Psalm 138
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
Psalm 138 is the 138th psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee with my whole heart". In Latin, it is known as "Confitebor tibi Domine in toto corde meo".[1] The psalm is a hymn psalm.[2]
| Psalm 138 | |
|---|---|
| "I will praise thee with my whole heart" | |
| Hymn psalm | |
The beginning of Psalm 138, Hymne d'action de grâce, folio 84 of Les Très Riches Heures du duc de Berry, musée Condé, ms.65. The miniature represents a religious spraying holy water on a dignitary who had just entered his church. | |
| Other name |
|
| Language | Hebrew (original) |
In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 137.
The psalm forms a regular part of Jewish, Catholic, Orthodox, and Protestant liturgies. It has often been set to music, by composers including Claudio Monteverdi, Heinrich Schütz, Marc-Antoine Charpentier, Michel Richard Delalande, Jan Dismas Zelenka, Josef Rheinberger and Stefans Grové.
Psalm 138 is the 138th psalm from the Book of Psalms, which is the first book of the Ketuvim ("Writings") in the Hebrew Bible, and is also a book of the Christian Old Testament. It is part of the final Davidic collection of psalms, comprising Psalms 138 through 145, which are specifically attributed to David in their opening verses.[3][4] However, Dunn and Rogerson assert that the psalm was written as an expression of thankfulness after the return from exile in Babylon.[5] This particular psalm describes that those who are close to God live in reality, and those who believe in human power live in a world of fantasy.[6]
The singer begins with individual thanks for God's lasting love and care. The hope that it will endure forever ends the psalm, framing the middle section which first calls to universal thanks and praise, and then mentions ongoing adversaries and trouble which the singer is sure to overcome with God's help.[7]
The following table shows the Hebrew text[8][9] of the Psalm with vowels alongside an English translation based upon the JPS 1917 translation (now in the public domain).
| Verse | Hebrew | English translation (JPS 1917) |
|---|---|---|
| 1 | לְדָוִ֨ד ׀ אוֹדְךָ֥ בְכׇל־לִבִּ֑י נֶ֖גֶד אֱלֹהִ֣ים אֲזַמְּרֶֽךָּ׃ | [A Psalm] of David. I will give Thee thanks with my whole heart, In the presence of the mighty will I sing praises unto Thee. |
| 2 | אֶשְׁתַּחֲוֶ֨ה אֶל־הֵיכַ֪ל קׇדְשְׁךָ֡ וְא֘וֹדֶ֤ה אֶת־שְׁמֶ֗ךָ עַל־חַסְדְּךָ֥ וְעַל־אֲמִתֶּ֑ךָ כִּֽי־הִגְדַּ֥לְתָּ עַל־כׇּל־שִׁ֝מְךָ֗ אִמְרָתֶֽךָ׃ | I will bow down toward Thy holy temple, And give thanks unto Thy name for Thy mercy and for Thy truth; For Thou hast magnified Thy word above all Thy name. |
| 3 | בְּי֣וֹם קָ֭רָֽאתִי וַֽתַּעֲנֵ֑נִי תַּרְהִבֵ֖נִי בְנַפְשִׁ֣י עֹֽז׃ | In the day that I called, Thou didst answer me; Thou didst encourage me in my soul with strength. |
| 4 | יוֹד֣וּךָ יְ֭הֹוָה כׇּל־מַלְכֵי־אָ֑רֶץ כִּ֥י שָׁ֝מְע֗וּ אִמְרֵי־פִֽיךָ׃ | All the kings of the earth shall give Thee thanks, O LORD, For they have heard the words of Thy mouth. |
| 5 | וְ֭יָשִׁירוּ בְּדַרְכֵ֣י יְהֹוָ֑ה כִּֽי־גָ֝ד֗וֹל כְּב֣וֹד יְהֹוָֽה׃ | Yea, they shall sing of the ways of the LORD; For great is the glory of the LORD. |
| 6 | כִּי־רָ֣ם יְ֭הֹוָה וְשָׁפָ֣ל יִרְאֶ֑ה וְ֝גָבֹ֗הַּ מִמֶּרְחָ֥ק יְיֵדָֽע׃ | For though the LORD be high, yet regardeth He the lowly, And the haughty He knoweth from afar. |
| 7 | אִם־אֵלֵ֤ךְ ׀ בְּקֶ֥רֶב צָרָ֗ה תְּחַ֫יֵּ֥נִי עַ֤ל אַ֣ף אֹ֭יְבַי תִּשְׁלַ֣ח יָדֶ֑ךָ וְת֖וֹשִׁיעֵ֣נִי יְמִינֶֽךָ׃ | Though I walk in the midst of trouble, Thou quickenest me; Thou stretchest forth Thy hand against the wrath of mine enemies, And Thy right hand doth save me. |
| 8 | יְהֹוָה֮ יִגְמֹ֢ר בַּ֫עֲדִ֥י יְ֭הֹוָה חַסְדְּךָ֣ לְעוֹלָ֑ם מַעֲשֵׂ֖י יָדֶ֣יךָ אַל־תֶּֽרֶף׃ | The LORD will accomplish that which concerneth me; Thy mercy, O LORD, endureth for ever; Forsake not the work of Thine own hands. |
Alexander Kirkpatrick notes that the object of the psalmist's praise is not named, nor is it necessary that the LORD should be named, although in certain "ancient versions", "the Lord" is added.[12] Among modern translations, the New Revised Standard Version and the Modern English Version add "O Lord".[13]
Psalm 138 is traditionally recited as a psalm of thanks and gratitude to God.[14][15]
Verse 2 is recited during Selichot.[16]
Verse 4 is the verse said by the mule in Perek Shirah.[17]
Verses 3 and 8 are recited at the end of the Amidah by people whose names begin with the first letter of the verse and end with the last letter of the verse.[16]
Historically, this psalm was recited or sung at the office of Vespers on Wednesdays, according to the Rule of St. Benedict.[18][19] In the Liturgy of the Hours, Psalm 138 is recited at Vespers on the Tuesday of the fourth week of the four weekly liturgical cycle. In the liturgy of the Mass, it is played on the 21st Sunday of Ordinary Time of the year,[20] the 5th and the 17th Sunday in Ordinary Time of the year.
The psalm appeared in a rhymed version in the hymnal Genevan Psalter in the 1551 edition. German versions on the same melody, "Mein ganzes Herz erhebet dich", were published from the 18th century, and are part of Protestant and Catholic hymnals.
Heinrich Schütz set Psalm 138 in German, "Aus meines Herzens Grunde" (From the bottom of my heart) as part of his settings of the Becker Psalter, published in 1628, SWV 243.[21] Marc-Antoine Charpentier, 4 settings, (H.200, H.200 a, H.151, H.225, H.220), Michel Richard Delalande set the psalm in Latin, "Confitebor tibi Domine in toto corde meo", S.48, for soloists, chorus and orchestra in 1697.[22] Henri Desmarets composed a setting for soloists, a five-part choir and orchestra in 1707.[23] Jan Dismas Zelenka wrote 5 settings for soloists, chorus and orchestra, ZWV 70-73 and ZWV 100. François Giroust, one setting in 1764. Josef Rheinberger composed a four-part setting in Latin- "Confitebor tibi Domine" as No. 4 of his Fünf Motetten (Five motets), Op. 163, in 1885.[24] The South African composer Stefans Grové wrote a setting for children's choir, choir, African drums, marimba, and string orchestra in 2002.[25]
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