl,"Portret van Sir Thomas More"
label QS:Lfr,"Portrait de Thomas More"
label QS:Les,"Retrato de Tomás Moro"
label QS:Lcy,"Portread Syr Thomas More"
label QS:Lsv,"Porträtt av Sir Thomas More" |
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物体类型 | 畫作 | ||||||||||||||||||||||||||
藝術類型 | 肖像 | ||||||||||||||||||||||||||
描绘人物 | 托马斯·莫尔 | ||||||||||||||||||||||||||
日期 | |||||||||||||||||||||||||||
表现形式 | 油彩在oak panel上方 | ||||||||||||||||||||||||||
尺寸 |
高度:74.9厘米 ;宽度:60.3厘米 dimensions QS:P2048,+74.90U174728 dimensions QS:P2049,+60.30U174728 |
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藏于 |
institution QS:P195,Q682827
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登录号 |
1912.1.77 (弗里克收藏) |
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展览史 |
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参考 |
相片
描述Sir Thomas More, by Hans Holbein the Younger.jpg |
English: Portrait of Sir Thomas More. Oak, 74.2 × 59 cm. Frick Collection, New York. Holbein arrived in England in late 1526 in search of work, bearing an introduction from the humanist scholar Erasmus, for whom he had worked in Basel, to his friend Thomas More, the English lawyer, scholar, and statesman. Holbein was welcomed as a guest by More, who found him commissions and ordered various works from him, including a portrait of his family (the original is lost but a sketch and copies by other artists survive) and this portrait. According to art historian Stephanie Buck, More's chain, signalling his high rank, indicates that this was an official portrait. His black mantle, trimmed with sable, and red velvet sleeves testify to the sitter's wealth. Buck suggests that Holbein's art advanced in this portrait, in which he uses single colours over large areas and intensifies the physical reality of the fabrics. Ellis Waterhouse describes the uniqueness of the style: "Except for the work of Titian, nothing of the same senatorial dignity of presentation was being produced in European portraiture at this time, but the means—predominantly linear—are the exact opposite to Titian's. The figure bulks largely in a clearly defined space whose cubical volume is deliberately reduced by a curtain; features, hands, and the carriage of the body are all used to convey character with equal effect, and the whole work has a Shakespearian profundity and seems to convey the full image of a European personage".(Stephanie Buck, Hans Holbein, Cologne: Könemann, 1999, pp. 54–56; Ellis Waterhouse, Painting in Britain: 1530 to 1790, London: Penguin, 1969, p. 18.) |
来源 | Stephanie Buck, Hans Holbein, Cologne: Könemann, 1999, ISBN 3829025831. |
作者 | Uploaded by qp10qp. |
其他版本 |
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2008年11月23日 (日) 17:38 | 2,472 × 3,126(2.86 MB) | Qp10qp | {{Information |Description= |Source= |Date= |Author= |Permission= |other_versions= }} | |
2008年11月23日 (日) 17:32 | 2,472 × 3,126(2.86 MB) | Qp10qp | {{Information |Description={{en|1=''Portrait of Sir Thomas More.'' Oak, 74.2 × 59 cm. Frick Collection, New York.}} |Source=Stephanie Buck, ''Hans Holbein'', Cologne: Könemann, 1999, ISBN 3829025831. |Author=Hans Holbein the Younger. Uploaded by [[user |
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