The Departed
2006 American crime thriller film by Martin Scorsese From Wikipedia, the free encyclopedia
2006 American crime thriller film by Martin Scorsese From Wikipedia, the free encyclopedia
The Departed is a 2006 American epic crime thriller film[2][3][4] directed by Martin Scorsese and written by William Monahan.[5] It is both a remake of the 2002 Hong Kong film Infernal Affairs and also loosely based on the real-life Boston Winter Hill Gang; the character Colin Sullivan is based on the corrupt FBI agent John Connolly, while the character Frank Costello is based on Irish-American gangster and crime boss Whitey Bulger.[6][7][8] The film stars Leonardo DiCaprio, Matt Damon, Jack Nicholson, and Mark Wahlberg, with Martin Sheen, Ray Winstone, Vera Farmiga, Alec Baldwin, Anthony Anderson and James Badge Dale in supporting roles.
| The Departed | |
|---|---|
Theatrical release poster | |
| Directed by | Martin Scorsese |
| Screenplay by | William Monahan |
| Based on | Infernal Affairs by Alan Mak & Felix Chong |
| Produced by | |
| Starring | |
| Cinematography | Michael Ballhaus |
| Edited by | Thelma Schoonmaker |
| Music by | Howard Shore |
Production companies | |
| Distributed by | Warner Bros. Pictures |
Release dates |
|
Running time | 151 minutes[1] |
| Country | United States |
| Language | English |
| Budget | $90 million[1] |
| Box office | $291.5 million[1] |
The film takes place in Boston and the surrounding metro area, primarily in the South Boston neighborhood. Irish Mob boss Frank Costello (Nicholson) plants Colin Sullivan (Damon) as a spy within the Massachusetts State Police; simultaneously, the police assign undercover state trooper Billy Costigan (DiCaprio) to infiltrate Costello's mob crew. When both sides realize the situation, Sullivan and Costigan each attempt to discover the other's identity before they are found out.
The Departed was a critical and commercial success, grossing $291.5 million on a budget of around $90 million and receiving acclaim for its direction, performances (particularly of DiCaprio, Nicholson, and Wahlberg), screenplay,[9] and editing.[10] It won several accolades, including four Oscars at the 79th Academy Awards: for Best Picture, Best Director for Scorsese (his only personal Oscar win to date), Best Adapted Screenplay for Monahan, and Best Film Editing for editor Thelma Schoonmaker.[11] The film also received six nominations each at the 64th Golden Globe Awards (winning one) and the 60th British Academy Film Awards, and two nominations at the 13th Screen Actors Guild Awards.
In the 1980s in Boston, Irish Mob boss Frank Costello introduces himself to a young Colin Sullivan.
Many years later, Sullivan has been groomed as a spy inside the Massachusetts State Police (MSP) and joins the Special Investigation Unit (SIU). Another police academy recruit, Billy Costigan, is selected by Captain Queenan and Sergeant Dignam to go undercover as a criminal.
Costigan serves a term in prison to set up his cover and further commits a series of crimes. Sullivan begins dating Madolyn Madden, a psychiatrist. Costigan catches Costello's attention, and Costello later recruits Costigan into his organization. Over the next year, Costigan becomes increasingly involved in the organization. His mental state declines but Queenan and Dignam convince him to continue. Costigan begins having appointments with Madolyn.
The MSP and Costello both realize that there is a mole in their respective organizations and task Costigan and Sullivan to find the moles. Meanwhile, Costigan learns that Costello is a protected FBI informant. Costigan shares his discovery with Queenan. Costigan and Madolyn have an affair.
One night, Costigan follows Costello into an adult theater and witnesses him giving Sullivan an envelope containing information of his crew. Costigan is instructed to get a visual ID of Sullivan but he is unable to get a good look at his face. When Sullivan realizes that he is being followed, he accidentally stabs a man, mistaking him for Costigan, and flees. Queenan advises Sullivan to follow Costello to find the MSP mole. Costigan calls Queenan and sets up a meeting to end the undercover operation, but Sullivan has Queenan followed, lying to the other officers that Queenan may be the spy. Sullivan also calls in Costello's gang to the meeting location.
