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Film festival edition From Wikipedia, the free encyclopedia
The 18th Metro Manila Film Festival was held in 1992.
1992 Metro Manila Film Festival | |
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Date | December 25, 1992 to January 3, 1993 |
Site | Manila |
Highlights | |
Best Picture | Andres Manambit: Angkan ng Matatapang |
Most awards | Andres Manambit: Angkan ng Matatapang (5) |
Screen heartthrob and matinée idol Aga Muhlach won his first major award, the Best Actor trophy for the film Bakit Labis Kitang Mahal. The movie also won three other awards including the Best Original Theme Song by the same title of the film for Alex Mallillin. Meanwhile, VIVA Films' Andres Manambit: Angkan ng Matatapang was adjudged the festival's Best Picture and won four other awards including the Best Director for Ike Jarlego, Jr. among others. Other awardees included Best Actress for Gina Alajar, Best Supporting Actress for Sylvia Sanchez and Best Child Performer for I.C. Mendoza. In addition, the year's festival introduced the new category for Best Float, received by the team of Okay Ka, Fairy Ko! Part 2 movie.[1][2]
Winners are listed first and highlighted in boldface.[3][4]
Best Film | Best Director |
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Best Actor | Best Actress |
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Best Supporting Actor | Best Supporting Actress |
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Best Production Design | Best Cinematography |
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Best Child Performer | Best Editor |
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Best Original Story | Best Screenplay |
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Best Theme Song | Best Musical Score |
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Best Visual Special Effects | Best Make-up Artist |
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Best Sound Recording | Best Float |
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Gatpuno Antonio J. Villegas Cultural Awards | |
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Special Recognition Award | Joseph Estrada |
Joey Lina | |
Gawad ng Natatanging Pagkilala | Nora Aunor |
Male Star of the Night | Bernard Bonnin |
Female Star of the Night | Tetchie Agbayani |
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The following are the key persons during the "Gabi ng Parangal" held in the PICC Reception Hall on December 28.[2]
The 18th MMFF logged the highest attendance out of any year of the festival's history at the time, with an attendance of 6.898 million.[5] It also surpassed ₱100 million in total film gross for the first time.[5]
Vice Mayor of Manila Lito Atienza criticized the festival for its "total commercialization" and losing its "reason of being, which is the promotion of good Filipino values through the arts."[6]
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