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Geographical area associated with a specific cultural orientation From Wikipedia, the free encyclopedia
In anthropology and geography, a cultural area, cultural region, cultural sphere, or culture area refers to a geography with one relatively homogeneous human activity or complex of activities (culture). Such activities are often associated with an ethnolinguistic group and with the territory it inhabits. Specific cultures often do not limit their geographic coverage to the borders of a nation state, or to smaller subdivisions of a state.[1][2]
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A culture area is a concept in cultural anthropology in which a geographic region and time sequence (age area) is characterized by shared elements of environment and culture.[3]
A precursor to the concept of culture areas originated with museum curators and ethnologists during the late 1800s as means of arranging exhibits, combined with the work of taxonomy. The American anthropologists Clark Wissler and Alfred Kroeber further developed this version of the concept on the premise that cultural areas represent longstanding cultural divisions.[4][5][6] This iteration of the concept is sometimes criticized as arbitrary, but the organization of human communities into cultural areas remains a common practice throughout the social sciences.[3]
Cultural geography also utilizes the concept of culture areas. Cultural geography originated within the Berkeley School, and is primarily associated with Carl O. Sauer and his colleagues. Sauer viewed culture as "an agent within a natural area that was a medium to be cultivated to produce the cultural landscape."[7] Sauer's concept was later criticized as deterministic, and geographer Yi-Fu Tuan and others proposed versions that enabled scholars to account for phenomenological experience as well. This revision became known as humanistic geography. The period within which humanistic geography is now known as the "cultural turn."[7][8]
The definition of culture areas is enjoying a resurgence of practical and theoretical interest as social scientists conduct more research on processes of cultural globalization.[9]
Allen Noble gave a summary of the concept development of cultural regions using terms such as:
Cultural "spheres of influence" may also overlap or form concentric structures of macrocultures encompassing smaller local cultures. Different boundaries may also be drawn depending on the particular aspect of interest, such as religion and folklore vs dress, or architecture vs language.
Another version of cultural area typology divides cultural areas into three forms:[2]
A cultural boundary (also cultural border) in ethnology is a geographical boundary between two identifiable ethnic or ethnolinguistic cultures. A language border is necessarily also a cultural border, as language is a significant part of a society's culture, but it can also divide subgroups of the same ethnolinguistic group along more subtle criteria, such as the Brünig-Napf-Reuss line in German-speaking Switzerland,[12] the Weißwurstäquator in Germany,[13] or the Grote rivieren boundary between Dutch and Flemish culture.[14]
In the history of Europe, the major cultural boundaries are traditionally found:[15]
Macro-cultures on a continental scale are also referred to as "worlds", "spheres", or "civilizations", such as the Islamic world.[16]
The term cultural bloc is used by anthropologists to describe culturally and linguistically similar groups (or nations) of Aboriginal peoples of Australia.[17] It may have been coined first by Ronald Berndt in 1959 to describe the Western Desert cultural bloc, a group of peoples in central Australia whose languages comprise around 40 dialects.[18][19] Other groups described as a cultural bloc include the Noongar people of south-western Australia;[20] the Bundjalung people of northern New South Wales and southern Queensland;[17] the Kuninjku/Bininj Kunwok bloc and the Yolngu cultural bloc in Arnhem Land, Northern Territory.[21]
A music area is a cultural area defined according to musical activity. It may or may not conflict with the cultural areas assigned to a given region. The world may be divided into three large music areas, each containing a "cultivated" or classical musics "that are obviously its most complex musical forms", with, nearby, folk styles which interact with the cultivated, and, on the perimeter, primitive styles.[24][lower-alpha 1]
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