When Costello's men arrive, Queenan helps Costigan escape before being thrown from the building to his death. This causes a firefight between police and Costello's men. Angered by Queenan's murder, Dignam attacks Sullivan and is suspended. Timothy Delahunt, one of Costello's henchmen who was wounded in the gunfight, tells Costigan that he knows he is the rat before he succumbs to his wounds. Sullivan looks through Queenan's belongings and learns that Costello is an FBI informant after reading Queenan's notebook. A news report reveals that Delahunt was an undercover officer for the Boston Police Department, but Costello suspects the police department made up the claim so he would stop looking for the mole. Deciding to turn on him, Sullivan directs the MSP to tail Costello, and a gunfight erupts, killing most of Costello's crew. Sullivan confronts a wounded Costello, who admits to being an FBI informant. They exchange gunfire, and Sullivan kills him.
His assignment finished, Costigan goes to Sullivan to reveal his undercover status, still unaware of the other's true identity. After Sullivan goes to another room, Costigan notices the same envelope from the theater on his desk. Costigan realizes that Sullivan was Costello's mole, and escapes. Shortly after, Sullivan returns to find Costigan gone, and realizes that he now knows his true identity. He deletes Costigan's records from police computers. Costigan visits Madolyn, who has revealed that she's pregnant to Sullivan but not to Costigan knowing that Sullivan may not be the father, and hands her an envelope, instructing her to open it if something happens to him. She finds an envelope in the mail from Costigan addressed to Sullivan. Inside is a CD of Costello's recorded conversations with Sullivan. Scared that Costigan has revealed their affair, she listens to the taped conversations and leaves Sullivan. Costigan arranges to meet Sullivan on the rooftop of the building where Queenan was killed, then arrests him. Costigan calls Trooper Brown, an acquaintance from the police academy, but Brown pulls a gun on Costigan when he arrives, unsure who is telling the truth.
Costigan says that he has evidence tying Sullivan to Costello, and Brown lets him go down the elevator. Upon reaching the lobby, Costigan is shot in the head by Trooper Barrigan, a friend of Sullivan's who reveals himself to be another spy working for Costello. Brown reaches the lobby but is shot dead by Barrigan as well. Sullivan shoots Barrigan dead, allowing him to denounce Barrigan as the mole while removing suspicion from himself.
At Costigan's funeral, Sullivan and Madolyn stand by his grave. As Madolyn silently cries, Sullivan realizes that they were involved. He attempts to talk to her, but she ignores him. Later, when Sullivan arrives home, Dignam is waiting for him inside and, after Sullivan indifferently accepts his fate, Dignam shoots him in the head, avenging Queenan's and Costigan's deaths, before he leaves. The final shot shows a rat crawling on the rail of the patio with the Massachusetts State House in the distance.
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In January 2003, Warner Bros., producer Brad Grey, and actor/producer Brad Pitt bought the rights to remake the Hong Kong film Infernal Affairs (2002) from Media Asia for $1.75 million.[12][13] William Monahan was secured as a screenwriter, and later Martin Scorsese, who admired Monahan's script, came on board as director.[13][7][14]
In March 2004, United Press International announced that Scorsese would be remaking Infernal Affairs and setting it in Boston, and that Leonardo DiCaprio and Brad Pitt were slated to star.[15] Pitt, tentatively scheduled to play Sullivan, later declined to play the role, saying a younger actor should play the part; he decided to produce the film instead.[14] Scorsese's associate Kenneth Lonergan suggested Matt Damon, who grew up in Boston, for the part of Sullivan, and Scorsese asked Jack Nicholson to play Costello.[7] Robert De Niro was approached to play Queenan, but De Niro declined in order to direct The Good Shepherd instead.[16] Scorsese would later say that De Niro turned down the role as he was not interested.[17] Ray Liotta was approached for a role in the film, but declined due to a commitment to another project.[18]
Nicholson wanted the film to have "something a little more" than the usual gangster film, and screenwriter Monahan came up with the idea of basing the Costello character on Irish-American gangster Whitey Bulger. This gave the screenplay an element of realism—and an element of dangerous uncertainty, because of the wide-ranging carte blanche the FBI gave Bulger in exchange for revealing information about fellow gangsters.[7] A technical consultant on the film was Tom Duffy, who had served three decades on the Boston Police Department, particularly as an undercover detective investigating the Irish mob.[19][20]
The Departed was officially greenlit by Warner Bros. in early 2005 and began shooting in the spring of that year.[13] Some of the film was shot on location in Boston. For budgetary and logistical reasons many scenes, in particular interiors, were shot in locations and sets in New York City, which had tax incentives for filmmakers that Boston at the time did not.[7][21]
Film critic Stanley Kauffmann said that for The Departed, Scorsese "was apparently concerned with the idea of identity, one of the ancient themes of drama, and how it affects one's actions, emotions, self-knowledge, even dreams." Kauffmann, however, did not find the theme conveyed with particular effectiveness in the film.[22] Film critic Roger Ebert compared Costigan and Sullivan's seeking of approval from those they are deceiving to Stockholm syndrome.[23] Ebert also noted the themes of Catholic guilt.[23]
In the final scene, a rat is seen on Sullivan's window ledge. Scorsese acknowledges that while it is not meant to be taken literally, it somewhat symbolizes the "quest for the rat" in the film and the strong sense of distrust among the characters, much like post-9/11 U.S. The window view behind the rat is a nod to gangster films like Little Caesar (1931), Scarface (1932), and White Heat (1949).[24] The film's penultimate scene at Costigan's funeral, when Madolyn walks straight past Sullivan and out of camera without looking at him, is a visual quotation of the famous closing scene from The Third Man.
