Eitaro Ishigaki
Japanese-American painter / From Wikipedia, the free encyclopedia
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Eitaro Ishigaki (石垣 栄太郎, Ishigaki Eitarō, born on December 1, 1893, died on January 23, 1958) was a Japanese-born American painter.[1] He lived and worked in the United States between 1909 and 1952.[2]: 39–40 Ishigaki, who came to the US as a migrant worker in the early 20th century, depicted the contradictions of American society from the perspective of a minority person.[3] Ishigaki was also a founding member of progressive and politically active organizations, including the John Reed Clubs (JRC) in 1929 and the American Artists' Congress in 1936.[2]: 40 Ishigaki was a committed leftist throughout his life and career, "whose canvases and murals depicted social injustices and urban life."[4]: 2 His one of best known works, The Bonus March (1932), depicts a critical moment in WWI veterans' famous march into Washington, D.C., in 1932.[5]: 9
Eitaro Ishigaki | |
---|---|
石垣 栄太郎 | |
Born | (1893-12-01)December 1, 1893 Taiji, Wakayama, Japan |
Died | January 23, 1958(1958-01-23) (aged 64) |
Nationality | American |
Known for | Painting, muralist |
Spouse | Ayako Ishigaki |
Ishigaki's work is held by the Art Institute of Chicago. In 1997 and 2013, the Museum of Modern Art, Wakayama held commemorative exhibitions of his works. His work is also located in the Ishigaki Eitaro Memorial Museum in Wakayama, Japan.[1]