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American photographer and journalist From Wikipedia, the free encyclopedia
Bill Pierce (born in 1935, Waterbury) is a freelance photographer and journalist with a background in theater, who is based in New York City.
Bill Pierce | |
---|---|
Born | 1935 |
Alma mater | Princeton University |
Occupation | Photojournalism |
Awards | Overseas Press Best Photoreporting from Abroad (1982) World Press Budapest Award (1988) |
Pierce was a graduate of Princeton University. He is a self-taught photographer and apprenticed with W. Eugene Smith.[1]
News photography [...] does require amazing concentration and really good reflexes.
Bill Pierce,
in Time History's Greatest Images
The World's 100 Most Influential Photographs[2]
He was a photojournalist more than 20 years, during which he covered worldwide events from the civil wars in Beirut and Lebanon to the demonstrators' call for democracy[3] in Tiananmen Square, Beijing. His first experience photographing armed conflict was the Civil Rights Movement in the United States. The first war he photographed was in Northern Ireland beginning in 1973, doing so off and on for almost a decade. In 1976 Roger Rosenblatt wrote an original story about this, expanded the text into the book Children of War and turned Pierce into one of its characters.[1][4] A few of his photographs were featured in the book as illustrations. The book won the Robert F. Kennedy Book Award in 1984.[5] In 1983 he and Bill Foley were assaulted and threatened with death by Syrian soldiers while they were trying to enter the Bekka Valley[6] in Lebanon, but they reached Tripoli safely.[7]
Pierce's work appears in major international publications such as Time. He acted as contributing editor to Popular Photography for 15 years and Newsweek, U.S. News & World Report, Life, Paris Match, The New York Times Magazine and Stern. He was also a writer for Camera 35 magazine and Popular Photography.[8] His works are represented by private collectors[9] and in exhibitions, books, permanent museum collections, such as of the National Portrait Gallery and the Corcoran Gallery of Art.
He contributed four chapters on black-and-white film and artificial lighting to the 15th edition of the book "Leica Manual" in 1974.[10] He was also featured as an interviewee in the 2015 documentary The Jazz Loft According to W. Eugene Smith.[11]
He was one of dozens of photographers—along with Neil Selkirk and Gary Miller—who have made stills of the ″Sesame Street mob″ between the years 1970 and 1982.[12][13][14]
He has given photographic lectures in The New School,[15] and on the ″Leica College Seminar″.
He has two sons, one of whom is also a photographer.[10]
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