Andreas Müller-Pohle
German photographer, media artist and publisher / From Wikipedia, the free encyclopedia
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Andreas Müller-Pohle (born July 19, 1951, in Braunschweig) is a German photographer, media artist and publisher. He is considered an important representative of experimental photography[1][2] and is the originator of the theory of "Visualism".[3][4][5]
Quick Facts Born, Nationality ...
Andreas Müller-Pohle | |
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Born | (1951-07-19) July 19, 1951 (age 72) |
Nationality | German |
Education | University of Göttingen, University of Hanover |
Known for | Photographer, visiting professor, critic, artist, publisher and editor |
Notable work | Hong Kong Waters (2009–2010), Face Codes (1998–1999), Digital Scores (After Nicéphore Niépce) (1995–1998), Transformance (1979–1982), Constellations(1976–1979) |
Style | conceptual art |
Movement | Experimental photography, contemporary photography |
Awards | Prix européen de la photographie de la Fondation Reind M. De Vries, Prix Pictet, Photobook Award |
Website | muellerpohle |
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As a publisher, especially of the bi-lingual art magazine European Photography, Müller-Pohle has documented and influenced the development of independent photography since the early 1980s.[6] Since 1983 he has published the writings of the media and culture philosopher Vilém Flusser, whose work he has popularised especially in the German speaking countries.[7]