Throughout the film, Scorsese uses an "X" motif to foreshadow death in a manner similar to Howard Hawks' film Scarface (1932). Examples include shots of cross-beam supports in an airport walkway when Costigan is phoning Sgt. Dignam, the lighted "X" on the wall in Sullivan's office when he assures Costello over the phone that Costigan is not the rat, the taped windows of the building Queenan enters before being thrown to his death, behind Costigan's head in the elevator before he is shot, and the carpeted hallway floor when Sullivan returns to his apartment before being shot by Dignam at the film's end.[25]
The Departed grossed $132.4 million in the United States and Canada and $159 million in other territories for a total gross of $291.5 million, against a production budget of $90 million.[1]
The film grossed $26.9 million in its opening weekend, becoming the fourth Scorsese film to debut at number one.[26] In the following three weeks the film grossed $19 million, $13.5 million and $9.8 million, finishing second at the box office each time, before grossing $7.7 million and dropping to 5th in its fifth week.[27]
As per the review aggregator website Rotten Tomatoes, 91% of critics have given the film a positive review based on 287 reviews, with an average rating of 8.30 out of 10. The site's critics consensus reads, "Featuring outstanding work from an excellent cast, The Departed is a thoroughly engrossing gangster drama with the gritty authenticity and soupy morality we have come to expect from Martin Scorsese."[28] On Metacritic, the film has a weighted average score of 85 out of 100, with 92% positive reviews based on 39 critics, indicating "universal acclaim".[29] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[30]
Entertainment Weekly ranked it on its end-of-the-decade "Best of" list, saying: "If they're lucky, directors make one classic film in their career. Martin Scorsese has one per decade (Taxi Driver in the '70s, Raging Bull in the '80s, Goodfellas in the '90s). His 2006 Irish Mafia masterpiece kept the streak alive."[31]
Roger Ebert gave the film four stars out of four, praising Scorsese for thematically differentiating his film from the original.[23] Online critic James Berardinelli awarded the film four stars out of four, praising it as "an American epic tragedy." He went on to claim that the film deserves to be ranked alongside Scorsese's past successes, including Taxi Driver, Raging Bull and Goodfellas.[32]
Andrew Lau, co-director of Infernal Affairs, in an interview with Hong Kong newspaper Apple Daily, said: "Of course I think the version I made is better, but the Hollywood version is pretty good too. [Scorsese] made the Hollywood version more attuned to American culture."[33] Andy Lau, one of the main actors in Infernal Affairs, when asked how the movie compares to the original, said: "The Departed was too long and it felt as if Hollywood had combined all three Infernal Affairs movies together."[34] Although Lau said the script of the remake had some "golden quotes," he also felt it had a bit too much profanity. He ultimately rated The Departed eight out of ten and said that the Hollywood remake is worth a view, though according to Lau's spokeswoman Alice Tam, he felt that the combination of the two female characters into one in The Departed was not as good as the original storyline.[35]
A few critics were disappointed in the film, including J. Hoberman of the Village Voice, who wrote: "Infernal Affairs was surprisingly cool and effectively restrained for HK action, but Scorsese raises the temperature with every ultraviolent interaction. The surplus of belligerence and slur reach near-Tarantinian levels—appropriate as he's staking a claim to QT's turf."[36]
The film appeared on many critics' top ten lists of the best films of 2006.[37] Carrie Rickey of The Philadelphia Inquirer, Joe Morgenstern of The Wall Street Journal, Ruthe Stein of the San Francisco Chronicle, and Steven Rea of The Philadelphia Inquirer named it one of the top ten films of 2006.[37] Richard Roeper of the Chicago Sun-Times named it the best film of the 2000s.[38]
