Datei:Jean-Léon_Gérôme_-_The_Christian_Martyrs'_Last_Prayer_-_Walters_37113.jpg
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Bschryybig
Jean-Léon Gérôme: Das letzte Gebet der Christen im Circus Maximus | |||||||||||||||||||||||||
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Künschtler |
artist QS:P170,Q212499 |
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Titel |
Das letzte Gebet der Christen im Circus Maximus label QS:Lfr,"La dernière prière des martyrs chrétiens"
label QS:Lde,"Das letzte Gebet der Christen im Circus Maximus"
label QS:Len,"The Christian Martyrs' Last Prayer" |
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Objektart | Gemälde | ||||||||||||||||||||||||
Bschryybig |
English: William T. Walters commissioned this painting in 1863, but the artist did not deliver it until 20 years later. In a letter to Walters, Gérôme identified the setting as ancient Rome's racecourse, the Circus Maximus. He noted such details as the goal posts and the chariot tracks in the dirt. The seating, however, more closely resembles that of the Colosseum, Rome's amphitheater, in which gladiatorial combats and other spectacles were held. Similarly, the hill in the background surmounted by a colossal statue and a temple is nearer in appearance to the Athenian Acropolis than it is to Rome's Palatine Hill. The artist also commented on the religious fortitude of the victims who were about to suffer martyrdom either by being devoured by the wild beasts or by being smeared with pitch and set ablaze, which also never took place in the Circus Maximus. In this instance, Gérôme, whose paintings were usually admired for their sense of reality, has subordinated historical accuracy to drama.
W. M. Brady & Co, New York, in "Drawings and Oil Sketches 1700-1900," 27 January 2009 - 12 February 2009, No. 21, offers "Study for the 'Death of Caesar," an oil on canvas with pen and ink underdrawing, measuring Höchi: 19,5 cm; Breite: 33 cm dimensions QS:P2048,19.5U174728 dimensions QS:P2049,33U174728 , which formerly belonged to Maurice Aiccardi, Paris. This sketch may be the one that Theophile Gautier alluded to during a visit to the artist's studio in 1858 (G. Ackerman, Jean-Leon Gerome: Monographie revisee 2000, pp. 240-241). |
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Datum |
zwischen 1863 und 1883 date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1863-00-00T00:00:00Z/9,P1326,+1883-00-00T00:00:00Z/9 |
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Technik |
Öl auf Leinwand medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Mäß |
Höchi: 87,9 cm; Breite: 150,1 cm dimensions QS:P2048,87.9U174728 dimensions QS:P2049,150.1U174728 ; mit Rahmen: Höchi: 139,7 cm; Breite: 202,2 cm; Tiefe: 17,1 cmdimensions QS:P2048,139.7U174728 dimensions QS:P2049,202.25U174728 dimensions QS:P5524,17.15U174728 |
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Sammlung |
institution QS:P195,Q210081 |
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Inventarnummer |
37.113 |
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Herstellungsort | France | ||||||||||||||||||||||||
Bsitzerhistori |
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Ausstellungsgeschichte |
1972/3: J. L. Gerome. Dayton Art Institute, Dayton 1976-1977: Romans and Barbarians. Museum of Fine Arts, Boston 1979: A Baltimorean in Paris. George A. Lucas 1860-1909. The Walters Art Gallery, Baltimore 1983: Nineteenth Century French Salon Paintings from Southern Collections. High Museum of Art, Atlanta; Chrysler Museum of Art, Norfolk; North Carolina Museum of Art, Raleigh; The John and Mable Ringling Museum of Art, Sarasota. 1999-2000: Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 2002-2004: A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. 2010-2011: The Spectacular Art of Jean-Léon Gérôme. Museo Thyssen-Bornemisza, Madrid; J. Paul Getty Museum, Los Angeles; Musee D'Orsay, Paris. 2012: Public Property. 2014-2016: From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
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Anerkennig | Acquired by William T. Walters, 1883 | ||||||||||||||||||||||||
Yyschrifte |
Unterschrift links: J. L. Gérôme
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Fuessnote | |||||||||||||||||||||||||
Quälle | Walters Art Museum: Home page Info about artwork | ||||||||||||||||||||||||
Gnähmigung (Wyternutzig vu däre Datei) |
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Lizänzierig
This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
العربيَّة | English | français | italiano | македонски | русский | sicilianu | +/− |
Dies ist eine originalgetreue fotografische Wiedergabe eines originalen zweidimensionalen Kunstwerks. Das Kunstwerk selbst ist gemeinfrei aus folgenden Gründen:
Diese digitale Reproduktion ist unter den folgenden Lizenzen veröffentlicht worden:
In vielen Rechtsprechungen, einschließlich der Vereinigten Staaten, sind originalgetreue fotografische Wiedergaben zweidimensionaler gemeinfreier Kunstwerke nicht urheberrechtlich geschützt (siehe Commons:Reuse of PD-Art photographs). In diesen Rechtsprechungen ist dieses Werk tatsächlich gemeinfrei und die Bedingungen der obigen Lizenz sind nicht zwingend. |
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Version vom | Vorschaubild | Mäß | Benutzer | Kommentar | |
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aktuell | 01:05, 25. Feb. 2014 | 1.800 × 1.050 (1,16 MB) | Soerfm | Levels | |
09:50, 3. Jul. 2013 | 1.800 × 1.050 (378 KB) | Chapeaumelon~commonswiki | low contrast | ||
03:03, 25. Mär. 2012 | 1.800 × 1.050 (1,68 MB) | File Upload Bot (Kaldari) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jean-Léon Gérôme}} |title = ''The Christian Martyrs' Last Prayer'' |description = {{en|William T. Walters commissioned this painting in 1863, but the a... |
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Orientierung | Normal |
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Horizontali Uflesig | 72 dpi |
Vertikali Uflesig | 72 dpi |
Software | Adobe Photoshop CS2 Windows |
Spycherzytpunkt | 00:03, 25. Feb. 2014 |
Farbruum | Nit kalibriert |
Bildbreiti | 1.800 px |
Bildhechi | 1.050 px |
Digitalisierigszytpunkt | 01:01, 25. Feb. 2014 |
Datum, wu d Metadate s letscht Mol gänderet wore sin | 01:03, 25. Feb. 2014 |