Doctrine of the affections
Theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era / From Wikipedia, the free encyclopedia
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The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750).[1][2] Literary theorists of that age, by contrast, rarely discussed the details of what was called "pathetic composition", taking it for granted that a poet should be required to "wake the soul by tender strokes of art".[3] The doctrine was derived from ancient theories of rhetoric and oratory.[4] Some pieces or movements of music express one Affekt throughout; however, a skillful composer like Johann Sebastian Bach could express different affects within a movement.[5]