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At the 64th Golden Globe Awards on January 15, 2007, The Departed won one award for Best Director (Martin Scorsese), while being nominated for five other awards including Best Picture, Best Actor (Leonardo DiCaprio), Best Supporting Actor (Jack Nicholson, Mark Wahlberg), and Best Screenplay (William Monahan).[39]
At the 79th Academy Awards on February 25, 2007, The Departed won four Academy Awards: Best Picture (Graham King), Best Director (Martin Scorsese), Best Film Editing (Thelma Schoonmaker), and Best Adapted Screenplay Writing (William Monahan). Mark Wahlberg was also nominated for the Best Supporting Actor award for his performance, but he lost to Alan Arkin for his role in Little Miss Sunshine.[40][41]
The film marked the first time Scorsese won an Oscar after five previous losses.[42] Many felt that he deserved it years earlier for prior efforts. Some felt he deserved it for his prior nominations and the win was described as a "Lifetime Achievement Award for a lesser film".[43] Scorsese himself joked that he won because: "This is the first movie I've done with a plot."[44]
At the 11th Satellite Awards on December 18, 2006, The Departed won awards for Best Ensemble, Motion Picture, Best Motion Picture, Drama, Best Screenplay – Adapted (William Monahan), and Best Actor in a Supporting Role (Leonardo DiCaprio). In 2008, it was nominated for the American Film Institute Top 10 Gangster Films list.[45]
The Departed was released by Warner Home Video on DVD, HD-DVD, and Blu-ray disc on February 13, 2007. The film is available in a single-disc full screen (1.33:1), single-disc widescreen (2.39:1) edition, and 2-disc special edition. The second disc contains deleted scenes, a feature about the influence of New York's Little Italy on Scorsese, a Turner Classic Movies profile, a theatrical trailer, and a 21-minute documentary titled Stranger Than Fiction: The True Story of Whitey Bulger, Southie and The Departed[46] about the crimes that influenced Scorsese in creating the film, including the story of James "Whitey" Bulger, upon whom Jack Nicholson's character is based.[47] The film was released on Ultra HD Blu-ray on April 23, 2024.
| No. | Title | Writer(s) | Artist(s) | Length |
|---|---|---|---|---|
| 1. | "Comfortably Numb" | Roger Waters (Feat. Van Morrison & The Band) | 7:59 | |
| 2. | "Sail On, Sailor" | The Beach Boys | 3:18 | |
| 3. | "Let It Loose" | The Rolling Stones | 5:18 | |
| 4. | "Sweet Dreams" | Don Gibson | Roy Buchanan | 3:32 |
| 5. | "One Way Out" | The Allman Brothers Band | 4:57 | |
| 6. | "Baby Blue" | Pete Ham | Badfinger | 3:36 |
| 7. | "I'm Shipping Up to Boston" |
| Dropkick Murphys | 2:34 |
| 8. | "Nobody but Me" | The Human Beinz | 2:18 | |
| 9. | "Tweedle Dee" | Winfield Scott | LaVern Baker | 3:10 |
| 10. | "Sweet Dreams (of You)" | Don Gibson | Patsy Cline | 2:34 |
| 11. | "The Departed Tango" | Howard Shore | Howard Shore, Marc Ribot | 3:32 |
| 12. | "Beacon Hill" | Howard Shore | Howard Shore, Sharon Isbin | 2:33 |
| 13. | "Gimme Shelter" |
| The Rolling Stones | 3:18 |
The film score for The Departed was written by Howard Shore and performed by guitarists Sharon Isbin, G. E. Smith, Larry Saltzman and Marc Ribot.[48] The score was recorded in Shore's own studio in New York State. The album, The Departed: Original Score, was released December 5, 2006 by New Line, and produced by Jason Cienkus.[49]
Scorsese described the music as "a very dangerous and lethal tango" and cited the guitar-based score of Murder by Contract and the zither in The Third Man as inspiration.[50]
Although many of the key characters in the film are dead by the end, there was a script written for a sequel. This was ultimately shelved due to the expense and Scorsese's lack of interest in creating a sequel.[51]
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